Another Michel Parry anthology from the 1970s, and this time a less successful venture. The subject matter is superheroes, which doesn't translate well to the written form, and a lot of the short stories collected here try to be funny in a way which really isn't all that funny at all.
Robert Bloch offers a typically strong start in STUPORMAN, a Lefty Freep effort full of the usual amusing wordplay and rhymes. George Clark's THE EVIL SUPER-MAN is a classic slice of Frankenstein-inspired pulp in which a creature runs amok with some novel twists. It's great fun. THE GOLDEN AMAZON RETURNS is by John Russell Fearn and presumably the third in a cliffhanger series; it's pure pulp action and entirely superficial.
Don Glut's ORIGIN OF A SUPERHERO continues his obsession with Frankenstein, including a twist you'll see coming a mile off. Stephen Hitchcock's CAPTAIN AMAZING is essentially a riff on Superman with a few twists to keep it interesting, while George Effinger's THE AWESOME MENACE OF THE POLARIZER is a cheap schoolboy crime fighter story which I didn't care much for at all.
John Keel's SATYR-MAN at least offers a more adult spin on the usual staples, but the usually reliable Adrian Cole's TRANSMUTO, THE METAMORPHIC MYRMIDON, is a wishy-washy effort about a plague of rats. Marion Pitman's EASY WAY OUT is a short-short with an obvious twist and fun Marvel cameos. IT'S A BIRD, IT'S A PLANE! sees Norman Spinrad on excruciating form with a deeply unfunny psychiatric spin on Superman.
Allan Kimball's UP, UP AND AWAY at least offers a novel psychological exploration of how a superhero might fare in the real world, while Frank Adey's ALTERNATIVE ENDING is a retelling of the Superman origin story, with a twist that might have been borrowed from H.G. Wells. The anthology concludes with Larry Niven's amusing musings on Superman's sex life in MAN OF STEEL, WOMAN OF KLEENEX.