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250 pages, Paperback
First published January 1, 1981
Everywhere we go in Moscow, we find a frantic enthusiasm for any kind of natural or man-made beauty. At parties, pretty girls are feted with an innocent, extravagant adulation from men and women alike; ordinary people show a passion for art and literature which might be suspect as a pose in America. The deepest roots of this quality of Russian life are hard to discern, and I am setting aside the ugly fact of government censorship of the arts, which obviously plays its own perverse role in intensifying enthusiasm for beauty. I mean to observe only that a more austere environment seems to favour sensitivity. This isn't a new idea at all, of course. People on islands, in prisons, in monasteries have all discovered the same thing. But it's a remarkable feeling to have my mind clearing up week by week, like a lens that was filmed and dim, until, just as the year goes dark with winter, I've started to see the subtle points of light in this grey cityI also like this well-articulated version of the staple feminist complaint about the working woman's 'second shift':
Vera is a self-professed liberated woman who, when she is not shopping or studying, can work herself into a fine rage about the status of women in Russia. According to her, the relative equality of men and women in the labour force has not changed traditional attitudes. 'Basically we women have two roles,' Vera said, pulling off a piece of duck meat and eating it with relish, 'We work all day alongside men, and then the bell rings, the men go home and open a bottle of vodka. What do we do? We start our second lives: standing in lines, carrying bundles, cooking, knitting, sewing, scrubbing, serving the men at the table. They're smart. They give us International Women's Day - posters and flowers once a year - and never lift a finger the rest of the time.'