I'll just lay this out here. A smart 12 year old could write a true crime story, narrated by a robot, and I'd like the book because I have a nearly unquenchable thirst for true crime. Some true crime novels rise above because the project is spearheaded by superb talent, and that will always be a home run for me. This was NOT a home run. The writing was mediocre at best and the narration was horrible. I'll get into that in a minute. The facts of the case are memorable though, and nothing could lessen that for me.
18 year-old Gina Renee Hall was a college freshman, a good girl beloved by her friends and family. One night she went out to a local bar in her small home town in Virginia to dance, something she loved to do. She made the fateful error of meeting Steve Epperly there, and under the guise of joining a group of friends at an upscale lake house, left with him, never to be seen again. The facts of the case accumulated into a mountain of evidence against Epperly. He was a repeat rapist with a history of violence, who asked many of his friends whether he could be convicted of murder if there were no body. There was blood all over the lake house. Her discarded clothes and abandoned car were found in various areas around the lake house. The list goes on and on. Exhaustive efforts were made to find her body though, with no luck, and Epperly wasn't talking. This became a landmark case because no one had ever been convicted without a body to prove murder, but prosecutors were successful in getting Epperly a life sentence.
While the case was well-researched by the author, his prose was dry and uninspired. With any other topic, it would be unreadable. This is his only book. He is a newspaper reporter and works on ad campaigns, and the book reads like a newspaper story. He could have benefited from a partner or editor with a skill in bringing stories to life. Just because you CAN write a book doesn't mean you should. On Amazon, the ratings average close to five stars. As I often see, many reviews have not been able to separate the story from the mechanics behind it.
Equally as dismal was the narration. Kyle Tait is a sportscaster, and should not have been cast as a narrator. His voice sounded like a lounge lizard, drawing out the end of every sentence with a kind of phony drama. He was reading the words without emotion or inflection, and it took all my willpower to get past it.