“Four years is a long time in politics.”
God, isn’t it just! Four months is also a long time, and is approximately how long I have been putting off writing my review of this great book. Cull is a brilliant book, but I knew I would either write a little about myself and my own experiences of the subject matter, or not write a review at all. Context, you know, is SO important to a reader’s experience of a book. So, for the sake of understanding the context of my review: I have had a life long battle with poor mental health and other health issues, am currently floating in the welfare system, unable to work, have been through a Work Capability Assessment, and have chronic frustration with the welfare system and NHS services, yet have met and been helped by, and still am being helped by, some amazing human beings who are a beacon in the dark, and whom I wish could be replicated a million times over! I am utterly grateful that we have a welfare system at all (there are many places in this world that do not), and think that there have been some changes in recent years that are wonderfully helpful, while others are at best totally baffling/at worst downright cruel.
Cull centers around Alex, a journalist who is blind and whose faithful guide dog Chris opens the novel with a point of view chapter of her own, the first of many witty and lovely passages exploring the bond between dog and (wo)man. Set amongst a hostile social and political backdrop, a speculative picture of a Britain that has truly come to shit emerges, one that seems mostly believable, and, given the state of things today, fairly probable. The Care and Protect Act has been shat out in order to ‘ease the burden on home carers and social workers’ – said no Tory minister, ever – by providing vulnerable people with places in new high-care facilities with 24 hour nursing and medical support. ALWAYS be sceptical of a free lunch…
If I had read this without the author’s name on the front, I would have been delighted that Margaret Atwood had written another great social satire slash horror novel after The Heart Goes Last! All the marvellous ingredients of a dystopian comedy are right here, exploring some of the biggest topical issues of our time, such as how the fuck are the kinds of laws that affect the lives of the most vulnerable in society still being made by people who are as far removed from their situations as a 9p pack of super noodles is from Chequers?
Alex investigates what is actually happening to the vulnerable and sick, including those who have disappeared in peculiar circumstances. She meets a sassy group of women called the Ladies’ Defective Agency, although I’ll leave the discovery of what that entails for the reader. Just know that this novel is very creative and highly original 😉
The trail leads Alex to the clinic offering fabulous care at the heart of the Care and Protect Act, where everything comes to a head, with the vulnerable coming together in an attempt to stand up for the abused and change things for the better. I was really disappointed when I was reading the big ending, initially. It didn’t seem sinister in any way, and the kind of thing a group of children would come up with, until it struck me that sometimes the very worst thing you can do to these monstrous people, is to embarrass them. (But not the kind of embarrassment that comes from going through a WCA, spilling your guts for a process that is degrading and in my case, actually makes health conditions worse)
I love the journalistic style of the novel, and the frequent news clippings are effective, given how much (often incorrect shite) is often said about the vulnerable and those on welfare, for any reason, in the media, and how they are represented. (Hint: atrociously)
Cull is a clever work of art, a terrifying prediction of the political landscape completely losing touch with its responsibilities of looking after its citizens, and I am very much looking forward to seeing what Tanvir Bush writes next.
Rating ❤️❤️❤️❤️❤️
Cull was published on 24th January 2019 by Unbound. Thanks to them for the ARC