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The Cinema at Starlight Creek
A heart-stirring novel of loss, love and new hope set against the glamorous backdrop of 1950s Hollywood and a small Australian country town. How far would you go to follow your dream?
Queensland, 1994: When location manager Claire Montgomery arrives in rural Queensland to work on a TV mini-series, she's captivated by the beauty of Starlight Creek and the surrounding sugarcane fields. Working in a male-dominated industry is challenging, but Claire has never let that stop her pursuing her dreams-until now. She must gain permission to film at Australia's most historically significant art deco cinema, located at Starlight Creek. But there is trouble ahead. The community is fractured and the cinema's reclusive owner, Hattie Fitzpatrick, and her enigmatic great nephew, Luke Jackson, stand in her way, putting Claire's career-launching project-and her heart-at risk.
Hollywood, 1950: Lena Lee has struggled to find the break that will catapult her into a star with influence. She longs for roles about strong, independent women but with Hollywood engulfed in politics and a censorship battle, Lena's timing is wrong. Forced to keep her love affair with actor Reeves Garrity a secret, Lena puts her career on the line to fight for equality for women in an industry ruled by men. Her generous and caring nature steers her onto a treacherous path, leaving Lena questioning what she is willing to endure to get what she desires.
Can two women-decades apart-uncover lies and secrets to live the life they've dared to dream?
384 pages, Kindle Edition
First published May 20, 2019
8 people are currently reading
280 people want to read
About the author
Alli Sinclair
12 books221 followersAlli Sinclair is an Australian multi-award winning author published who has lived in Argentina, Peru, and Canada. She’s climbed some of the world’s highest mountains and worked as a tour guide in South and Central America. Australia has always been close to Alli’s heart as she loves the diverse landscapes and the rich multicultural heritage of this wonderful land.
Alli’s books explore history, culture, love and grief, and relationships between family, friends and lovers. She captures the romance and thrill of discovering old and new worlds and loves taking readers on a journey of discovery. When not writing novels, Alli works as a producer and screenwriter for TV and cinema.
Alli’s books explore history, culture, love and grief, and relationships between family, friends and lovers. She captures the romance and thrill of discovering old and new worlds and loves taking readers on a journey of discovery. When not writing novels, Alli works as a producer and screenwriter for TV and cinema.
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Displaying 1 - 30 of 64 reviews
May 26, 2019
I was excited to get a copy of this book, having loved a few of Alli Sinclair's previous novels. This one though, while very enjoyable, didn't quite measure up to her earlier books. I didn't feel the passion in this book as much as I had her others. Having said that The Cinema At Starlight Creek is still a solid effort, and the character of Hattie especially memorable.
Here we are following two timelines, Queensland in 1984 and 1950's Hollywood. In Queensland we have Claire, who is part of a production filming a mini-series in an old cinema in a country town, and in Hollywood Lena is a rising starlet in the movie world. We chop and change locations between the two many times (a few too many, it became a tad annoying) and though we could see the parallels between the two women's lives, it didn't really become apparent as to how the two storylines meshed until very close to the end.
Lovers of rural romance, fictional Hollywood lives and historical fiction will all like this book, however for me it wasn't a patch on the author's Under The Spanish Stars.
My thanks to Harlequin Australia for an uncorrected proof to read and review. The opinions are entirely my own.
Here we are following two timelines, Queensland in 1984 and 1950's Hollywood. In Queensland we have Claire, who is part of a production filming a mini-series in an old cinema in a country town, and in Hollywood Lena is a rising starlet in the movie world. We chop and change locations between the two many times (a few too many, it became a tad annoying) and though we could see the parallels between the two women's lives, it didn't really become apparent as to how the two storylines meshed until very close to the end.
Lovers of rural romance, fictional Hollywood lives and historical fiction will all like this book, however for me it wasn't a patch on the author's Under The Spanish Stars.
My thanks to Harlequin Australia for an uncorrected proof to read and review. The opinions are entirely my own.
May 8, 2019
It was the 1950s when Lena Lee braved Hollywood as a naïve young woman, determined to make it in the big time. She could sing and act – she just needed a chance. Signed by a big studio, her dreams looked like coming true. But with the censorship police cutting many scenes, and the expectation for the female actresses to be demure, innocent and well covered, and always looked after by a man, Lena’s frustrations grew. Pretending to be someone she was not was what acting was all about – but she drew the line at deceit and lies. Her desire to improve the lot for the women in Hollywood; create equality in an industry dominated by men – caused her trouble.
Starlight Creek was a small town in the sugarcane area of Queensland in 1994 and when Claire Montgomery discovered the cinema it was run down and abandoned. It wasn’t the best she’d seen but it would have to do. But would the owner allow her to film her TV mini series in the historical cinema? When she met the elderly Hattie Fitzpatrick, owner of the cinema, and her great nephew Luke Jackson, the immediate and emphatic answer from them both was NO. With Claire’s job on the line she was desperate to convince Hattie and Luke she needed the chance. But how was she to do it? Would she and her team be kicked out of Starlight Creek? Or would there be support?
The Cinema at Starlight Creek is another spectacular historical fiction novel by Aussie author Alli Sinclair. Set in two timelines between Hollywood and Queensland, the writing is such that I was there – in the dressing room while Lena’s make-up was being done; in the café in Starlight Creek or gazing at the sunset over the sugarcane. The depth of the characters made them easy to know and feel for; the blend of glamour and hope, of loss, heartache and love, made the reading of The Cinema at Starlight Creek a delight. I read until I’d finished last night, unable to put it down. Alli Sinclair is fast becoming a favourite and I’ll be keeping an eye out for her next. Highly recommended.
With thanks to Harlequin AU and NetGalley for my uncorrected proof ARC to read in exchange for an honest review.
Starlight Creek was a small town in the sugarcane area of Queensland in 1994 and when Claire Montgomery discovered the cinema it was run down and abandoned. It wasn’t the best she’d seen but it would have to do. But would the owner allow her to film her TV mini series in the historical cinema? When she met the elderly Hattie Fitzpatrick, owner of the cinema, and her great nephew Luke Jackson, the immediate and emphatic answer from them both was NO. With Claire’s job on the line she was desperate to convince Hattie and Luke she needed the chance. But how was she to do it? Would she and her team be kicked out of Starlight Creek? Or would there be support?
The Cinema at Starlight Creek is another spectacular historical fiction novel by Aussie author Alli Sinclair. Set in two timelines between Hollywood and Queensland, the writing is such that I was there – in the dressing room while Lena’s make-up was being done; in the café in Starlight Creek or gazing at the sunset over the sugarcane. The depth of the characters made them easy to know and feel for; the blend of glamour and hope, of loss, heartache and love, made the reading of The Cinema at Starlight Creek a delight. I read until I’d finished last night, unable to put it down. Alli Sinclair is fast becoming a favourite and I’ll be keeping an eye out for her next. Highly recommended.
With thanks to Harlequin AU and NetGalley for my uncorrected proof ARC to read in exchange for an honest review.
May 12, 2019
*https://theburgeoningbookshelf.blogsp...
4.5 stars
The Cinema at Starlight Creek has a dual time line narrative. Moving from 1950’s Hollywood to 1994 and a small country town in northern Queensland’s cane belt.
Claire is working on a min-series featuring art-deco architect Amelia Elliott. When her first cinema location falls through she arrives in the small, neglected town of Starlight Creek, the location of another Amelia Elliott designed cinema. The cinema is ideal but first she must get the approval of the cinema’s reclusive owner Hattie Fitzpatrick and her handsome but surly great nephew Luke Jackson.
Lena Lee has been in Hollywood for three years trying to break into the big time when her first major role is axed by the censorship board.
The Cinema at Starlight Creek is a sweeping tale about realising your dreams. The way women’s roles have been undervalued and underpaid is a major theme throughout the story. In 1950’s Hollywood we see women’s roles axed through censorship when the Hays Code deemed them too brazen for the screen. The conditions and pay for females was much less than their male counterparts. Lena’s character was strong and outspoken, but always fair. She was continually campaigning for better conditions for all women.
I did feel more invested in Claire’s story and I loved the descriptions of the Queensland town of Starlight Creek. Claire had her own battle with realising her dreams at the expense of finding love and was starting to think maybe you can’t have it all.
There are many parallels between Lena and Claire’s lives, aims and ideals. Both women had strong character, often empowering those around them with their passion and drive.
The Cinema at Starlight Creek is a story that will appeal to a wide readership. An Historical Fiction with a romantic heart and a small country town in Australia that has fractured and needed a stranger to show them the way to unite.
*My thanks to the publisher for my uncorrected proof copy.
4.5 stars
The Cinema at Starlight Creek has a dual time line narrative. Moving from 1950’s Hollywood to 1994 and a small country town in northern Queensland’s cane belt.
Claire is working on a min-series featuring art-deco architect Amelia Elliott. When her first cinema location falls through she arrives in the small, neglected town of Starlight Creek, the location of another Amelia Elliott designed cinema. The cinema is ideal but first she must get the approval of the cinema’s reclusive owner Hattie Fitzpatrick and her handsome but surly great nephew Luke Jackson.
Lena Lee has been in Hollywood for three years trying to break into the big time when her first major role is axed by the censorship board.
The Cinema at Starlight Creek is a sweeping tale about realising your dreams. The way women’s roles have been undervalued and underpaid is a major theme throughout the story. In 1950’s Hollywood we see women’s roles axed through censorship when the Hays Code deemed them too brazen for the screen. The conditions and pay for females was much less than their male counterparts. Lena’s character was strong and outspoken, but always fair. She was continually campaigning for better conditions for all women.
I did feel more invested in Claire’s story and I loved the descriptions of the Queensland town of Starlight Creek. Claire had her own battle with realising her dreams at the expense of finding love and was starting to think maybe you can’t have it all.
There are many parallels between Lena and Claire’s lives, aims and ideals. Both women had strong character, often empowering those around them with their passion and drive.
The Cinema at Starlight Creek is a story that will appeal to a wide readership. An Historical Fiction with a romantic heart and a small country town in Australia that has fractured and needed a stranger to show them the way to unite.
*My thanks to the publisher for my uncorrected proof copy.
October 20, 2020
The Cinema at Starlight Creek is a beautifully written story by Aussie author Alli Sinclair. This story has a dual timeline which has been skillfully woven together to create a captivating story.
Strong characters in a setting you can most certainly picture as you’re reading along. This is the second book I’ve now read by this author and I look forward to reading her other books. I thoroughly enjoyed this book from start to finish. Historical fiction has a way of taking you on a journey you wish would never end and so did this book. Thoroughly enjoyable and highly recommended.
With thanks to Netgalley and the publishers for my digital copy to read and review.
Strong characters in a setting you can most certainly picture as you’re reading along. This is the second book I’ve now read by this author and I look forward to reading her other books. I thoroughly enjoyed this book from start to finish. Historical fiction has a way of taking you on a journey you wish would never end and so did this book. Thoroughly enjoyable and highly recommended.
With thanks to Netgalley and the publishers for my digital copy to read and review.
May 18, 2019
Warning - I fear that this review may be a lot of gushing as I absolutely LOVED this book! I have not read anything by Alli Sinclair before and now I wonder why. This book has me absolutely captivated and I did not want it to end. I so looked forward to reading time to get lost in the lives of these wonderful characters. I am a lover of the classic films from Hollywood - Some Like it Hot and Breakfast at Tiffany's amongst my favourites and this book let me indulge in that love whilst reading. The writing was beautiful, setting the scenes so well between the rural Queensland towns and Hollywood - I felt that I was actually there. I am learning more and more about the fantastic writing talents that we have in my home country and Alli Sinclair is absolutely firmly on my list.
This is a story told from 2 points of views - and 2 different time periods. But the themes in both timelines are the same - strong women working in male dominated professions. Neither women is prepared to settle, believing that they are worth more and should have equal rights. Both are very good at what they do but as females they are dismissed as weaker than the men who preform the same roles. I love both Claire and Lena as characters. Worlds apart but so similar.
First of all there is the story told from Claire's point of view - in rural Queensland in 1994. Claire is working on a TV mini series and needs to convince the owner of the Starlight Creek cinema, Hattie Fitzpatrick and her great nephew :Luke Jackson to allow them to film inside the beautiful art deco building. The town do not like outsiders and her work is cut out for her. Starlight Creek is a beautiful small rural town surrounded by sugarcane and farming is what the town know. Hattie and Luke are very stubborn and Claire really has to work hard for what she wants. The gorgeous cinema is no longer used and would be perfect for the mini series.
Then we have movie star Lena Lee. She has been signed to a major studio in Hollywood but is struggling to be taken seriously as an actress and wants roles where women are seen as strong and capable. It is a difficult time in Hollywood with politics and censorship playing a big part in decisions - mostly made by the men. Male actors and even extras are being paid a lot more than the women and Lena wants equality. She puts her career on the line to try to get it as well. She is also having to hide her love affair with fellow actor Reeves Garrity. She should be happier - it is everything that she has ever wanted.
It is not clear how these 2 women relate to each other until much later in the story. It is a wonderful story that I highly recommend everybody read. This is not my usual genre, being a big reader to crime and thrillers, buut I am branching out and I am so glad that I did and that I found this book.
Released on Monday 20th May - go and get it!! It has a beautiful cover as well - what is not to love!!
Big thank you to Netgalley and Harlequin Australia, HQ and Mira for my advanced copy of this book to read. All opinions are my own and are in no way biased.
This is a story told from 2 points of views - and 2 different time periods. But the themes in both timelines are the same - strong women working in male dominated professions. Neither women is prepared to settle, believing that they are worth more and should have equal rights. Both are very good at what they do but as females they are dismissed as weaker than the men who preform the same roles. I love both Claire and Lena as characters. Worlds apart but so similar.
First of all there is the story told from Claire's point of view - in rural Queensland in 1994. Claire is working on a TV mini series and needs to convince the owner of the Starlight Creek cinema, Hattie Fitzpatrick and her great nephew :Luke Jackson to allow them to film inside the beautiful art deco building. The town do not like outsiders and her work is cut out for her. Starlight Creek is a beautiful small rural town surrounded by sugarcane and farming is what the town know. Hattie and Luke are very stubborn and Claire really has to work hard for what she wants. The gorgeous cinema is no longer used and would be perfect for the mini series.
Then we have movie star Lena Lee. She has been signed to a major studio in Hollywood but is struggling to be taken seriously as an actress and wants roles where women are seen as strong and capable. It is a difficult time in Hollywood with politics and censorship playing a big part in decisions - mostly made by the men. Male actors and even extras are being paid a lot more than the women and Lena wants equality. She puts her career on the line to try to get it as well. She is also having to hide her love affair with fellow actor Reeves Garrity. She should be happier - it is everything that she has ever wanted.
It is not clear how these 2 women relate to each other until much later in the story. It is a wonderful story that I highly recommend everybody read. This is not my usual genre, being a big reader to crime and thrillers, buut I am branching out and I am so glad that I did and that I found this book.
Released on Monday 20th May - go and get it!! It has a beautiful cover as well - what is not to love!!
Big thank you to Netgalley and Harlequin Australia, HQ and Mira for my advanced copy of this book to read. All opinions are my own and are in no way biased.
July 30, 2019
*www.onewomansbbr.wordpress.com
*www.facebook.com/onewomansbbr
The Cinema at Starlight Creek by Alli Sinclair Author. (2019).
Queensland, 1994: Claire is a location manager working on a TV miniseries when she's captivated by Starlight Creek. She needs permission to film at an art deco cinema in Starlight Creek but there's trouble; the cinema's reclusive owner, Hattie, and Hattie's enigmatic great nephew, Luke, stand in her way.
Hollywood, 1950: Lena has struggled to find the break that will catapult her into becoming a star with influence. She longs for roles about strong, independent women but with Hollywood engulfed in politics and a censorship matter battle, Lena's timing is wrong. Lena is forced to keep her love affair secret and is putting her career on the line to fight for equality.
This is a really lovely book to read. Featuring dual timelines with Claire in 1994 and Lena in 1950, the reader gets to travel between a small country town in Australia and the glamour of Hollywood. What both the timelines have in common is that their leads, Claire and Lena, are both intelligent, strong and talented women who are trying to stand up for female equality in male dominated industries. I think while I did like Claire's story, I was more drawn to Lena's narrative (can't go past Hollywood drama haha!). This is a thoroughly entertaining and engaging novel of strength, loss and love which fans of historical fiction (with a dash of romance) will enjoy.
*www.facebook.com/onewomansbbr
The Cinema at Starlight Creek by Alli Sinclair Author. (2019).
Queensland, 1994: Claire is a location manager working on a TV miniseries when she's captivated by Starlight Creek. She needs permission to film at an art deco cinema in Starlight Creek but there's trouble; the cinema's reclusive owner, Hattie, and Hattie's enigmatic great nephew, Luke, stand in her way.
Hollywood, 1950: Lena has struggled to find the break that will catapult her into becoming a star with influence. She longs for roles about strong, independent women but with Hollywood engulfed in politics and a censorship matter battle, Lena's timing is wrong. Lena is forced to keep her love affair secret and is putting her career on the line to fight for equality.
This is a really lovely book to read. Featuring dual timelines with Claire in 1994 and Lena in 1950, the reader gets to travel between a small country town in Australia and the glamour of Hollywood. What both the timelines have in common is that their leads, Claire and Lena, are both intelligent, strong and talented women who are trying to stand up for female equality in male dominated industries. I think while I did like Claire's story, I was more drawn to Lena's narrative (can't go past Hollywood drama haha!). This is a thoroughly entertaining and engaging novel of strength, loss and love which fans of historical fiction (with a dash of romance) will enjoy.
May 28, 2019
* https://mrsbbookreviews.wordpress.com
4.5 stars
I remember when I first glimpsed the cover of Alli Sinclair’s latest novel, The Cinema at Starlight Creek back in January this year, and it literally took my breath away. After months of impatiently waiting, I finally had the chance to sit back and allow Alli Sinclair to carry me away across two magnificent narratives. In The Cinema at Starlight Creek, the reader is transported to 1950s Hollywood with actress Lena Lee in charge, while in 1994, Claire Montgomery, a location manager, hosts the events. This new novel from talented Australian storyteller Alli Sinclair will enthrall you from start to finish.
Two very different women head The Cinema at Starlight Creek. For one based in 1994, life revolves around the push to get an important production off the ground. Claire is hoping to use the old cinema location in the tiny rural township of Starlight Creek as the backdrop for her new TV miniseries. She faces many hurdles along the way, from gaining permission to use the cinema site, through to fending off opposition from the male dominated film industry. Claire risks it all in order to see her dream take full flight. Linked to Claire’s project in 1994, is the story of Lena Lee, a Hollywood starlet that longs to have that big break that will make her a household name. Through Lena’s story, we learn of the battles faced by women in the film industry in the 1950s. It is a tough road to success, but Lena is determined to make her mark on Hollywood. These two women, separated by place and time, both have an important path to take and it is a journey that will test their very limits.
I can barely believe this is All Sinclair’s fifth release. I have devoured each book Alli has lovingly poured her heart and soul into with open arms and The Cinema at Starlight Creek was no exception. It is definitely no secret that I absolutely adore dual timeline narratives and as Alli Sinclair is one of my most favourite authors, I was raring to go once this one settled into my hands.
For a dual timeline narrative, The Cinema at Starlight Creek reads very well. The transitions from 1994 to 1950 are handled with care and precision. Both time periods are illuminated precisely. I did feel like I had stepped foot in 1994 and 1950 respectively, thanks to Alli’s evocative prose. I know Alli prides herself on the accuracy of her research and yet again this has been injected into her narrative. The art deco cinema sequences were of great interest to me, I loved the focus on the history these buildings have to share. I particularly appreciated the chance to trace back to 1950s Hollywood and I was reminded of my secondary school studies in the media. Reading The Cinema at Starlight Creek was a nice chance to brush up on my pre-existing knowledge of The Hays Code, the unequal treatment of Hollywood actresses of the era and the rise of McCarthyism. I also enjoyed the period detail and the references to key figures during this golden age of Hollywood, it was a great addition to this enthralling novel.
In terms of the 1994 narrative, I really enjoyed this part of the novel. I genuinely loved Claire, she was a great character, she was extremely likeable, resourceful and enterprising. I desperately wanted her to succeed and achieve her pipe dream. Alli also balances out a fabulous storyline involving Claire. She provides us with an in-depth examination into Claire’s problems in her personal and professional life, which are also reflected to some degree in Lena Lee’s life in 1950. What an interesting narrative angle to take! Along with major themes of inequality, sexism, personal aspirations, love, romance, heartbreak, secrets, loyalty and endurance, The Cinema at Starlight Creek is a book that has so much to offer the reader.
For those who appreciate well rendered small town Australian settings, expect to be dazzled by the descriptions offered up by Alli Sinclair. Starlight Creek, the central locale base for this new story from Alli Sinclair, is captured so vividly. I felt completely caught up in the moment while reading this novel, and it was like I was strolling along the local streets of Starlight Creek with Claire, Luke, Hattie and co while I sat comfortably in my reading chair. What a sensational reading experience.
The blurb doesn’t mention the direct connection between the two leading ladies of this story, Claire and Lena. I did start to wonder when I was a good way into the book, how and when the link between these two strong women was going to be made. Once I began the process of actively connecting the dots thanks to a few gentle hints, I was pleasantly surprised when my assumption was indeed correct! It was a nice feeling and it was almost a huge relief when I got it right! Personally, I loved this connection, it felt so right and with the touch of Alli’s signature blend of romance to enjoy, complete with a fitting ending, I felt my feet lift off the ground once I reached the end of this Australian gem. Let The Cinema at Starlight Creek entertain you and inspire you to reach for the stars!
*I wish to thank Harlequin Australia for providing me with a free copy of this book for review purposes.
The Cinema at Starlight Creek is book #74 of the 2019 Australian Women Writers Challenge
4.5 stars
I remember when I first glimpsed the cover of Alli Sinclair’s latest novel, The Cinema at Starlight Creek back in January this year, and it literally took my breath away. After months of impatiently waiting, I finally had the chance to sit back and allow Alli Sinclair to carry me away across two magnificent narratives. In The Cinema at Starlight Creek, the reader is transported to 1950s Hollywood with actress Lena Lee in charge, while in 1994, Claire Montgomery, a location manager, hosts the events. This new novel from talented Australian storyteller Alli Sinclair will enthrall you from start to finish.
Two very different women head The Cinema at Starlight Creek. For one based in 1994, life revolves around the push to get an important production off the ground. Claire is hoping to use the old cinema location in the tiny rural township of Starlight Creek as the backdrop for her new TV miniseries. She faces many hurdles along the way, from gaining permission to use the cinema site, through to fending off opposition from the male dominated film industry. Claire risks it all in order to see her dream take full flight. Linked to Claire’s project in 1994, is the story of Lena Lee, a Hollywood starlet that longs to have that big break that will make her a household name. Through Lena’s story, we learn of the battles faced by women in the film industry in the 1950s. It is a tough road to success, but Lena is determined to make her mark on Hollywood. These two women, separated by place and time, both have an important path to take and it is a journey that will test their very limits.
I can barely believe this is All Sinclair’s fifth release. I have devoured each book Alli has lovingly poured her heart and soul into with open arms and The Cinema at Starlight Creek was no exception. It is definitely no secret that I absolutely adore dual timeline narratives and as Alli Sinclair is one of my most favourite authors, I was raring to go once this one settled into my hands.
For a dual timeline narrative, The Cinema at Starlight Creek reads very well. The transitions from 1994 to 1950 are handled with care and precision. Both time periods are illuminated precisely. I did feel like I had stepped foot in 1994 and 1950 respectively, thanks to Alli’s evocative prose. I know Alli prides herself on the accuracy of her research and yet again this has been injected into her narrative. The art deco cinema sequences were of great interest to me, I loved the focus on the history these buildings have to share. I particularly appreciated the chance to trace back to 1950s Hollywood and I was reminded of my secondary school studies in the media. Reading The Cinema at Starlight Creek was a nice chance to brush up on my pre-existing knowledge of The Hays Code, the unequal treatment of Hollywood actresses of the era and the rise of McCarthyism. I also enjoyed the period detail and the references to key figures during this golden age of Hollywood, it was a great addition to this enthralling novel.
In terms of the 1994 narrative, I really enjoyed this part of the novel. I genuinely loved Claire, she was a great character, she was extremely likeable, resourceful and enterprising. I desperately wanted her to succeed and achieve her pipe dream. Alli also balances out a fabulous storyline involving Claire. She provides us with an in-depth examination into Claire’s problems in her personal and professional life, which are also reflected to some degree in Lena Lee’s life in 1950. What an interesting narrative angle to take! Along with major themes of inequality, sexism, personal aspirations, love, romance, heartbreak, secrets, loyalty and endurance, The Cinema at Starlight Creek is a book that has so much to offer the reader.
For those who appreciate well rendered small town Australian settings, expect to be dazzled by the descriptions offered up by Alli Sinclair. Starlight Creek, the central locale base for this new story from Alli Sinclair, is captured so vividly. I felt completely caught up in the moment while reading this novel, and it was like I was strolling along the local streets of Starlight Creek with Claire, Luke, Hattie and co while I sat comfortably in my reading chair. What a sensational reading experience.
The blurb doesn’t mention the direct connection between the two leading ladies of this story, Claire and Lena. I did start to wonder when I was a good way into the book, how and when the link between these two strong women was going to be made. Once I began the process of actively connecting the dots thanks to a few gentle hints, I was pleasantly surprised when my assumption was indeed correct! It was a nice feeling and it was almost a huge relief when I got it right! Personally, I loved this connection, it felt so right and with the touch of Alli’s signature blend of romance to enjoy, complete with a fitting ending, I felt my feet lift off the ground once I reached the end of this Australian gem. Let The Cinema at Starlight Creek entertain you and inspire you to reach for the stars!
*I wish to thank Harlequin Australia for providing me with a free copy of this book for review purposes.
The Cinema at Starlight Creek is book #74 of the 2019 Australian Women Writers Challenge
July 31, 2021
Queensland, 1994. Claire Montgomery arrives in Starlight Creek, sugarcane country in Queensland, she’s desperately looking for a new location to shoot a TV mini-series and she’s found the perfect building. A gorgeous art deco movie cinema, she needs to find the owner and surely it shouldn’t be too hard in a small country town? Hattie Fitzpatrick’s the owner, her great nephew Luke Jackson’s extremely protective of his great aunt and he can’t believe it when she gives Claire permission to use the cinema. Under very strict conditions the film crew can use the cinema, it has to be left in perfect condition and exactly how they found it. Claire's responsibility, she works in a male dominated field, she’s contently under pressure, works long days and doesn’t get a lot of sleep.
Hollywood, 1950. Lena Lee’s a struggling actress, she knows in the cut throat industry time is not on her side, she’s desperate to keep her movie contract and to be cast as a leading lady. She falls madly in love with Reeves Garrity, they have to keep their relationship a secret and he needs to be seen with a popular starlet on his arm. The film industry is ruled by powerful men, women work long days, in skimpy costumes, and are paid less. Should Lena fight for fair pay, it will end her dreams of stardom, or settle down with Reeves and unfortunately she can’t have it all.
The Cinema at Starlight Creek is a story about two strong women, they have a lot in common, both wanted to be successful in their chosen careers, to be treated as equals and fairly. They find the small community of Starlight Creek to be supportive, when time get tough they all help each other and make Claire feel right at home.
I received a copy of this book from NetGalley and Harlequin Australia in exchange for an honest review, I found the story a little slow at times and four stars from me.
Hollywood, 1950. Lena Lee’s a struggling actress, she knows in the cut throat industry time is not on her side, she’s desperate to keep her movie contract and to be cast as a leading lady. She falls madly in love with Reeves Garrity, they have to keep their relationship a secret and he needs to be seen with a popular starlet on his arm. The film industry is ruled by powerful men, women work long days, in skimpy costumes, and are paid less. Should Lena fight for fair pay, it will end her dreams of stardom, or settle down with Reeves and unfortunately she can’t have it all.
The Cinema at Starlight Creek is a story about two strong women, they have a lot in common, both wanted to be successful in their chosen careers, to be treated as equals and fairly. They find the small community of Starlight Creek to be supportive, when time get tough they all help each other and make Claire feel right at home.
I received a copy of this book from NetGalley and Harlequin Australia in exchange for an honest review, I found the story a little slow at times and four stars from me.
May 11, 2019
‘Dreams really can come true’
What a wonderful story Alli Sinclair has created in The Cinema at Starlight Creek. At its heart this is a story about following your dreams and your heart. It’s also about love, friendship, heartache, community and change and about having and being a voice for others. This is a story I’ve been anticipating since I heard about it nearly 7 months ago. It’s a dual timeline narrative, which is one of my favourite genres, blending historical with modern day stories. It has the most delightful cover, one of my favourites, especially as it tells the story so well.
For full review:
https://clairesreadsandreviews.home.b...
What a wonderful story Alli Sinclair has created in The Cinema at Starlight Creek. At its heart this is a story about following your dreams and your heart. It’s also about love, friendship, heartache, community and change and about having and being a voice for others. This is a story I’ve been anticipating since I heard about it nearly 7 months ago. It’s a dual timeline narrative, which is one of my favourite genres, blending historical with modern day stories. It has the most delightful cover, one of my favourites, especially as it tells the story so well.
For full review:
https://clairesreadsandreviews.home.b...
June 1, 2019
Can a small cinema in the country town of Starlight Creek get people opening up, can it bring people together not just a town but help people find love and above all find their dreams?
It is 1994 and Claire Montgomery arrives as location manager working on a TV mini -series she discovers a beautiful art deco cinema, and now she must convince the owner to let them film in this cinema, not an easy task when she comes up against the owners great nephew Luke, a heartfelt appeal by letter to the owner Hattie Fitzpatrick, gets her permission and brings her closer to the wonderful lady and her great nephew, Claire pushes to make her dreams come true.
We go back to 1950 Hollywood the time of glamour and leading ladies and men, a time where everyone is competing to make it to the top and the woman are struggling more with wages and the way they are treated there is also a lot going on with codes directing the way movies are made, and here we meet the beautiful Lena Lee who is making it to top billing with her leading man when everything turns upside down.
I loved the book from the start both Claire and Lena are strong woman they are caring and thoughtful, and they have dreams that have taken them from their homes to places that have made a difference in not only their lives but other peoples as well. There are tears and smiles throughout this story of love and loss, but the strength that both show in different time periods and then as secrets are uncovered and truths are told, this one left me feeling so good such fabulous characters that I felt very close to and Claire and Luke yes. Thank you MS Sinclair this one is a keep and one that I highly recommend.
It is 1994 and Claire Montgomery arrives as location manager working on a TV mini -series she discovers a beautiful art deco cinema, and now she must convince the owner to let them film in this cinema, not an easy task when she comes up against the owners great nephew Luke, a heartfelt appeal by letter to the owner Hattie Fitzpatrick, gets her permission and brings her closer to the wonderful lady and her great nephew, Claire pushes to make her dreams come true.
We go back to 1950 Hollywood the time of glamour and leading ladies and men, a time where everyone is competing to make it to the top and the woman are struggling more with wages and the way they are treated there is also a lot going on with codes directing the way movies are made, and here we meet the beautiful Lena Lee who is making it to top billing with her leading man when everything turns upside down.
I loved the book from the start both Claire and Lena are strong woman they are caring and thoughtful, and they have dreams that have taken them from their homes to places that have made a difference in not only their lives but other peoples as well. There are tears and smiles throughout this story of love and loss, but the strength that both show in different time periods and then as secrets are uncovered and truths are told, this one left me feeling so good such fabulous characters that I felt very close to and Claire and Luke yes. Thank you MS Sinclair this one is a keep and one that I highly recommend.
February 17, 2020
3.5*, rounded down.
This book, published under the Harlequin imprint, juxtaposes two separate plot lines and time settings in alternating chapters, a familiar device which has perhaps become over-used in the women's literature market over the past few years. I generally find that I prefer one story over the other (usually the historical over the contemporary), but I'm pleased to report that Sinclair has created two equally engrossing tales in The Cinema at Starlight Creek. The first, set in contemporary rural Queensland, follows aspiring documentary film-maker Clare Montgomery, as she negotiates for the use of Queensland's best-preserved Art Deco cinema as a filming location. Meanwhile, in 1950s Hollywood, up-and-coming actress Lena Lee struggles to find (and keep) good female roles, against the backdrop of a male-dominated industry, a back-stabbing fellow starlet and the strict code of censorship known as the Hay's Code.
Being from the Harlequin stable, it's no surprise that both central characters become embroiled in romance along the way and, as we all know, the course of true love never does run smooth...
Overall, I found this an entertaining and undemanding read.
This book, published under the Harlequin imprint, juxtaposes two separate plot lines and time settings in alternating chapters, a familiar device which has perhaps become over-used in the women's literature market over the past few years. I generally find that I prefer one story over the other (usually the historical over the contemporary), but I'm pleased to report that Sinclair has created two equally engrossing tales in The Cinema at Starlight Creek. The first, set in contemporary rural Queensland, follows aspiring documentary film-maker Clare Montgomery, as she negotiates for the use of Queensland's best-preserved Art Deco cinema as a filming location. Meanwhile, in 1950s Hollywood, up-and-coming actress Lena Lee struggles to find (and keep) good female roles, against the backdrop of a male-dominated industry, a back-stabbing fellow starlet and the strict code of censorship known as the Hay's Code.
Being from the Harlequin stable, it's no surprise that both central characters become embroiled in romance along the way and, as we all know, the course of true love never does run smooth...
Overall, I found this an entertaining and undemanding read.
August 4, 2019
The Cinema At Starlight Creek by Alli Sinclair captures the beauty of a small town in north Queensland where sugar cane thrives and an art deco cinema comes to life.
Set in two different time-zones; Queensland 1990's and Hollywood 1950's we discover two different women Claire and Lena who although worlds apart try to live the life they've dared to dream.
Do you dare to follow your own dreams?
It's all about counting your blessings and following your dreams until they come true, no matter the set-back.
I enjoyed both time-zones; the fashion and descriptions of the 1950's and also Queensland in the 1990's with the back-drop of the sugar-cane fields on a sunlit day or a moonlit night.
I really enjoyed The Cinema at Starlight Creek by Alli Sinclair and was lucky to meet up with the author while she was on tour.
Set in two different time-zones; Queensland 1990's and Hollywood 1950's we discover two different women Claire and Lena who although worlds apart try to live the life they've dared to dream.
Do you dare to follow your own dreams?
It's all about counting your blessings and following your dreams until they come true, no matter the set-back.
I enjoyed both time-zones; the fashion and descriptions of the 1950's and also Queensland in the 1990's with the back-drop of the sugar-cane fields on a sunlit day or a moonlit night.
I really enjoyed The Cinema at Starlight Creek by Alli Sinclair and was lucky to meet up with the author while she was on tour.
April 3, 2019
Another ripper from Alli Sinclair. I was lucky enough to get an advance copy of this June release. Hollywood glamour, strong female leads, small town drama and characters with oh-so-sweet passion projects. Loved it! And that beautiful cover - a winning combination!
June 22, 2019
A beautiful dual timeline narrative of love, loss and following your dreams.
May 25, 2019
4.5* Great Reads & Tea Leaves Blog:
Looking at this stunning cover, I was eager to get into Alli’s latest tale - a dual time narrative (a fave here at GRTL) blending modern day and historical stories. The Cinema at Starlight Creek moves between 1950’s Hollywood, to 1994 small town country living in the Queensland's sugarcane belt. There is much to love in both locations and both timelines.
‘What kind of world are we living in when people willingly buy into fairy tales that are totally unrealistic? What’s wrong with the ups and downs of real life?’
‘Sometimes real life is too painful to endure. Movies and books and music can transport people, change their emotions, soothe their hurts, trigger memories of happier times or give them hope that their luck will change.’
I have thoroughly enjoyed Alli’s previous books and here, once again, she presents two strong women from both time periods, who attempt to break down the gender barriers in their respective film industries and live their own dreams. There is much to love in both tales - love and lies, dreams and disasters - yet it is the courage that shines through as the most endearing quality for both women. Whether it be Hollywood in the 1950s and Lena’s dream of becoming a Hollywood star (but at what price?) to Claire’s 1994 dream of becoming a documentary maker (but at what price?) - both women have obstacles and challenges to overcome.
I truly feel that with each novel Alli’s storytelling gets better and better. This is a great book. Always happy to learn something new, it was obvious the research she had done into such things as the Hays Code and the Communist witch hunt in the US of the 1950s. I also appreciated the detail of the filming industry, whether it be the Hollywood starlit 1950s or the pressures of filming at a grassroots level in today’s society. Both stories provided engaging windows into the ‘behind the scenes’ events and the fact that it’s not all good or pleasant.
‘Romantic movies always ran the risk of breaking the Hays Code, which slithered its tentacles into every movie produced in the USA, but Harry had found a way to tell the stories and take scenes right to the edge before the censorship board wielded its shiny scissors.’
The Cinema at Starlight Creek really cements Alli as one of the now established sensational Aussie authors currently producing fabulous stories. If you are interested in historical drama with a particular focus on Hollywood 1950s you are sure to enjoy this tale. However, combined with the current day story, the book provides an overall message for women to follow their dreams, stay strong and be true to themselves.
‘I will make this up to you.’ Lena grabbed his hand and squeezed it.
‘You don’t need to. It’s society that has it wrong, not you.’
This review is based on a complimentary copy from the publisher and provided through NetGalley in exchange for an honest review. The quoted material may have changed in the final release.
Looking at this stunning cover, I was eager to get into Alli’s latest tale - a dual time narrative (a fave here at GRTL) blending modern day and historical stories. The Cinema at Starlight Creek moves between 1950’s Hollywood, to 1994 small town country living in the Queensland's sugarcane belt. There is much to love in both locations and both timelines.
‘What kind of world are we living in when people willingly buy into fairy tales that are totally unrealistic? What’s wrong with the ups and downs of real life?’
‘Sometimes real life is too painful to endure. Movies and books and music can transport people, change their emotions, soothe their hurts, trigger memories of happier times or give them hope that their luck will change.’
I have thoroughly enjoyed Alli’s previous books and here, once again, she presents two strong women from both time periods, who attempt to break down the gender barriers in their respective film industries and live their own dreams. There is much to love in both tales - love and lies, dreams and disasters - yet it is the courage that shines through as the most endearing quality for both women. Whether it be Hollywood in the 1950s and Lena’s dream of becoming a Hollywood star (but at what price?) to Claire’s 1994 dream of becoming a documentary maker (but at what price?) - both women have obstacles and challenges to overcome.
I truly feel that with each novel Alli’s storytelling gets better and better. This is a great book. Always happy to learn something new, it was obvious the research she had done into such things as the Hays Code and the Communist witch hunt in the US of the 1950s. I also appreciated the detail of the filming industry, whether it be the Hollywood starlit 1950s or the pressures of filming at a grassroots level in today’s society. Both stories provided engaging windows into the ‘behind the scenes’ events and the fact that it’s not all good or pleasant.
‘Romantic movies always ran the risk of breaking the Hays Code, which slithered its tentacles into every movie produced in the USA, but Harry had found a way to tell the stories and take scenes right to the edge before the censorship board wielded its shiny scissors.’
The Cinema at Starlight Creek really cements Alli as one of the now established sensational Aussie authors currently producing fabulous stories. If you are interested in historical drama with a particular focus on Hollywood 1950s you are sure to enjoy this tale. However, combined with the current day story, the book provides an overall message for women to follow their dreams, stay strong and be true to themselves.
‘I will make this up to you.’ Lena grabbed his hand and squeezed it.
‘You don’t need to. It’s society that has it wrong, not you.’
This review is based on a complimentary copy from the publisher and provided through NetGalley in exchange for an honest review. The quoted material may have changed in the final release.
February 27, 2019
I received an ARC of this book.
Alli Sinclair is going from strength to strength with each new book she writes. This one is a beautiful story set in a tiny town in far North Queensland in the nineties and Hollywood during the fifties. My heart fell in love with Starlight Creek and would give anything to visit.
The author has once again focused on two strong women trying to live their dream life and tear down the walls that existed in their industries between men and women.
We start with a small cinema at Starlight Creek. Claire desperately needs it for her career to survive. We jump to Hollywood, where Lena is trying to get her big break as an actress in the movies. Between these two women we discover some of the big factors standing in their way of their dreams but we also watch them achieve and fall in love along the way.
The two romances are lovely but all is not well for either couple. As with their careers, love does not run smoothly and they need to decide if they are willing to pass on their dreams to risk it all for love.
Sinclair has once again done extensive research, as we learn about the Hays Code and the horrible way that people who were tainted with the communist brush from just a rumour were treated. It wasn’t all sweetness and light as the film industry wanted us to believe.
Her writing is beautiful and I was especially drawn to this passage which I believe encapsulates the entire novel: ‘‘We have two choices—let the heartbreak suck us under the dark waves and drown us; or find a way to ride those waves and keep our head above water, face to the sun, our hearts remembering but not weighing us down.’p181
The Cinema at Starlight Creek is one that is perfect, obviously, for Alli’s fans but also those who love a little history in their story. It is for those who love Hollywood, especially the fifties era. Mostly, it is for women who want to be strong enough to follow their dream and stand up to the people who are holding them down.
Alli Sinclair is going from strength to strength with each new book she writes. This one is a beautiful story set in a tiny town in far North Queensland in the nineties and Hollywood during the fifties. My heart fell in love with Starlight Creek and would give anything to visit.
The author has once again focused on two strong women trying to live their dream life and tear down the walls that existed in their industries between men and women.
We start with a small cinema at Starlight Creek. Claire desperately needs it for her career to survive. We jump to Hollywood, where Lena is trying to get her big break as an actress in the movies. Between these two women we discover some of the big factors standing in their way of their dreams but we also watch them achieve and fall in love along the way.
The two romances are lovely but all is not well for either couple. As with their careers, love does not run smoothly and they need to decide if they are willing to pass on their dreams to risk it all for love.
Sinclair has once again done extensive research, as we learn about the Hays Code and the horrible way that people who were tainted with the communist brush from just a rumour were treated. It wasn’t all sweetness and light as the film industry wanted us to believe.
Her writing is beautiful and I was especially drawn to this passage which I believe encapsulates the entire novel: ‘‘We have two choices—let the heartbreak suck us under the dark waves and drown us; or find a way to ride those waves and keep our head above water, face to the sun, our hearts remembering but not weighing us down.’p181
The Cinema at Starlight Creek is one that is perfect, obviously, for Alli’s fans but also those who love a little history in their story. It is for those who love Hollywood, especially the fifties era. Mostly, it is for women who want to be strong enough to follow their dream and stand up to the people who are holding them down.
June 2, 2019
Loved this book by Alli Sinclair.
May 1, 2019
The Cinema at Starlight Creek by Alli Sinclair is another dual timeline book that hooked me this month. I’ve been a fan of Alli’s since her first book and I’ve especially enjoyed her most recent books set in Australia. To me, she’s also going from strength to strength. The Cinema at Starlight Creek is a story of choices, of hindrances, of dreams, secrets and lies. But above all, it’s about courage, as two women in two different times follow their dreams in the male-dominated film industry. In the 1950s, Lena dreams of being a Hollywood star, but learns that her career comes with a price. Is it too much to pay? In 1994, Claire dreams of making documentaries and when she stumbles across a beautifully preserved but unused art deco cinema, she sees her chance. But like Lena, she learns that success can come at a cost. Two strong female leads took this story into my heart and reminded me that passion projects might come with hurdles, but hurdles are meant to be leapt over. Thanks to Harper Collins for an ARC of this book.
October 30, 2019
This novel was lovely to read. I enjoyed learning about both Claire and Lena.
Ms Sinclair is a wonderful writer, able to weave an elaborate story of two strong and confident women who will stop at nothing to fulfil their dreams.
*i received this novel for free in exchange for my honest review.
Full review at:
http://bookshelfadventures.home.blog/...
Ms Sinclair is a wonderful writer, able to weave an elaborate story of two strong and confident women who will stop at nothing to fulfil their dreams.
*i received this novel for free in exchange for my honest review.
Full review at:
http://bookshelfadventures.home.blog/...
June 19, 2019
It took me a month to finish this finally, but Alli did not disappoint me again with this all these characters were so believable and the plot was just incredible!
June 28, 2019
Loved it! Both historical and present day stories melded wonderfully.
Highly recommended.
Highly recommended.
June 16, 2019
Alli Sinclair’s latest novel, The Cinema at Starlight Creek, has an absolutely beautiful cover and the story inside is just as gorgeous. Tying together a story that goes beyond the glamour of Old Hollywood with life behind the scenes in the 1990s, it’s a read that is full of surprises.
In the 1990s, Claire Montgomery is a location manager for a television series. Her task is to find locations for a series about a female Art Deco architect in outback Queensland. Just when she thinks she’s nailed it; unexpected drama means that she needs to find new locations and fast. She finds the perfect replacement in Starlight Creek, but it’s a place that isn’t very friendly or welcoming. Some inhabitants like Luke Jackson run hot and cold while others are openly disapproving. Claire doesn’t know which way things will turn out. In 1950s Hollywood, Lena Lee is an actress in the background, constantly frustrated by the underhand tactics of her main rival and the code that censors her movies. After some bold moves over time, she’s almost on top, but not without a lot of compromise. Can she change things for women in the industry or will the business take her down?
I must admit that I loved Lena’s story, but wasn’t so keen on Claire’s. Lena’s life is glamourous on the outside but takes the reader into the areas of Hollywood that aren’t so glamourous. Censorship and the extreme fear of communists or anyone who is just different has everyone looking over their shoulder a number of times more than they want to. The manufactured relationship a constant couple pairing was also fascinating. Lena’s drive is also very clear – she wants to be on top, and she wants to help other women who are struggling. I felt Claire’s determination was less clear and constant. At one time, she was fighting with all her heart to secure a cinema for filming, but later on she seems to have lost her way and willingness to fight for the location or job or her love. There were also multiple plot threads for Claire that didn’t really go that far, such as the rivalry with her colleague. It’s mentioned, but it doesn’t really eventuate into a strong plotline. With the changing of timelines between chapters, I felt some of Claire’s focus was lost. She is still an interesting character, but I tended to forget where she was ‘at’ in her character arc when compared with the fantastic Lena.
These small niggles aside, The Cinema at Starlight Creek is a delightful story. The descriptions of the cinema made me wish I could see it in person. The descriptions of the struggles that Lena, Claire and their friends face, such as gender equality, sexuality and treading your own path are sensitively and appropriately handled. I’d love to read more of the glamour of Hollywood life by Alli Sinclair!
Thank you to Harlequin and the author for the ARC. My review is honest.
http://samstillreading.wordpress.com
In the 1990s, Claire Montgomery is a location manager for a television series. Her task is to find locations for a series about a female Art Deco architect in outback Queensland. Just when she thinks she’s nailed it; unexpected drama means that she needs to find new locations and fast. She finds the perfect replacement in Starlight Creek, but it’s a place that isn’t very friendly or welcoming. Some inhabitants like Luke Jackson run hot and cold while others are openly disapproving. Claire doesn’t know which way things will turn out. In 1950s Hollywood, Lena Lee is an actress in the background, constantly frustrated by the underhand tactics of her main rival and the code that censors her movies. After some bold moves over time, she’s almost on top, but not without a lot of compromise. Can she change things for women in the industry or will the business take her down?
I must admit that I loved Lena’s story, but wasn’t so keen on Claire’s. Lena’s life is glamourous on the outside but takes the reader into the areas of Hollywood that aren’t so glamourous. Censorship and the extreme fear of communists or anyone who is just different has everyone looking over their shoulder a number of times more than they want to. The manufactured relationship a constant couple pairing was also fascinating. Lena’s drive is also very clear – she wants to be on top, and she wants to help other women who are struggling. I felt Claire’s determination was less clear and constant. At one time, she was fighting with all her heart to secure a cinema for filming, but later on she seems to have lost her way and willingness to fight for the location or job or her love. There were also multiple plot threads for Claire that didn’t really go that far, such as the rivalry with her colleague. It’s mentioned, but it doesn’t really eventuate into a strong plotline. With the changing of timelines between chapters, I felt some of Claire’s focus was lost. She is still an interesting character, but I tended to forget where she was ‘at’ in her character arc when compared with the fantastic Lena.
These small niggles aside, The Cinema at Starlight Creek is a delightful story. The descriptions of the cinema made me wish I could see it in person. The descriptions of the struggles that Lena, Claire and their friends face, such as gender equality, sexuality and treading your own path are sensitively and appropriately handled. I’d love to read more of the glamour of Hollywood life by Alli Sinclair!
Thank you to Harlequin and the author for the ARC. My review is honest.
http://samstillreading.wordpress.com
May 23, 2019
The Cinema at Starlight Creek is an easy-to-read exploration of women's experiences in the film industry in the 1950s and 1990s, with plenty of romance thrown in for good measure.
In 1994, in rural Queensland, aspiring documentary maker Claire Montgomery is tasked with finding a new set for their mini-series on an all-but forgotten Australian female architect. When she finds a cinema the architect designed at Starlight Creek, all her problems appear solved - until the owners refuse access. In 1950s Hollywood, 29 year old actress Lena Lee's friends push her into greater prominence, despite her misgivings. But her former friend and hugely successful diva Jeanne won't give way so easily. Both storylines grapple with misogyny, gendered assumptions, small-mindedness and the clash between tradition and progress.
Sinclair has things to say about women in the film industry - the feminist narrative highlights moments of both outright discrimination and more subtle, insidious undermining. There are worrying parallels between the two time periods, subtly highlighting how far we still have to go. However, Sinclair is an optimist, sounding notes of hope amid the darkness.
Throughout Claire's narrative, Sinclair also portrays the exhausting mental load women often bear, usually imposed by male behaviour. I found this perspective - of feeling overloaded and lacking in self confidence - supremely relatable.
She also passes social commentary on censorship, anti-Communist witch-hunts and homophobia in the 1950s narrative, and the way small towns can be closed to the idea of change, even in the 1990s. If that sounds like a lot for one book, it is. These themes are introduced naturally through the course of the protagonists' experiences, though, and gel into a coherent plot.
Of course this really is a romance novel at its heart - I felt Lena's storyline was the stronger of the two, until the last part of the novel, where Claire's emotional situation (and that of her love interest) were properly fleshed out.
At times the writing does feel very 'tell' rather than 'show', and falls into cliche (e.g. "it was now or never"), but there is a down-to-earth relatability that makes this novel eminently readable. Sinclair has a natural ability to evoke the small things about Australian life - the feeling of sitting around a family dinner table, or walking under the wide night sky.
Overall this was a quick, enjoyable read I'd recommend for its insights into women's experiences in the film industry.
Recommended if you liked: The Botanist's Daughter
I received an advanced copy of The Cinema at Starlight Creek from Harlequin Australia in exchange for an honest review. All opinions are my own.
In 1994, in rural Queensland, aspiring documentary maker Claire Montgomery is tasked with finding a new set for their mini-series on an all-but forgotten Australian female architect. When she finds a cinema the architect designed at Starlight Creek, all her problems appear solved - until the owners refuse access. In 1950s Hollywood, 29 year old actress Lena Lee's friends push her into greater prominence, despite her misgivings. But her former friend and hugely successful diva Jeanne won't give way so easily. Both storylines grapple with misogyny, gendered assumptions, small-mindedness and the clash between tradition and progress.
Sinclair has things to say about women in the film industry - the feminist narrative highlights moments of both outright discrimination and more subtle, insidious undermining. There are worrying parallels between the two time periods, subtly highlighting how far we still have to go. However, Sinclair is an optimist, sounding notes of hope amid the darkness.
Throughout Claire's narrative, Sinclair also portrays the exhausting mental load women often bear, usually imposed by male behaviour. I found this perspective - of feeling overloaded and lacking in self confidence - supremely relatable.
She also passes social commentary on censorship, anti-Communist witch-hunts and homophobia in the 1950s narrative, and the way small towns can be closed to the idea of change, even in the 1990s. If that sounds like a lot for one book, it is. These themes are introduced naturally through the course of the protagonists' experiences, though, and gel into a coherent plot.
Of course this really is a romance novel at its heart - I felt Lena's storyline was the stronger of the two, until the last part of the novel, where Claire's emotional situation (and that of her love interest) were properly fleshed out.
At times the writing does feel very 'tell' rather than 'show', and falls into cliche (e.g. "it was now or never"), but there is a down-to-earth relatability that makes this novel eminently readable. Sinclair has a natural ability to evoke the small things about Australian life - the feeling of sitting around a family dinner table, or walking under the wide night sky.
Overall this was a quick, enjoyable read I'd recommend for its insights into women's experiences in the film industry.
Recommended if you liked: The Botanist's Daughter
I received an advanced copy of The Cinema at Starlight Creek from Harlequin Australia in exchange for an honest review. All opinions are my own.
March 14, 2025
Set in two different time periods and the cinema that connects them. Had an old Hollywood feel to it.
February 1, 2025
It took a bit of getting into but not that much I abandoned it . Once I was invested in the characters I couldn’t put it down .
May 17, 2019
Review to come...
July 3, 2019
Chapter by chapter, this novel drew me in further and further. The dual timeline structure was a harmonious blend of characters and settings.
I was immediately drawn into Lena's world, an actress struggling to make it big in Hollywood in the 1950s. Her big heart, empathy and down to earth manner sets her apart from the actresses who will sell their soul for their careers. Aren't these the characteristics we hope actresses and actors have?! As role models for the teenagers of today in many respects, it was wonderful to read about a compassionate and kind actress hoping to make a difference. I also love reading about this era, as I love the fashion and a variety of other aspects of the time period.
The parallel setting is a small, layered, mysterious and intriguing town. Starlight Creek is referred to as 'two parralel worlds.’ This concept is dealt with as the reader begins to understand the town and the characters who live in the town. It is 1994 and Claire Montgomery arrives in Starlight Creek with the career changing idea to shoot a documentary in the run down old cinema. Its beauty and stories felt within the structure appeal to Claire immediately. Although, she runs into many obstacles, the main being the owner, Hattie and her handsome nephew, Luke.
I fell in love with the main characters and their budding romances. Lena and Claire both struggle to balance their careers and relationships. This juggling act between following one's dream, falling in love and having it all is a constant balancing act, especially for women as their roles change, including motherhood. This is something I find to be a struggle. Although the time periods are vastly different, these concerns remain. The focus on women's rights and lack of equality in 1950s was well researched, along with the expectations of women in the film industry. I also did not realise the extent of the restrictions caused by the Motion Picture Production Code, known as the Hays Act.
The novel is beautifully written and was Lena's ‘story to write, no one else's...' On a cold winter's night, I enjoyed snuggling up under a blanket whilst reading a historical romance novel that had me from start to finish. I read of love, following one's heart, dreams and realising the importance of professing our love. We shouldn't hesitate when it comes to true love. I am grateful to have read such a novel that allows the reader to be reminded of this and I would therefore, highly recommend The Cinema at Starlight Creek.
⭐⭐⭐⭐⭐
I was immediately drawn into Lena's world, an actress struggling to make it big in Hollywood in the 1950s. Her big heart, empathy and down to earth manner sets her apart from the actresses who will sell their soul for their careers. Aren't these the characteristics we hope actresses and actors have?! As role models for the teenagers of today in many respects, it was wonderful to read about a compassionate and kind actress hoping to make a difference. I also love reading about this era, as I love the fashion and a variety of other aspects of the time period.
The parallel setting is a small, layered, mysterious and intriguing town. Starlight Creek is referred to as 'two parralel worlds.’ This concept is dealt with as the reader begins to understand the town and the characters who live in the town. It is 1994 and Claire Montgomery arrives in Starlight Creek with the career changing idea to shoot a documentary in the run down old cinema. Its beauty and stories felt within the structure appeal to Claire immediately. Although, she runs into many obstacles, the main being the owner, Hattie and her handsome nephew, Luke.
I fell in love with the main characters and their budding romances. Lena and Claire both struggle to balance their careers and relationships. This juggling act between following one's dream, falling in love and having it all is a constant balancing act, especially for women as their roles change, including motherhood. This is something I find to be a struggle. Although the time periods are vastly different, these concerns remain. The focus on women's rights and lack of equality in 1950s was well researched, along with the expectations of women in the film industry. I also did not realise the extent of the restrictions caused by the Motion Picture Production Code, known as the Hays Act.
The novel is beautifully written and was Lena's ‘story to write, no one else's...' On a cold winter's night, I enjoyed snuggling up under a blanket whilst reading a historical romance novel that had me from start to finish. I read of love, following one's heart, dreams and realising the importance of professing our love. We shouldn't hesitate when it comes to true love. I am grateful to have read such a novel that allows the reader to be reminded of this and I would therefore, highly recommend The Cinema at Starlight Creek.
⭐⭐⭐⭐⭐
June 4, 2019
Book blurb...
A heart-stirring novel of loss, love and new hope set against the glamorous backdrop of 1950s Hollywood and a small Australian country town.
How far would you go to follow your dream?
Queensland, 1994: When location manager Claire Montgomery arrives in rural Queensland to work on a TV mini-series, she's captivated by the beauty of Starlight Creek and the surrounding sugarcane fields. Working in a male-dominated industry is challenging, but Claire has never let that stop her pursuing her dreams-until now. She must gain permission to film at Australia's most historically significant art deco cinema, located at Starlight Creek. But there is trouble ahead. The community is fractured and the cinema's reclusive owner, Hattie Fitzpatrick, and her enigmatic great nephew, Luke Jackson, stand in her way, putting Claire's career-launching project-and her heart-at risk.
Hollywood, 1950: Lena Lee has struggled to find the break that will catapult her into a star with influence. She longs for roles about strong, independent women but with Hollywood engulfed in politics and a censorship battle, Lena's timing is wrong. Forced to keep her love affair with actor Reeves Garrity a secret, Lena puts her career on the line to fight for equality for women in an industry ruled by men. Her generous and caring nature steers her onto a treacherous path, leaving Lena questioning what she is willing to endure to get what she desires.
Can two women-decades apart-uncover lies and secrets to live the life they've dared to dream?
My thoughts…
I’m drawn to dual timeline stories, especially one with connecting threads that are not immediately obvious.
I know picking favourites is probably not okay, but I really, really enjoyed the Hollywood 1950 time period. This is unusual for me as I’m usually drawn to Australian landscapes and characters. Of course, a good portion of this novel is set in Queensland, in the current day, but (did I mention) I really, really loved Lena Lee (I even love the name) and I wanted more of her story. A fabulous character!
This is just a personal opinion. Picking a favourite in no way affected the enjoyment of the story.
Thanks, Alli Sinclair, for giving me days of enjoyment.
This review is also published on http://www.readroundoz.wordpress.com
A heart-stirring novel of loss, love and new hope set against the glamorous backdrop of 1950s Hollywood and a small Australian country town.
How far would you go to follow your dream?
Queensland, 1994: When location manager Claire Montgomery arrives in rural Queensland to work on a TV mini-series, she's captivated by the beauty of Starlight Creek and the surrounding sugarcane fields. Working in a male-dominated industry is challenging, but Claire has never let that stop her pursuing her dreams-until now. She must gain permission to film at Australia's most historically significant art deco cinema, located at Starlight Creek. But there is trouble ahead. The community is fractured and the cinema's reclusive owner, Hattie Fitzpatrick, and her enigmatic great nephew, Luke Jackson, stand in her way, putting Claire's career-launching project-and her heart-at risk.
Hollywood, 1950: Lena Lee has struggled to find the break that will catapult her into a star with influence. She longs for roles about strong, independent women but with Hollywood engulfed in politics and a censorship battle, Lena's timing is wrong. Forced to keep her love affair with actor Reeves Garrity a secret, Lena puts her career on the line to fight for equality for women in an industry ruled by men. Her generous and caring nature steers her onto a treacherous path, leaving Lena questioning what she is willing to endure to get what she desires.
Can two women-decades apart-uncover lies and secrets to live the life they've dared to dream?
My thoughts…
I’m drawn to dual timeline stories, especially one with connecting threads that are not immediately obvious.
I know picking favourites is probably not okay, but I really, really enjoyed the Hollywood 1950 time period. This is unusual for me as I’m usually drawn to Australian landscapes and characters. Of course, a good portion of this novel is set in Queensland, in the current day, but (did I mention) I really, really loved Lena Lee (I even love the name) and I wanted more of her story. A fabulous character!
This is just a personal opinion. Picking a favourite in no way affected the enjoyment of the story.
Thanks, Alli Sinclair, for giving me days of enjoyment.
This review is also published on http://www.readroundoz.wordpress.com
June 23, 2019
I love a dual timeline story. I think ever since I read The Winter Sea by Susanna Kearsley, they’ve been one of my favourite things to settle in with. I love a historical narrative and appreciate the ways in which authors can blend these stories with those in the present. In this story, the present is not particularly present – northern Queensland, 1994. It’s funny, 1994 isn’t that long ago really, in the grand scheme of things. But reading this book made me realise it’s a lifetime ago in terms of things like technology. Mobile phones are in their fledgling stages and the service is ridiculously patchy, dropping out a lot. There’s little to no internet (I remember we didn’t get the internet until 1998 and it was the slowest dial-up known to man). It means that so much more happens face to face as well, with Claire not able to liase via email or text message etc, the way that perhaps would happen now.
Claire is a film location manager who is down a location after an indiscretion between her lead actor and the daughter of the property owner. There’s only one other historically significant art-deco cinema that suits their purpose and so Claire heads to north QLD to beg permission from the owner, to use it in the film she is working on. The owner is Hattie Fitzpatrick, an elderly lady who is quite reclusive and at first, firm in her refusal to Claire. As a last ditch effort, Claire writes her an impassioned letter which touches Hattie. Intertwined with this is a story of Hollywood in the 1950s, when actors were attached to studios and starred in every picture they made. Lena Lee is a bit older then actresses just breaking into the scene but she’s incredibly talented and with the help of some friends, puts herself out there for recognition and roles.
I really, really enjoyed the 1950s Hollywood setting, which is actually not a time period I’ve visited a lot in fiction and definitely not in Hollywood. I’m not really a movie buff (people ask me have I see X movie, to which I inevitably reply no and they can never believe it) but I found this section really interesting. There was a lot of stuff I sort of knew vaguely but a lot that I didn’t as well. I found the social commentary well worked into the story. The 1950s is Cold War time, paranoia about communism and reds under the bed and who might be hiding what was rampant and there’s a whole government agency that seems dedicated to routing out communism, or what they think might be communism and people who support it. HUAC, aka the House of Un-American Activities committee were firmly convinced communism and propaganda had infiltrated the Hollywood scene and in real life, studios often blacklisted or boycotted artists suspected of sympathies. Homosexuality was also considered a disease and for some reason, linked to communist sympathies as well. There were many actors and artists of this time who were forced to leave America to find work elsewhere – very few people investigated or accused could successfully rebuild a career in America. Studios were also beholden to censors, who could wield power over a film by cutting things they deemed inappropriate or demanding changes.
In the more modern setting, Claire faces the pressure of being a woman in a world that is still quite dominated by men, with someone working alongside her that is desperate to see her fail, so that they might have her job. It seems that no mistakes are tolerated and even though it wasn’t Claire’s fault that the first location didn’t work out and she did manage to secure the second location, it seems all eyes are on her to make sure nothing else goes wrong. The pressure is immense and in the middle of it all, Claire is still trying to figure out what she wants to do in her career that is meaningful to her. Hattie’s great nephew, Luke is a bit of a distraction. At first the two clash over Claire’s desire to use the cinema but when Hattie thaws so does Luke and the two of them find a connection. I really enjoyed the character of Luke and his struggle with his duty versus his dream. It added a nice depth to his character and a layer to the story that I felt could strengthen his connection with Claire.
On the surface, this was a lot of fun – the settings were excellent and I could really picture myself there, be it 1950s Hollywood for 1994 sugarcane fields in Queensland. But there was a lot going on beneath the surface, the struggle of women to have it all, to break through into what was a mostly male dominated world. To hold their own, make their mark and fulfil their dreams, sometimes at personal cost. There’s tragedy here too, star-crossed love and lots more. An iceberg of a book!
***A copy of this book was provided by the publisher for the purpose of an honest review***
Claire is a film location manager who is down a location after an indiscretion between her lead actor and the daughter of the property owner. There’s only one other historically significant art-deco cinema that suits their purpose and so Claire heads to north QLD to beg permission from the owner, to use it in the film she is working on. The owner is Hattie Fitzpatrick, an elderly lady who is quite reclusive and at first, firm in her refusal to Claire. As a last ditch effort, Claire writes her an impassioned letter which touches Hattie. Intertwined with this is a story of Hollywood in the 1950s, when actors were attached to studios and starred in every picture they made. Lena Lee is a bit older then actresses just breaking into the scene but she’s incredibly talented and with the help of some friends, puts herself out there for recognition and roles.
I really, really enjoyed the 1950s Hollywood setting, which is actually not a time period I’ve visited a lot in fiction and definitely not in Hollywood. I’m not really a movie buff (people ask me have I see X movie, to which I inevitably reply no and they can never believe it) but I found this section really interesting. There was a lot of stuff I sort of knew vaguely but a lot that I didn’t as well. I found the social commentary well worked into the story. The 1950s is Cold War time, paranoia about communism and reds under the bed and who might be hiding what was rampant and there’s a whole government agency that seems dedicated to routing out communism, or what they think might be communism and people who support it. HUAC, aka the House of Un-American Activities committee were firmly convinced communism and propaganda had infiltrated the Hollywood scene and in real life, studios often blacklisted or boycotted artists suspected of sympathies. Homosexuality was also considered a disease and for some reason, linked to communist sympathies as well. There were many actors and artists of this time who were forced to leave America to find work elsewhere – very few people investigated or accused could successfully rebuild a career in America. Studios were also beholden to censors, who could wield power over a film by cutting things they deemed inappropriate or demanding changes.
In the more modern setting, Claire faces the pressure of being a woman in a world that is still quite dominated by men, with someone working alongside her that is desperate to see her fail, so that they might have her job. It seems that no mistakes are tolerated and even though it wasn’t Claire’s fault that the first location didn’t work out and she did manage to secure the second location, it seems all eyes are on her to make sure nothing else goes wrong. The pressure is immense and in the middle of it all, Claire is still trying to figure out what she wants to do in her career that is meaningful to her. Hattie’s great nephew, Luke is a bit of a distraction. At first the two clash over Claire’s desire to use the cinema but when Hattie thaws so does Luke and the two of them find a connection. I really enjoyed the character of Luke and his struggle with his duty versus his dream. It added a nice depth to his character and a layer to the story that I felt could strengthen his connection with Claire.
On the surface, this was a lot of fun – the settings were excellent and I could really picture myself there, be it 1950s Hollywood for 1994 sugarcane fields in Queensland. But there was a lot going on beneath the surface, the struggle of women to have it all, to break through into what was a mostly male dominated world. To hold their own, make their mark and fulfil their dreams, sometimes at personal cost. There’s tragedy here too, star-crossed love and lots more. An iceberg of a book!
***A copy of this book was provided by the publisher for the purpose of an honest review***
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