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399 pages, Hardcover
First published August 29, 2017
The Owner assumes any and all Legal obligation for this physical copy of the book and indemnifies the author and publisher against liability, including but not limited to the following:And to be sure, there is a lot to take in with regards to the dystopian world Katsoulis offers up, so this is a nice primer for readers who won’t dismiss this offhand as uninteresting copyright information.
i) Paper cuts
ii) Eyestrain or eye fatigue
iii) Cases where the physical existence of paper, printing or binding might present physical, emotional, or intellectual harm or distress.
iv) Cases where the textual content might present physical, emotional, or intellectual harm or distress.
v) Confusion, disorientation or irritation
vi) Intestinal distress
vii) Death
We were all familiar with Blocking. It was becoming increasingly common for companies to Block certain imagery in-eye using the overlays on your corneal membranes. An expensive perfume bottle, for example, might appear as a blocky mess of color if you fell too far out of the company’s target demographic. People who were too poor, or fell too far in debt, could end up with a full-blown case of The Blocks.
Anything that wasn’t explicitly in the public domain was blurred to little more than colored squares. Shalk and Yundoro became two masses of moving blocks in the approximate shape and location of the human behind them. As far as the authorities were concerned, I had basically lost my right to see. In all likelihood, I would be like this for the rest of my life. My hands were the only thing I could see.
“Words matter,” I said. “Words make ideas. They preserve truths and history. They express freedom, and they shape it.”