Our protagonist, Alex Kovacs, is now 40 (apparently he was born in 1900, since this current title takes place in early 1940). After Leon, Henry, Liesl, and Alex escaped from Austria just hours before the Anschluss, they eventually settled in Zurich, partly because Henry’s father, Gregory Fessler, had made his home there several years earlier. This is a fortunate choice since Czechoslovakia wiped off the map before the end of 1939. Poland is next to be invaded and divided between Germany and the USSR. France is expected to be next.
Alex is no longer the magnesite salesman; he now is the head of a small private bank that manages funds for the Czech underground intelligence network. When this story opens, Alex has a meeting scheduled to meet with one of those spies, Michael Landers. Unfortunately, Landers is killed near the bank prior to the meeting.
Alex meets a bunch more spies in this story, most notably a female French spy named Manon Friere, although he doesn’t learn about the spy part for a long time. Their relationship is the first serious one Alex has experienced.
Alex is provided with a short-wave radio to report important information to London. He eventually confides in Henry’s father, Gregory, who insists, even begs, to help. Gregory learns how to operate the radio, which is kept in Gregory’s living quarters above Café Fessler. Everyone knows Hitler isn’t finished, but it’s assumed he won’t invade neutral Switzerland.
As any history buff knows, Hitler first dispenses with Denmark and Norway. Alex receives word that Hitler will attack France through the Ardennes rather than through The Netherlands and Belgium and passes that on to his London contacts. Unfortunately, it is pointless, and France falls. Just before, though, Manon goes home to Lyon, and after deliberation, Alex decides to go there as well and that’s how this installment ends.
I am very much enjoying these stories and characters. I agree with other reviewers that there are a number of anachronisms pertaining to language in particular. The stories are told in the first person and Alex’s inner dialogue and all of the dialogue, in fact, is very 21st century. I know it’s a difficult balancing act for authors who want their stories to be easily read with relatable characters, but it is a bit jarring.
Still, these are very enjoyable.