As I am a fan of Fred Rogers, I have read several books about him, and already know something about his story. What makes this book special is that it is not just a biography of Fred Rogers, but a biography of his show. Mister Rogers’ Neighborhood was indeed the brainchild of Fred Rogers, and he exercised control over every detail of script and set, but it took a village, or a neighborhood of people, to pull it off. And they are all here: the writers, producers, musicians, art people, consultants, and business people.
There are interviews with most of these people, describing how they got involved with Mister Rogers, and what it was like on the set. And there are lots of photographs. I was a regular watcher of Mister Rogers’ Neighborhood as a child, and I was surprised how much I had forgotten. It was a delight to have it come back to me. Joe Negri’s music shop, Betty Aberlin’s theater, Chef Brockett’s bakery, Neighbor Aber. In the Neighborhood of Make Believe I remembered Daniel Striped Tiger, and King Friday XIII, Lady Elaine and X the Owl, but I had forgotten Cornflake S Pecially and his factory. I had forgotten the Platypus family, and Harriet Elizabeth Cow, who ran the school. I forgot that the neighborhood got together to put on a series of operas: full of silliness, but, as always, teaching kids how to deal with their feelings.
Here are reminiscences about some of the places Mister Rogers went out to visit (the crayon factory, the doctor’s office, the zoo, Russia), and some of the many visitors who came to see him (Julia Child, Margaret Hamilton, who showed children that the Wicked Witch was only makeup, Yo-Yo Ma, and Jeff Erlanger, the boy in a wheelchair who, unscripted, and unprompted, sang with Mister Rogers). Here are some of the topics Mister Rogers discussed. Here are the lyrics to some of the songs, all of which he wrote himself. And here is a discussion of Mister Rogers’ legacy, how he is remembered so warmly by generations of children who are now grown, and how his work lives on.