Think this is my first one-star review--and to the latest book by an author with over 650 MILLION readers. Does not really make sense.
On top of this, the book involves a time warp/ghost element, with people from the present and the past intermingling--concepts I like. And the past time period is one my favorites: the 1910s and the WWI era. Not to mention a beautiful old mansion is involved.
And a novel about a storied old San Francisco mansion is a natural for Danielle Steel who has long owned the storied Sprekels Mansion in San Francisco.
However, talk about your flat, lifeless collection of pages, for that is what you have in this book.
Check out these opening sentences of two different books:
Sample A:
"Those who can, do.
Those who can't, deejay.
Like Cooper van Epp. Standing in his room--the entire fifth floor of a Hicks Street brownstone--trying to beat-match John Lee Hooker with some piece of trip-hop horror. On twenty thousand dollars' worth of equipment he doesn't know how to use."
Sample B:
"Blake Gregory sat looking out his office window in New York, pondering the offer he had just been made to be the CEO of a new high-tech social media start-up in San Francisco. He'd had other offers before, in Boston and other cities, though none as enticing as this one, and he'd turned them down without hesitation."
Sample B is by our 650 million reader author. Sample A, by Jennifer Donnelly author of a young adult novel about the French Revolution called Revolution.
So strange, while both books involve a story and people in the past, intermingled with a story and people in the present--and both even involve young boys in the past who are killed, and a corresponding young boy in the present--Donnelly's book is SOOO much more ALIVE than Danielle's.
In addition to the flat characters, the bland--barely existent description, the sentences that can meander confusingly--its also not quite clear what Steel is going for in her time warp element.
Steel includes an introductory page where she explains that time travel books never appealed to her, they seemed too "far-fetched." Also, she was frustrated by the person sent back in time having to decide whether to abandon everything and everyone she knows and loves in her present life, or leave behind her true love in the past.
Well, Steel "solves" this problem for herself by not having any present day people actually travel to the past; instead she has a family of ghosts that had lived circa 1917, appear to the present day family.
But then she makes these ghosts zombie-ghosts--in that they don't completely know they are dead. Because deaths happen to the ghosts, and there is much sorrow and pain, but then the dead reappear a short time later--and the family is not surprised because they knew the person could reappear. And even though the six year old boy who had died in 1905 is with the family in 1917, the family acts as if death is a real thing.
These poor ghosts have some other problems that make Steel's after life not very attractive--they still have to have sicknesses--and childbirth!--the 1917 way!
Perhaps what Steel thinks she is doing is creating a time warp wherein the present day family stumbles upon the 1917 family and then the two sets of lives sort of meld as each family lives its life in its own time. If this were the model, the deaths in the past, and the pain felt surrounding them, would make sense. And of course sickness and childbirth would have to be experienced as experienced in 1917.
Steel strengthens the time warp idea by having a whole world out there in the past for the ghost people to travel in. The oldest daughter moves to France, for example.
But the time warp model can not be claimed to be used here, since we've got the six year old boy who died twelve years earlier as part of the mix. Not to mention that the daughter who will die at 20 around 1929, is 20, rather than 8, when with her family in 1917.
We also have the ghost family recognizing that those who have died are now different, though only in that they can not be photographed.
Of course, an author creating time warps has pretty free rein, as there is no objective standard as to how an imaginary time warp needs to be. There is, however, an objective standard as to how realistic people will act and think. And the Butterfields do not act like real people living in a parallel time. For example, real people would recognize the strangeness of dead family members returning and then being frozen at the age they died. Similarly, real people would remember that there is no death in their world so why fret about death--or anything for that matter--because if the worst that could happen to them is death and that doesn't exist, why worry about anything? Further, they might be a bit depressed, these real Butterfields, in that there seems to be nothing after life except to return to the world frozen at the age one died.
And of course, an author has freedom in creating characters any way she pleases. Yet if fictional humans don't ring true, most books will not be read. This situation is obviously a bit different; Steel has the ability to pretty much type out anything, put a title and her name on it, and it will be a best seller.
In sum: It appears that Steel wants to have created a parallel time--our world 100 years in the past--that happens to intersect via a time warp with our present when the Butterfields and Gregorys meet.
What she has actually created is a family of ghosts who act and think like they are not ghosts (which fits her time warp idea)--forgetting that when they die they will return, for example, and suffering and dying like non-ghosts; but they actually are ghosts or they wouldn't be able to come back to life or be stuck forever at the age they were when they died.