A murderer becomes the toast of the village as his charm negates his crime. A young countess saves her tenants from starvation, but only by selling her soul to the Devil. The sleepy parish of Nyadnanave sees a vision of a cockerel that dares the inhabitants to break the shackles of Church and State. All these plays were met with moral outrage and rioting in their native Ireland.
Yeats's 'The Countess Cathleen' (1892), J. M. Synge's 'The Playboy of the Western World' (1907) and O'Casey's 'Cock-a-doodle Dandy' (1949) emerged from a period of traumatic change for Ireland. While the plays bear witness to the immmense social upheavals of the turn of the twentieth century, they also represent a new age of Irish drama that rose from the turmoil, and their lessons ring true to this day.
Countess Cathleen - I liked this one the most. While one of the other plays had a magical element, it worked much better in this one. I also just love Yeats. The lyrical prose read quite beautifully.
Playboy of the Western World - So it seems that it's okay to say you killed your father, but when he comes back from the dead, you can't kill him again. I didn't really enjoy this one. Do people in Ireland talk like that? The slang reminded me of Their Eyes Were Watching God, and I highly doubt these two ethnicities speak the same. I didn't realize the Christ allusion until after my class discussion-- just as Christ was welcomed on Palm Sunday and then crucified, so too was Christy.
Cock a Doodle Dandy - I didn't enjoy this one too much either. It kind of reminded me of The Crucible. Beautiful Ladies and jealousy always cause such harm.