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Ganga: The Constant Goddess
Believed to be the liquid manifestation of Shakti and the nurturer of the three worlds with her life-sustaining waters, Goddess Ganga is the epitome of beauty and purity, famous for her indomitable spirit and boundless charm. Renowned as a devoted daughter, a caring mother, a passionate lover, and a merciful saviour, she is here to absorb and absolve us of our sins. A constant goddess, she is part of the Indian ethos, revered, and loved across the ages.
The exquisite epic that is Ganga’s story, from her miraculous origins, her sojourn in the heavens, her poignant relationships with the divine trinity, the birth of her sons—Bhishma and Kartikeya, and her descent into a wicked world that is not worthy of her, is dazzlingly told by Anuja Chandramouli. Without this Goddess, life as we know it will be over, for her righteous retribution will be terrifying.
This book is a vibrant retelling of the story of Ganga, who has the power to save us all and bestow the precious gift of moksha, embracing saints and sinners alike with her all-encompassing compassion.
The exquisite epic that is Ganga’s story, from her miraculous origins, her sojourn in the heavens, her poignant relationships with the divine trinity, the birth of her sons—Bhishma and Kartikeya, and her descent into a wicked world that is not worthy of her, is dazzlingly told by Anuja Chandramouli. Without this Goddess, life as we know it will be over, for her righteous retribution will be terrifying.
This book is a vibrant retelling of the story of Ganga, who has the power to save us all and bestow the precious gift of moksha, embracing saints and sinners alike with her all-encompassing compassion.
249 pages, Paperback
Published January 1, 2018
20 people are currently reading
177 people want to read
About the author
Anuja Chandramouli
16 books411 followersAnuja Chandramouli is a bestselling Indian author and New Age Indian Classicist. Her highly acclaimed debut novel, Arjuna: Saga of a Pandava Warrior-Prince, was named by Amazon India as one of the top 5 books in the Indian Writing category for the year 2013. Kamadeva: The God of Desire and Shakti: The Divine Feminine are her other bestsellers. Currently all three books are being translated into Hindi, Marathi, Gujarathi and Bengali, a real achievement for one so young. Her epic fantasies called Yama’s Lieutenant and its sequel has received an overwhelming response.
Her books on Kartikeya, Padmavati and Prithviraj Chauhan have been very successful. Her latest book is Ganga: The Constant Goddess.
An accomplished orator, she regularly conducts workshops on Creative Writing, Story Telling and Mythology in schools, colleges and various other platforms. Her motivational speeches have also been well received. According to Chandramouli, her work with youngsters in the rural belt helping them improve their Spoken English and Writing skills has been wonderfully satisfying and enriching.
This happily married, mother of two little girls, lives in Sivakasi, Tamil Nadu. She is a student of classical dance and Yoga.
Email: anujamouli@gmail.com
FB page: https://www.facebook.com/authoranujac...
Her books on Kartikeya, Padmavati and Prithviraj Chauhan have been very successful. Her latest book is Ganga: The Constant Goddess.
An accomplished orator, she regularly conducts workshops on Creative Writing, Story Telling and Mythology in schools, colleges and various other platforms. Her motivational speeches have also been well received. According to Chandramouli, her work with youngsters in the rural belt helping them improve their Spoken English and Writing skills has been wonderfully satisfying and enriching.
This happily married, mother of two little girls, lives in Sivakasi, Tamil Nadu. She is a student of classical dance and Yoga.
Email: anujamouli@gmail.com
FB page: https://www.facebook.com/authoranujac...
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Displaying 1 - 29 of 45 reviews
February 7, 2024
Ganga has a special place of reverence in Indian tradition, the Goddess expressed as the river. Anuja Chandramouli’s book brings Ganga to life – a very imaginative tale around the popular Goddess.
Goddess Ganga is the daughter of King Himavat and Mena, with Parvati being her younger sister. Parvati, as popular legend has it is Lord Shiva’s faithful consort. Ganga is the epitome of charm and energy – with the ability to soothe, cure or destroy. For the most part, she sustains Bhoomi Devi (Earth) with her grace. There are many incidents around popular folklore which are weaved expertly into the tale. She stops at nothing to avenge unfairness – be it with Lord Brahma or Indra. And yet, she is the constant Goddess – helping in sustaining Bhoomi Devi and life itself. It takes the persuasion, strength and love of Lord Shiva to bring balance back into her life. The tale progresses towards its culmination with Goddess Ganga being the wife of Shantanu (when he is reborn) and the mother of the heroic Bhishma grievously wounded in the Mahabharata war.
The writing is very expressive as in all of Anuja’s books. It is a little dense in parts though, with multiple instances of a similar nature. However, it brings to life Goddess Ganga like no book before it has to my knowledge.
Goddess Ganga is the daughter of King Himavat and Mena, with Parvati being her younger sister. Parvati, as popular legend has it is Lord Shiva’s faithful consort. Ganga is the epitome of charm and energy – with the ability to soothe, cure or destroy. For the most part, she sustains Bhoomi Devi (Earth) with her grace. There are many incidents around popular folklore which are weaved expertly into the tale. She stops at nothing to avenge unfairness – be it with Lord Brahma or Indra. And yet, she is the constant Goddess – helping in sustaining Bhoomi Devi and life itself. It takes the persuasion, strength and love of Lord Shiva to bring balance back into her life. The tale progresses towards its culmination with Goddess Ganga being the wife of Shantanu (when he is reborn) and the mother of the heroic Bhishma grievously wounded in the Mahabharata war.
The writing is very expressive as in all of Anuja’s books. It is a little dense in parts though, with multiple instances of a similar nature. However, it brings to life Goddess Ganga like no book before it has to my knowledge.
December 31, 2019
Anuja's word sorcery has mesmerized us since we have read Shakti two years back. To prove our devotion towards the author, we have our precious possession. Out of 9 books that Anuja has published we have 7 books with us, only missing guys are "Rani Padmavati" & Kamadeva. We are hopeful that they will be added to our shelf with their siblings soon.
We were on our vacation when we saw first communication about Anuja's latest release which is "Ganga - The Constant Goddess" The first thing we did after coming back got the copy. The only reason for a slight delay in the review was our resolve of finishing all review copies this year & bring 30+ copies in single digit number.
I think I have discussed too much about other things, talking about Ganga - the book. Being a Hindu (Spent childhood in Indian) raised in 1990-200 when TV shows were more mythological, I have seen many serials around Ganga's descend on earth, her marriage with Shantanu and at the max as the sister of Paravati. She was always part of the story. Never been the main character, so what you know about Ganga before & after. Those who have read Vedic literature may answer you but how many people can take that serious literature for just one character, as our literature is full of many such Gods. Anuja has done this task easy for us. She has taken the support of Mythology & penned down her fiction work Ganga. You may know some stories in parts but this book is a compilation of many such tales in Anuja's words in a fictional format. Starting from Himvan's daughter to other tales.
There are two things which are common across Anuja's work. A deep emotional portrayal of the main character and the poetic flow. Both have their own pros & cons. Emotional parts are essential & it attracts a reader to know more but excess is also dangerous as it can take readers away. Anuja has kept the balance between two. Coming to poetic flow her stories are never in the same flow. At places it is slow & at places, it will rush you through. The book is bit slower overall. Finally her mastery over words, it always makes me refer dictionary ( :) )
Detailed Review Link - https://chevusread.blogspot.com/2019/...
We were on our vacation when we saw first communication about Anuja's latest release which is "Ganga - The Constant Goddess" The first thing we did after coming back got the copy. The only reason for a slight delay in the review was our resolve of finishing all review copies this year & bring 30+ copies in single digit number.
I think I have discussed too much about other things, talking about Ganga - the book. Being a Hindu (Spent childhood in Indian) raised in 1990-200 when TV shows were more mythological, I have seen many serials around Ganga's descend on earth, her marriage with Shantanu and at the max as the sister of Paravati. She was always part of the story. Never been the main character, so what you know about Ganga before & after. Those who have read Vedic literature may answer you but how many people can take that serious literature for just one character, as our literature is full of many such Gods. Anuja has done this task easy for us. She has taken the support of Mythology & penned down her fiction work Ganga. You may know some stories in parts but this book is a compilation of many such tales in Anuja's words in a fictional format. Starting from Himvan's daughter to other tales.
There are two things which are common across Anuja's work. A deep emotional portrayal of the main character and the poetic flow. Both have their own pros & cons. Emotional parts are essential & it attracts a reader to know more but excess is also dangerous as it can take readers away. Anuja has kept the balance between two. Coming to poetic flow her stories are never in the same flow. At places it is slow & at places, it will rush you through. The book is bit slower overall. Finally her mastery over words, it always makes me refer dictionary ( :) )
Detailed Review Link - https://chevusread.blogspot.com/2019/...
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December 19, 2018My thanks to the author Anuja Chandramouli and Rupa Publishing Co Ltd for a review copy of this book.
The river Ganges or Ganga is of course, the most sacred river in India, and in mythology she is also a goddess, who lived in the heavens but came to earth after a sage–king, Bhagirath, undertook a rigorous penance. This is the story of Ganga the goddess, taking us through many episodes in her life, from her days as a young girl living in the home of her loving parents, the mountain god Himavan and his wife Mena, and with her sister Parvati, Shiva’s consort, with whom she shares a difficult relationship, to the time that she occupies an important role in the events or story that we know as the Mahabharata. We learn a little about her life, her loves, her children, her friendship with Saraswati, Brahma’s consort, and how it is she who must console and rejuvenate whenever there is pain and tumult in the heavens or on earth. In the author’s interpretation, Ganga the goddess is quite literally a personification of the river—she is spirited and free, going and doing as she likes and refusing to be tied down in any way, by any other mortal or immortal, by custom or patriarchy. And in line with that personality, she is outspoken, questions all that is unjust about society, challenges “norms” imposed on women, who, whether god or mortal, are always blamed (and must bear the brunt) for all that goes wrong, no matter whose fault. But she is also magnanimous, ready to forgive every sin, to bring solace to those without any comfort (“And forever more, I will serve as a conduit for trapped souls, taking them where they must go, and I will never turn away from the cries of my children, be they ever so wicked.”), and ever ready to do her duty even when she has been wronged.
While I was familiar with many of the stories told in this book (though not all, by any means), a couple of them (Yami’s story from Yama’s Lieutenant and Kartikeya’s from her book on him) from the author’s earlier books, this was the first time I read of all of these events from Ganga’s point of view, and it certainly made the flow of events and the connections between different events far clearer (for instance, that her story with Shantanu and her children was connected with her story with Mahabisha and that of the curse on the Asthavasus, eight celestial beings, especially Prabhasa), and I enjoyed reading it. I hadn’t known that Ganga is simply another face of Shakti and so in that way too, connected with Parvati. I also liked the author’s interpretation of Ganga’s character, and one can well see her thought process and views being as they are, being a manifestation of the river. The cover art also captures this quite perfectly, Ganga emerging from the waters, a woman, and yet part of the waters.
It was also interesting to see how the gods/immortals aren’t very much different from human beings, with the same failings and flaws, and the same prejudices that us humans have. (Kind of makes you wonder why they are gods, then?—especially Indra, whose behaviour I’m glad the author questions. I still remain unconvinced why he is fit to be the King of the gods.) But because of this, the author is able to comment on some of the ills that have been ever prevalent in our world, and still continue—disrespecting women and our rivers (who are perhaps alike in more than one way, nurturing, and caring for everyone, and not getting their due despite all they give). I enjoyed the author’s writing, particularly her descriptions which I think are her greatest strength—she is able conjure up these really vivid images which enable the reader to visualise (even hear and smell) them as he/she reads. For instance, “The silvery river wound its way sensuously through the peaks, glistening and lustrous as a string of pearls against the blackness of the rocky terrain”; and “The first wave of the waters splashed with a merry tinkle, released from her fingertips, foaming and bubbling around her feet, deliciously cold and sweet to taste. Narrow streams that trickled down the mountainside like little children at play, laughing and caterwauling as they skipped, hopped, pranced and leapfrogged their way across the bumpy terrain, sure as mountain goats.” But of course (and this is something I’ve brought up in my reviews of her earlier books too) when these descriptions are of grislier aspects—war, and torture, and destruction—this does tend to get a touch too gruesome for my liking. Another small complaint was with some of the dialogue which felt to me somewhat “modern” sounding—perhaps it’s just me but when I’m reading historical or mythological fiction, I expect the language too to sound somewhat more appropriate to the times. But overall this was once again an interesting read for me!
The river Ganges or Ganga is of course, the most sacred river in India, and in mythology she is also a goddess, who lived in the heavens but came to earth after a sage–king, Bhagirath, undertook a rigorous penance. This is the story of Ganga the goddess, taking us through many episodes in her life, from her days as a young girl living in the home of her loving parents, the mountain god Himavan and his wife Mena, and with her sister Parvati, Shiva’s consort, with whom she shares a difficult relationship, to the time that she occupies an important role in the events or story that we know as the Mahabharata. We learn a little about her life, her loves, her children, her friendship with Saraswati, Brahma’s consort, and how it is she who must console and rejuvenate whenever there is pain and tumult in the heavens or on earth. In the author’s interpretation, Ganga the goddess is quite literally a personification of the river—she is spirited and free, going and doing as she likes and refusing to be tied down in any way, by any other mortal or immortal, by custom or patriarchy. And in line with that personality, she is outspoken, questions all that is unjust about society, challenges “norms” imposed on women, who, whether god or mortal, are always blamed (and must bear the brunt) for all that goes wrong, no matter whose fault. But she is also magnanimous, ready to forgive every sin, to bring solace to those without any comfort (“And forever more, I will serve as a conduit for trapped souls, taking them where they must go, and I will never turn away from the cries of my children, be they ever so wicked.”), and ever ready to do her duty even when she has been wronged.
While I was familiar with many of the stories told in this book (though not all, by any means), a couple of them (Yami’s story from Yama’s Lieutenant and Kartikeya’s from her book on him) from the author’s earlier books, this was the first time I read of all of these events from Ganga’s point of view, and it certainly made the flow of events and the connections between different events far clearer (for instance, that her story with Shantanu and her children was connected with her story with Mahabisha and that of the curse on the Asthavasus, eight celestial beings, especially Prabhasa), and I enjoyed reading it. I hadn’t known that Ganga is simply another face of Shakti and so in that way too, connected with Parvati. I also liked the author’s interpretation of Ganga’s character, and one can well see her thought process and views being as they are, being a manifestation of the river. The cover art also captures this quite perfectly, Ganga emerging from the waters, a woman, and yet part of the waters.
It was also interesting to see how the gods/immortals aren’t very much different from human beings, with the same failings and flaws, and the same prejudices that us humans have. (Kind of makes you wonder why they are gods, then?—especially Indra, whose behaviour I’m glad the author questions. I still remain unconvinced why he is fit to be the King of the gods.) But because of this, the author is able to comment on some of the ills that have been ever prevalent in our world, and still continue—disrespecting women and our rivers (who are perhaps alike in more than one way, nurturing, and caring for everyone, and not getting their due despite all they give). I enjoyed the author’s writing, particularly her descriptions which I think are her greatest strength—she is able conjure up these really vivid images which enable the reader to visualise (even hear and smell) them as he/she reads. For instance, “The silvery river wound its way sensuously through the peaks, glistening and lustrous as a string of pearls against the blackness of the rocky terrain”; and “The first wave of the waters splashed with a merry tinkle, released from her fingertips, foaming and bubbling around her feet, deliciously cold and sweet to taste. Narrow streams that trickled down the mountainside like little children at play, laughing and caterwauling as they skipped, hopped, pranced and leapfrogged their way across the bumpy terrain, sure as mountain goats.” But of course (and this is something I’ve brought up in my reviews of her earlier books too) when these descriptions are of grislier aspects—war, and torture, and destruction—this does tend to get a touch too gruesome for my liking. Another small complaint was with some of the dialogue which felt to me somewhat “modern” sounding—perhaps it’s just me but when I’m reading historical or mythological fiction, I expect the language too to sound somewhat more appropriate to the times. But overall this was once again an interesting read for me!
February 26, 2019
“According to Greek mythology, humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.”
― Plato, The Symposium
This quote is obviously an allegory which is about how man and woman are incomplete without each other. Or how humans are incomplete no matter what we do? Mythology is an interesting way to know not only about our past but also about our present and future. Anuja always does a great job in mythology with her sharp new insights and impeccable language. “Ganga the constant Goddess” is another one of these.
Ganga and Parvati both daughters of Mena and Himvan are unlike each other. Where Parvati just wants to get married to Shiva, Ganga can not be domesticated. She is a wild force of nature which cannot be still or be tamed. There is rivalry between Ganga and Parvati for Shiva too. Saraswati, who is not Brahma daughter, existed long before him.
The story moves from one place to other as expected as Ganga is wild force of nature. Free spirit of Ganaga is told by Mena:
“For reasons that have always eluded me, the males of any species are most intent on controlling the lives of their ladies for the ostensible purpose of keeping them safe from all harm and shielding them against hurt. It is most foolish and impractical of them! One may as well expect to hold the wind in hand or water in place. In reality, they are little more than parasites who would drain you of everything worth having.”
The language is first rate as always. Anuja interprets the well-known tale from a modern perspective and this book like all her other books is not a simple retelling of classic Ganga story. Puritans may feel that this does not fit their conservative narrative. I think this book is not for them.
Kudos to Anuja for another well written mythological reinterpretation. 4/ 5 stars.
― Plato, The Symposium
This quote is obviously an allegory which is about how man and woman are incomplete without each other. Or how humans are incomplete no matter what we do? Mythology is an interesting way to know not only about our past but also about our present and future. Anuja always does a great job in mythology with her sharp new insights and impeccable language. “Ganga the constant Goddess” is another one of these.
Ganga and Parvati both daughters of Mena and Himvan are unlike each other. Where Parvati just wants to get married to Shiva, Ganga can not be domesticated. She is a wild force of nature which cannot be still or be tamed. There is rivalry between Ganga and Parvati for Shiva too. Saraswati, who is not Brahma daughter, existed long before him.
The story moves from one place to other as expected as Ganga is wild force of nature. Free spirit of Ganaga is told by Mena:
“For reasons that have always eluded me, the males of any species are most intent on controlling the lives of their ladies for the ostensible purpose of keeping them safe from all harm and shielding them against hurt. It is most foolish and impractical of them! One may as well expect to hold the wind in hand or water in place. In reality, they are little more than parasites who would drain you of everything worth having.”
The language is first rate as always. Anuja interprets the well-known tale from a modern perspective and this book like all her other books is not a simple retelling of classic Ganga story. Puritans may feel that this does not fit their conservative narrative. I think this book is not for them.
Kudos to Anuja for another well written mythological reinterpretation. 4/ 5 stars.
February 15, 2021
The story of Ganga, the mighty river, as she tells the stories from her point of view was very interesting and entertaining. Liked it.
April 4, 2019
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I received a copy of this book in exchange for an honest review.
So in continuation with the kind of format my reviews seem to have taken recently, I'll start off with why I started reading this book in the first place. I've always been a fan of Hindu mythology. Anyone who knows me probably already knows how much I love reading these stories and finding out more about all of our gods and goddesses. And not just them, but I also love Greek mythology and a little bit of the Norse mythology. So when I was asked to pick up this book by Anuja Chandramouli (and I hadn't read any of her books before), I read the blurb and didn't hesitate. I have read a lot of mythology, mind you but I have never seen Ganga being represented as her whole ANYWHERE! It is tragic, really considering how much of the prophecy revolves around her.
So there goes the reason why I picked it up.
Now, was I disappointed after reading this book? No, I don't think so. Sure, there were places where the book was a little boring and I wanted to skip the parts, but did I skip them? No. Because I really liked reading it. It was tedious, no doubt. In fact, I tried picking it up twice in March but ended up reading not more than 2 pages. So when April finally arrived, and I realized I'm wayyyyy behind schedule, I decided to just get on with it. And that is exactly what I did.
In her book, Chandramouli brought to us a Ganga that all of us know and don't really know at the same time. Ganga is the goddess who descended upon earth upon Bhagiratha's incessant prayers. But did she do that willingly? And did she do that solely upon his prayers? Chandramouli says she, in fact, rejected his offer at first and only came down when she deemed it to be perfect. (When that happens, I'm not sure, because I couldn't find that scene anywhere. And yet, the ending shows that she really did come to earth because Krishna and Radha were playing at her banks. But wait, she also says that they were playing at Yamuna's banks in that very scene. Was that a typo then? I really couldn't get it.) All of us know Ganga to be the forgiving river goddess, the one who loved King Shantanu with all her might. King Shantanu who was so stupid as to let his son taken "the oath" and end up ruining the entire Kuru dynasty. As Kavita Kane, in her book, puts it: it was "the fisher queen's dynasty".
But more on that later. In Ganga: The Constant Goddess, the author has tried really hard to connect the lone goddess to her readers. Why she does, what she does and how does she bear the lose of it all. She rescued Yami (apparently - I had never heard that story before) and was punished severely. They killed her lover for this! How can you? How can you even do something like that, just because you want to oppress women? I mean, I know it happens. They still do it. But to think of how Ganga went through it - the goddess who is an inspiration to us all - well, that was just pure heartbreaking.
So yeah, the author has brought out a lot of lore regarding Ganga, weaved it into this beautiful tale and presented to us the book that is proudly called Ganga: The Constant Goddess, not in the least bit disappointing us.
I received a copy of this book in exchange for an honest review.
So in continuation with the kind of format my reviews seem to have taken recently, I'll start off with why I started reading this book in the first place. I've always been a fan of Hindu mythology. Anyone who knows me probably already knows how much I love reading these stories and finding out more about all of our gods and goddesses. And not just them, but I also love Greek mythology and a little bit of the Norse mythology. So when I was asked to pick up this book by Anuja Chandramouli (and I hadn't read any of her books before), I read the blurb and didn't hesitate. I have read a lot of mythology, mind you but I have never seen Ganga being represented as her whole ANYWHERE! It is tragic, really considering how much of the prophecy revolves around her.
So there goes the reason why I picked it up.
Now, was I disappointed after reading this book? No, I don't think so. Sure, there were places where the book was a little boring and I wanted to skip the parts, but did I skip them? No. Because I really liked reading it. It was tedious, no doubt. In fact, I tried picking it up twice in March but ended up reading not more than 2 pages. So when April finally arrived, and I realized I'm wayyyyy behind schedule, I decided to just get on with it. And that is exactly what I did.
In her book, Chandramouli brought to us a Ganga that all of us know and don't really know at the same time. Ganga is the goddess who descended upon earth upon Bhagiratha's incessant prayers. But did she do that willingly? And did she do that solely upon his prayers? Chandramouli says she, in fact, rejected his offer at first and only came down when she deemed it to be perfect. (When that happens, I'm not sure, because I couldn't find that scene anywhere. And yet, the ending shows that she really did come to earth because Krishna and Radha were playing at her banks. But wait, she also says that they were playing at Yamuna's banks in that very scene. Was that a typo then? I really couldn't get it.) All of us know Ganga to be the forgiving river goddess, the one who loved King Shantanu with all her might. King Shantanu who was so stupid as to let his son taken "the oath" and end up ruining the entire Kuru dynasty. As Kavita Kane, in her book, puts it: it was "the fisher queen's dynasty".
But more on that later. In Ganga: The Constant Goddess, the author has tried really hard to connect the lone goddess to her readers. Why she does, what she does and how does she bear the lose of it all. She rescued Yami (apparently - I had never heard that story before) and was punished severely. They killed her lover for this! How can you? How can you even do something like that, just because you want to oppress women? I mean, I know it happens. They still do it. But to think of how Ganga went through it - the goddess who is an inspiration to us all - well, that was just pure heartbreaking.
So yeah, the author has brought out a lot of lore regarding Ganga, weaved it into this beautiful tale and presented to us the book that is proudly called Ganga: The Constant Goddess, not in the least bit disappointing us.
January 3, 2019
Ganga: The Constant Goddess by Anuja Chandramouli was a great book to start the year with. I love reading mythology and Hindu myths have a special place in my heart since they are the ones that got me into reading. I am always looking for retellings that puts those same myths in a new different light and this work did not disappoint.
I have mentioned this in my review of Kartikeya by Chandramouli that her characters are so well done that they make the entire novel more special on their own.
I mean, reading about perfect gods with their perfect "lives" and perfect decisions is so old-school. Give me hot messes. Give me flaws. and that's EXACTLY what Anuja provides in her novels.
Her characters are dynamic. They are grey. They have motivations, aspirations, vices and consequences. They are, in one word, interesting. More so often, a hot mess. How good a case am I making?
Ganga, our holiest river-Goddess, has been referred to as a constant goddess since she has such a major presence in our Hindu society and stories. I loved her character to pieces. She's headstrong, powerful, moral and imperfect. Her relationships with her sister Parvati, Lord Shiva and Vishnu were so fresh that I had an amazing time reading their interactions.
I love the feminism context of the book with regard to the titular character and her beliefs of sisterhood, independence and just not being perfect. Crimes against women are discussed and in this context of a Higher Power present, make them that much more tragic. Her relationship with Goddess Saraswati was one of the best parts of the book.
The book discusses philosophy that is usually the way of Hindu texts but it never gets boring. It's all the more refreshing to read about a modern approach to such ancient stories and thought.
The book is divided into various events in Ganga's life and they flow naturally. The ending confused me a bit with an entire chapter about Radha and Krishna but it was so beautiful and tangent to the earliest part of the book that I hold no grudges. One thing that threw me off sometimes was the jargon. I consider myself to have a decent vocabulary but damn, I had to visit ole Webster a few times. It just breaks off the flow of the story for me when done frequently.
All in all, I had a great time reading this book. For fans of Hindu myths, Anuja's books will be a haven if you, like me, want a refreshing take on these traditional stories that form such an essential part of all of our childhoods. Definitely looking forward to more of the author's work.
I have mentioned this in my review of Kartikeya by Chandramouli that her characters are so well done that they make the entire novel more special on their own.
I mean, reading about perfect gods with their perfect "lives" and perfect decisions is so old-school. Give me hot messes. Give me flaws. and that's EXACTLY what Anuja provides in her novels.
Her characters are dynamic. They are grey. They have motivations, aspirations, vices and consequences. They are, in one word, interesting. More so often, a hot mess. How good a case am I making?
Ganga, our holiest river-Goddess, has been referred to as a constant goddess since she has such a major presence in our Hindu society and stories. I loved her character to pieces. She's headstrong, powerful, moral and imperfect. Her relationships with her sister Parvati, Lord Shiva and Vishnu were so fresh that I had an amazing time reading their interactions.
I love the feminism context of the book with regard to the titular character and her beliefs of sisterhood, independence and just not being perfect. Crimes against women are discussed and in this context of a Higher Power present, make them that much more tragic. Her relationship with Goddess Saraswati was one of the best parts of the book.
The book discusses philosophy that is usually the way of Hindu texts but it never gets boring. It's all the more refreshing to read about a modern approach to such ancient stories and thought.
The book is divided into various events in Ganga's life and they flow naturally. The ending confused me a bit with an entire chapter about Radha and Krishna but it was so beautiful and tangent to the earliest part of the book that I hold no grudges. One thing that threw me off sometimes was the jargon. I consider myself to have a decent vocabulary but damn, I had to visit ole Webster a few times. It just breaks off the flow of the story for me when done frequently.
All in all, I had a great time reading this book. For fans of Hindu myths, Anuja's books will be a haven if you, like me, want a refreshing take on these traditional stories that form such an essential part of all of our childhoods. Definitely looking forward to more of the author's work.
February 12, 2019
‘Parvati’, in the book Karthikeya, burnt bright in my memory for a very long time even after I had finished the book. The glimpses of her strength come back to me even now. Anuja Chandramouli, for me, had created a brilliantly inspirational POV of a woman who had taken the angriest, most destructive man as her husband.
So when I took up Ganga: The Constant Goddess, I had similar expectations and Anuja didn’t disappoint at all.
A society picks up almost everything from its mythology, and there is no question that women’s narratives are sidelined, and are mostly a third person account. So, if you look at it, the ones being written now are pretty fresh perspectives, and how good are they!
The language is smooth. It doesn’t seem forced anywhere. The blend of mythology with contemporary terms is seamless, and not jarring like it was for me in some other mythological retellings that I do not wish to name. The treatment here is raw, yet relatable, and there is a lot of social commentary interspersed with philosophical musings.
The book does follow a chronology but it takes Ganga-like leaps for obvious reasons. One has to depict Ganga in all her forms, and for that there are reincarnations that have to be looked at. At such times, there is a risk that the leaps can look tangled and the narrative can fall on the face with disjointed anecdotes. But the author manages to balance the fine line quite efficiently.
There are some really intriguing parts that throw a completely different light on the women of our mythology. Endearing exchanges between Ganga and Vishnu, their light hearted banter, the teasing and fighting, and the fact that not once does she let him walk all over her, for me were such shining points. We get to see a story where the goddesses have each other’s backs, are strong and assertive, intelligent and collected, where both Ganga and Saraswati have vehement disagreements with each other at times, and yet stand up for each other when the other is put down simply for being a woman by one of the arrogant Gods. Some comebacks are witty and quotable. At a point their friendship brought tears to my eyes, because it reminded me of my sisterhood. While they fought with each other over principles, they remained fiercely strong and protective about each other.
Ganga is rebellious, but isn’t idealistic. Her understanding of morals is different and she comes from a very confident, proud place. This pride in who she is, is misinterpreted as arrogance; and who are we fooling? That’s how it has been since centuries in our world.
She takes practical stances most of the times. But she is also flawed as a woman and as a mother. There are situations when she allows maternal love to take precedence over womanhood and there are times when she falls very weak. So even if as a character she may look pretty haughty and straightforward, the author has managed to retain her complexities. It’s as if the writer wanted to reflect the dilemmas of contemporary feminists in terms of learning and unlearning as a process, and raising men and women to fight social conditioning.
I will suggest Ganga as well as the author’s previous one, Karthikeya, to anyone who likes having an objective perspective on our age old myths.
I see this as a revolution of sorts, and we must make the most of it while we are here.
So when I took up Ganga: The Constant Goddess, I had similar expectations and Anuja didn’t disappoint at all.
A society picks up almost everything from its mythology, and there is no question that women’s narratives are sidelined, and are mostly a third person account. So, if you look at it, the ones being written now are pretty fresh perspectives, and how good are they!
The language is smooth. It doesn’t seem forced anywhere. The blend of mythology with contemporary terms is seamless, and not jarring like it was for me in some other mythological retellings that I do not wish to name. The treatment here is raw, yet relatable, and there is a lot of social commentary interspersed with philosophical musings.
The book does follow a chronology but it takes Ganga-like leaps for obvious reasons. One has to depict Ganga in all her forms, and for that there are reincarnations that have to be looked at. At such times, there is a risk that the leaps can look tangled and the narrative can fall on the face with disjointed anecdotes. But the author manages to balance the fine line quite efficiently.
There are some really intriguing parts that throw a completely different light on the women of our mythology. Endearing exchanges between Ganga and Vishnu, their light hearted banter, the teasing and fighting, and the fact that not once does she let him walk all over her, for me were such shining points. We get to see a story where the goddesses have each other’s backs, are strong and assertive, intelligent and collected, where both Ganga and Saraswati have vehement disagreements with each other at times, and yet stand up for each other when the other is put down simply for being a woman by one of the arrogant Gods. Some comebacks are witty and quotable. At a point their friendship brought tears to my eyes, because it reminded me of my sisterhood. While they fought with each other over principles, they remained fiercely strong and protective about each other.
Ganga is rebellious, but isn’t idealistic. Her understanding of morals is different and she comes from a very confident, proud place. This pride in who she is, is misinterpreted as arrogance; and who are we fooling? That’s how it has been since centuries in our world.
She takes practical stances most of the times. But she is also flawed as a woman and as a mother. There are situations when she allows maternal love to take precedence over womanhood and there are times when she falls very weak. So even if as a character she may look pretty haughty and straightforward, the author has managed to retain her complexities. It’s as if the writer wanted to reflect the dilemmas of contemporary feminists in terms of learning and unlearning as a process, and raising men and women to fight social conditioning.
I will suggest Ganga as well as the author’s previous one, Karthikeya, to anyone who likes having an objective perspective on our age old myths.
I see this as a revolution of sorts, and we must make the most of it while we are here.
January 23, 2019
I finished Ganga today and I have to say, Anuja Chandramouli has re-imagined the mysterious Goddess in a wonderful way. The book brings together all the folklore around Ganga. Ganga is just like her river counterpart- vibrant, dynamic, rebellious and forgiving.
Anuja Chandramouli has written multiple books on Indian Mythology. And each book is an elaborate reimagining of the lesser known, but very important Gods from the Hindu Mythology.
Ganga, the Goddess is worshiped because she is believed to relieve men of all their bad deeds. People believe that bathing in the Ganges river causes the remission of sins and helps one to attain Moksha. The Ganges river has been believed to originate from the tresses of Lord Shiva’s hair and has descended on Earth straight from Kailash.
In this story, the author imagines Ganga to be the daughter of King Himavat and Mena. She also has a younger sibling, Parvati who as per popular belief is Shiva’s constant consort and better half.
Ganga is mischievous and doesn’t like being treated like a Goddess. But she is caring and nurturing, but mostly ever forgiving. This story has been written around the popular myths and legends associated with the Goddess. The events show us the resilient side of the Goddess, and well as the side where she sustains Bhoomi Devi and helps her be treated in all fairness.
Ganga has been reimagined with grace and I finally have a story I would like to believe (however fictional), regarding this Goddess who is taken for granted by humankind and Gods alike. The author has a great style of writing and storytelling, and it is quite gripping. Certain paragraphs did feel repetitive, but I have seen this is most of the author’s work (saying the same thing in multiple ways). The prologue is a bit difficult to get into, but the rest of the book just flows through.
Quite extraordinarily reimagined, Ganga: The Constant Goddess should be read by all Mythology lovers.
Anuja Chandramouli has written multiple books on Indian Mythology. And each book is an elaborate reimagining of the lesser known, but very important Gods from the Hindu Mythology.
Ganga, the Goddess is worshiped because she is believed to relieve men of all their bad deeds. People believe that bathing in the Ganges river causes the remission of sins and helps one to attain Moksha. The Ganges river has been believed to originate from the tresses of Lord Shiva’s hair and has descended on Earth straight from Kailash.
In this story, the author imagines Ganga to be the daughter of King Himavat and Mena. She also has a younger sibling, Parvati who as per popular belief is Shiva’s constant consort and better half.
Ganga is mischievous and doesn’t like being treated like a Goddess. But she is caring and nurturing, but mostly ever forgiving. This story has been written around the popular myths and legends associated with the Goddess. The events show us the resilient side of the Goddess, and well as the side where she sustains Bhoomi Devi and helps her be treated in all fairness.
Ganga has been reimagined with grace and I finally have a story I would like to believe (however fictional), regarding this Goddess who is taken for granted by humankind and Gods alike. The author has a great style of writing and storytelling, and it is quite gripping. Certain paragraphs did feel repetitive, but I have seen this is most of the author’s work (saying the same thing in multiple ways). The prologue is a bit difficult to get into, but the rest of the book just flows through.
Quite extraordinarily reimagined, Ganga: The Constant Goddess should be read by all Mythology lovers.
February 22, 2019
I enjoyed this book more than I thought it would!
I am particularly fond of mythological retellings, especially feminist ones. In a society where religion and mythology is often used as an excuse to bind women to the hearth and home, it is refreshing and empowering to read books that challenge these stereotypes with protagonists derived from these self-same myths.
The novel traces the journey of the Hindu river-goddess Ganga. One very unique feature of this book is that there is no set chronology. Hinduism, unlike most other Western religions, believe in a cyclical concept of life: what is now has been before and will be again.
Therefore, the prologue of the novel describes the gory scene of 'pralaya' or the Hindu apocalypse. The book starts with the end of universe, just before it all starts over again.
I liked Ganga from the very first chapter. She's a precarious child whose antics fret her mother, amuse her father, and irritate her sister. A woman who knows her own mind she is inspirational as a modern Indian feminist icon. She is a fierce protector of the innocent, generous to her friends, and always stands up for the minority.
I also liked how the book deals with some modern themes like ecological destruction, pollution, corruption, and women empowerment.
One of my favourite scenes in the book is when instead of capturing Ganga in his locks, as mainstream myths argue, Shiva offers Ganga a place of comfort and peace in his hair, and humbly begs her to allow him the honour of serving her.
I have read a lot of mythology books but a lot of the stories in this book was new to me. For instance, did you know Radha is said to be a form of Ganga in some traditions? I loved how this book holds to account major Hindu gods like Brahma and Indra for their unjust deeds, and heroes the victims.
I tried very hard to find something wrong with the book but in vain. It is a wonderful read!
I am particularly fond of mythological retellings, especially feminist ones. In a society where religion and mythology is often used as an excuse to bind women to the hearth and home, it is refreshing and empowering to read books that challenge these stereotypes with protagonists derived from these self-same myths.
The novel traces the journey of the Hindu river-goddess Ganga. One very unique feature of this book is that there is no set chronology. Hinduism, unlike most other Western religions, believe in a cyclical concept of life: what is now has been before and will be again.
Therefore, the prologue of the novel describes the gory scene of 'pralaya' or the Hindu apocalypse. The book starts with the end of universe, just before it all starts over again.
I liked Ganga from the very first chapter. She's a precarious child whose antics fret her mother, amuse her father, and irritate her sister. A woman who knows her own mind she is inspirational as a modern Indian feminist icon. She is a fierce protector of the innocent, generous to her friends, and always stands up for the minority.
I also liked how the book deals with some modern themes like ecological destruction, pollution, corruption, and women empowerment.
One of my favourite scenes in the book is when instead of capturing Ganga in his locks, as mainstream myths argue, Shiva offers Ganga a place of comfort and peace in his hair, and humbly begs her to allow him the honour of serving her.
I have read a lot of mythology books but a lot of the stories in this book was new to me. For instance, did you know Radha is said to be a form of Ganga in some traditions? I loved how this book holds to account major Hindu gods like Brahma and Indra for their unjust deeds, and heroes the victims.
I tried very hard to find something wrong with the book but in vain. It is a wonderful read!
February 10, 2019
There are some books that leave a lasting impression. This is one of them. Ganga, the beautiful, spritely wild child leaves you exasperated with her energy. Ganga is fun, laughter and everything impulsive. Her equation with her sister Parvathy is interesting . From just being mythology, this book goes beyond and makes the reader ponder about the plight of our water bodies, how mankind has treated them with utter callousness. But she flows, enriching and nourishing lives. Her descent from the heavens as answer to Bhageerath's penance is very interesting. Again, the author weaves mythology with the current issues faced by women. Ganga's relationship with her son Bhishma moves the reader to tears... Ganga- effervescent and lively bears the pain and washes off sins. Amazing read!
December 21, 2018
Book Title: Ganga: The Constant Goddess
Author: Anuja Chandramouli
Format: Ebook
Book Title:
The title of the book is ‘Ganga: The Constant Goddess and it is self-explanatory
Book Cover:
The cover of the book is a painting of a Woman(the protagonist Ganga) wearing a white Sari with a lotus garland around her neck. Her free hair resembles the serene waves of water where the mighty swans swimming in them. A crescent moon on top of her head will remind you, Lord Shiva. On whole, the lady on the cover book looks like a person with a pure and flawless spirit.
Plot:
The story of Ganga, the Hindu mythological Goddess is presented in this book. Ganga is the protagonist of this story. She is a free soul who wants to flow with no ties and she is strong and forthright. No matter what, even the Gods and goddesses have to face the challenges and blamed like the mortals. How did Ganga stand up in critical situations? What happened to Ganga who is unlike other woman and wants to be free. What is the role of her parents Himavan and Mena? How she is related to Parvathi? What was the complex relationship that she shared with Shiva? Who Ganga actually is? Read to know the book, Ganga.
What I like:
1. The narration part is simply excellent and Ganga character was well portrayed
2. Rhythmic and melodious lines which will make you read the book at one shot
What I didn’t like:
In particular, there are no flaws in the story. The book will give you a nice experience. As most of the readers already are acquainted with few episodes of Hindu mythological stories, this story is easily guessable. But the writing style and the flow of Ganga will not let you put the book down on the table.
Characters:
The character of Ganga is exactly depicted as the river Ganga, which is free and flowing. Most importantly its pure and wholesome. The other characters are also portrayed very well.
Narration:
The narration of all the story is very well done and it will grasp the minds of the readers
Language & Grammar:
A clear language with neat and uncomplicated grammar is used in the book
My Final Verdict:
The reader will end up having a great experience of reading a fantastic book.
Book Title: 4/5
Book Cover: 4/5
Plot: 4/5
Characters: 4/5
Narration: 4/5
Language & Grammar: 4/5
Final Rating: 4/5
Author: Anuja Chandramouli
Format: Ebook
Book Title:
The title of the book is ‘Ganga: The Constant Goddess and it is self-explanatory
Book Cover:
The cover of the book is a painting of a Woman(the protagonist Ganga) wearing a white Sari with a lotus garland around her neck. Her free hair resembles the serene waves of water where the mighty swans swimming in them. A crescent moon on top of her head will remind you, Lord Shiva. On whole, the lady on the cover book looks like a person with a pure and flawless spirit.
Plot:
The story of Ganga, the Hindu mythological Goddess is presented in this book. Ganga is the protagonist of this story. She is a free soul who wants to flow with no ties and she is strong and forthright. No matter what, even the Gods and goddesses have to face the challenges and blamed like the mortals. How did Ganga stand up in critical situations? What happened to Ganga who is unlike other woman and wants to be free. What is the role of her parents Himavan and Mena? How she is related to Parvathi? What was the complex relationship that she shared with Shiva? Who Ganga actually is? Read to know the book, Ganga.
What I like:
1. The narration part is simply excellent and Ganga character was well portrayed
2. Rhythmic and melodious lines which will make you read the book at one shot
What I didn’t like:
In particular, there are no flaws in the story. The book will give you a nice experience. As most of the readers already are acquainted with few episodes of Hindu mythological stories, this story is easily guessable. But the writing style and the flow of Ganga will not let you put the book down on the table.
Characters:
The character of Ganga is exactly depicted as the river Ganga, which is free and flowing. Most importantly its pure and wholesome. The other characters are also portrayed very well.
Narration:
The narration of all the story is very well done and it will grasp the minds of the readers
Language & Grammar:
A clear language with neat and uncomplicated grammar is used in the book
My Final Verdict:
The reader will end up having a great experience of reading a fantastic book.
Book Title: 4/5
Book Cover: 4/5
Plot: 4/5
Characters: 4/5
Narration: 4/5
Language & Grammar: 4/5
Final Rating: 4/5
July 17, 2019
I have read quite a many mythological fictions which reimagine our Gods and weave a story around them. But nothing, in my humblest opinion and recall, comes close to what Ganga: The Constant Goddess is by Anuja Chandramouli.
The author has attempted to carve Ganga's story right from her birth in primeval times to a time Kaliyug appears. She is stated to be the free and mysterious daughter of Hemavan and Mena. The popular folklore surrounding her have been retold in luxurious storytelling and rich vocabulary. Ganga represents a woman who is strong, brave, and audacious. She is a woman who is filled with compassion and yet, does not let her love be her weakness. She is determined, beautiful, and an enchanting goddess who has so much to her persona than just being a display of sheer beauty. She believes in the equality of men and women, she takes a stand for the dignity and integrity of a woman, she stomps the stooped men off her feet, she is discreetly enraged when her love is conspired to face death. She is mischievous but with the course of time, she learns to go beyond her whims and carry out her responsibilities with devotion. The savior of the three worlds is thus worshipped for her unparalleled equanimity and strength.
The cover did justice to the book and so perfect was the title. Ganga is undoubtedly the constant goddess staying firm on her duties till eternity. With a brilliant narration, the author has done justice with the character of Ganga. I am literally in awe of her literary prowess and look forward to reading more of her works. The impeccable flow of the story and smooth transition from one chapter of Ganga's life to another was amazing. Though a few instances were known to me, there were others which were totally foreign to my knowledge. The book did a good job of educating me. Also, I would want to commend the author for coming up with a book on Ganga, a subject I have not seen discussed before. The retelling of Ganga has been a stupendous presentation and except for a bit high-level language which might discomfit some, a reader should find oneself at ease with reading it.
The author has attempted to carve Ganga's story right from her birth in primeval times to a time Kaliyug appears. She is stated to be the free and mysterious daughter of Hemavan and Mena. The popular folklore surrounding her have been retold in luxurious storytelling and rich vocabulary. Ganga represents a woman who is strong, brave, and audacious. She is a woman who is filled with compassion and yet, does not let her love be her weakness. She is determined, beautiful, and an enchanting goddess who has so much to her persona than just being a display of sheer beauty. She believes in the equality of men and women, she takes a stand for the dignity and integrity of a woman, she stomps the stooped men off her feet, she is discreetly enraged when her love is conspired to face death. She is mischievous but with the course of time, she learns to go beyond her whims and carry out her responsibilities with devotion. The savior of the three worlds is thus worshipped for her unparalleled equanimity and strength.
The cover did justice to the book and so perfect was the title. Ganga is undoubtedly the constant goddess staying firm on her duties till eternity. With a brilliant narration, the author has done justice with the character of Ganga. I am literally in awe of her literary prowess and look forward to reading more of her works. The impeccable flow of the story and smooth transition from one chapter of Ganga's life to another was amazing. Though a few instances were known to me, there were others which were totally foreign to my knowledge. The book did a good job of educating me. Also, I would want to commend the author for coming up with a book on Ganga, a subject I have not seen discussed before. The retelling of Ganga has been a stupendous presentation and except for a bit high-level language which might discomfit some, a reader should find oneself at ease with reading it.
January 15, 2022
I read 91% of the book before the device crashed and am considering the book complete anyway. Ganga has always been of great importance in Hinduism and the Vedic Religion. It is of course interesting to see the narration of familiar stories from her perspective. Although I believe the book need not have been too in the face about its feministic stance - which by the way is heavily appreciated. Ganga's nature reflects that of the river itself, so I think the characteristics are quite fair. The book consistently lost my attention in its descriptions of nature and such, which I again understand is important since it is being told from the perspective of a river. Quite liked the book but I have some questions about why certain things happened the way they did.
Read
April 26, 2021 (I received a free copy of this book from the author and Rupa publications in exchange for an honest review.)
CHARACTERS
The thing i love about Anuja chandramouli's characters are that they're so relatable. She writes in such a way that even the great Goddess Ganga feels so relatable and we understand her feelings. intentions and ideas so well. Although the holy river is seen as a Goddess, there are so many versions of her that the author explores. Each version is depicted so wonderfully; Ganga's confidence taking the lead in one version while another is noted by her loving nature and another version sparkles with her benevolent nature. It's captivating to see how Ganga flows through mythology, changing and adapting with every era, holding the land together. if you enjoy mythological retelling with mythical characters written in a highly relatable manner, this book is for you.
PLOT
So many stories within this book, all revolving around Ganga. Stories of her origin, her games, how she helps other Gods and Goddesses and so many more. More important is the abundance of satire in every story which I immensely enjoyed! Every story has something to tell us, something to make us think - could be about ourselves, the current state of the world, the environment, feminism and an idea of what is right and what is wrong. Also I learnt so much about Hindu mythology I didn't know before!
WRITING
I've been reading the author's books for quite sometimes and if there's one thing that always astounds me, it's how beautiful the writing is. And it only seems to be getting better and better! The writing is mesmerizing and it's hard to stop reading. it feels more like poetry and flows easily, taken the readers along with it. While it is beautiful, the language is also simple which adds to the easy flow when reading.
CONCLUSION
If you love reading richly written, modern retellings of Hindu mythology, this is THE book to read. With captivating characters, well-woven plots and poetic writing, Anuja Chandramouli quite captures the reader's attention!
CHARACTERS
The thing i love about Anuja chandramouli's characters are that they're so relatable. She writes in such a way that even the great Goddess Ganga feels so relatable and we understand her feelings. intentions and ideas so well. Although the holy river is seen as a Goddess, there are so many versions of her that the author explores. Each version is depicted so wonderfully; Ganga's confidence taking the lead in one version while another is noted by her loving nature and another version sparkles with her benevolent nature. It's captivating to see how Ganga flows through mythology, changing and adapting with every era, holding the land together. if you enjoy mythological retelling with mythical characters written in a highly relatable manner, this book is for you.
PLOT
So many stories within this book, all revolving around Ganga. Stories of her origin, her games, how she helps other Gods and Goddesses and so many more. More important is the abundance of satire in every story which I immensely enjoyed! Every story has something to tell us, something to make us think - could be about ourselves, the current state of the world, the environment, feminism and an idea of what is right and what is wrong. Also I learnt so much about Hindu mythology I didn't know before!
WRITING
I've been reading the author's books for quite sometimes and if there's one thing that always astounds me, it's how beautiful the writing is. And it only seems to be getting better and better! The writing is mesmerizing and it's hard to stop reading. it feels more like poetry and flows easily, taken the readers along with it. While it is beautiful, the language is also simple which adds to the easy flow when reading.
CONCLUSION
If you love reading richly written, modern retellings of Hindu mythology, this is THE book to read. With captivating characters, well-woven plots and poetic writing, Anuja Chandramouli quite captures the reader's attention!
January 24, 2019
Ganga - The constant goddess.
~
I'd like to thank the author for sending this review copy.
~
As I grew up, I've heard many stories about Lord Shiva who was and is still considered as the most handsome of all. When people refer to Shiva, it doesn't take much time for them to stress the importance of Goddess Ganga. From adorning Shiva's lustrous locks to being an epitome of serenity, Ganga has the power to save the world and also end it. This book is about Ganga in all her glory, one that celebrates her.
~
Ganga who was born to King Hemavat and Mena, was always a woman of her own mind. While her sister Parvati was shy of nature and Lord Shiva's confidant, Ganga was a woman who challenged Gods and won many hearts. She has always helped Bhoomi Devi in maintaining a balance and saving the world in many instances. This book shows us glimpse of Ganga from her being a child to growing up into a graceful woman. How she became Saraswati's dear friend to Bramha's consort, how she feels the pain of people and takes it upon herself to liberate them.
~
The very character of Ganga is free, beautiful and also serene like the river Ganges and more than one instance shows how compassionate she is and also outspoken when she decides to break the norms that are attached to women. Her journey is summarised in this book beautifully by giving readers the pleasure of knowing and understanding Ganga. This being my first read by the author, I quite enjoyed how she writes in an elegant flow. Her words are like balm to an agonised heart while she narrates events in a poetic manner.
~
I now wonder why not many books have been written about Goddess Ganga, the woman who remained in the shadows of Shiva and yet known for her forgiving and purifying ability. I'm glad that Anuja has written this splendid work of art about such a character who defines feminism and many other quirky qualities that women have come to admire. The flow was smooth though I suspect that all the readers will enjoy her writing. It's easy yet poetic which might complicate the read a little.
~
I would rate this book 4/5.
~
I'd like to thank the author for sending this review copy.
~
As I grew up, I've heard many stories about Lord Shiva who was and is still considered as the most handsome of all. When people refer to Shiva, it doesn't take much time for them to stress the importance of Goddess Ganga. From adorning Shiva's lustrous locks to being an epitome of serenity, Ganga has the power to save the world and also end it. This book is about Ganga in all her glory, one that celebrates her.
~
Ganga who was born to King Hemavat and Mena, was always a woman of her own mind. While her sister Parvati was shy of nature and Lord Shiva's confidant, Ganga was a woman who challenged Gods and won many hearts. She has always helped Bhoomi Devi in maintaining a balance and saving the world in many instances. This book shows us glimpse of Ganga from her being a child to growing up into a graceful woman. How she became Saraswati's dear friend to Bramha's consort, how she feels the pain of people and takes it upon herself to liberate them.
~
The very character of Ganga is free, beautiful and also serene like the river Ganges and more than one instance shows how compassionate she is and also outspoken when she decides to break the norms that are attached to women. Her journey is summarised in this book beautifully by giving readers the pleasure of knowing and understanding Ganga. This being my first read by the author, I quite enjoyed how she writes in an elegant flow. Her words are like balm to an agonised heart while she narrates events in a poetic manner.
~
I now wonder why not many books have been written about Goddess Ganga, the woman who remained in the shadows of Shiva and yet known for her forgiving and purifying ability. I'm glad that Anuja has written this splendid work of art about such a character who defines feminism and many other quirky qualities that women have come to admire. The flow was smooth though I suspect that all the readers will enjoy her writing. It's easy yet poetic which might complicate the read a little.
~
I would rate this book 4/5.
May 2, 2019
Ganga – The Constant Goddess
By Anuja Chandramouli
Anuja Chandramouli has written yet another masterpiece of a book. Her prose like writing draws you into the book much like the namesake river.
After delivering huge successes with her earlier books, Anuja has managed to capture the world’s attention and draw it to the fascination & devotion of a billion Indians for the River Ganga.
Drawing from mythology and substantiated with research, the book meanders around the life and existence of the famed river goddess. Right from the beginning, the reader feels the almost raw and visceral power of the goddess and how her benevolence towards Bhumi, the devas, the mortals & the sinners is an albatross she smilingly carries with her. Thoughtful, intriguing and narrated with voice that seems otherworldly, Ganga - The Constant Goddess is a book that brings the heavenly feel to the reader. Yet the characterizations, backstories and dilemmas make the story seem almost human. Just when you thought the plot was in your grasp, Anuja’s formidable writing flows back into control and deposits you right at a cross point, much like the river herself.
Very few Indian authors today can boast of a language prowess akin to Anuja’s. Her narrative builds on this very strength, accompanied with excellent editing, the book compels you to think beyond your daily life and to a life that could have been with Ganga, your constant goddess and your constant companion. For a book that has offered so much for the reader, the book deserves a 4 out of 5 stars.
By Anuja Chandramouli
Anuja Chandramouli has written yet another masterpiece of a book. Her prose like writing draws you into the book much like the namesake river.
After delivering huge successes with her earlier books, Anuja has managed to capture the world’s attention and draw it to the fascination & devotion of a billion Indians for the River Ganga.
Drawing from mythology and substantiated with research, the book meanders around the life and existence of the famed river goddess. Right from the beginning, the reader feels the almost raw and visceral power of the goddess and how her benevolence towards Bhumi, the devas, the mortals & the sinners is an albatross she smilingly carries with her. Thoughtful, intriguing and narrated with voice that seems otherworldly, Ganga - The Constant Goddess is a book that brings the heavenly feel to the reader. Yet the characterizations, backstories and dilemmas make the story seem almost human. Just when you thought the plot was in your grasp, Anuja’s formidable writing flows back into control and deposits you right at a cross point, much like the river herself.
Very few Indian authors today can boast of a language prowess akin to Anuja’s. Her narrative builds on this very strength, accompanied with excellent editing, the book compels you to think beyond your daily life and to a life that could have been with Ganga, your constant goddess and your constant companion. For a book that has offered so much for the reader, the book deserves a 4 out of 5 stars.
December 22, 2018
The book talks about the story of Ganga and the mythological aspects of her life. In addition to the story of the Goddess Ganga, there are many small and big aspects of other Gods and Goddesses. All the major events of mythology are depicted from the eyes of Ganga. The story is told in a way that it will be loved and liked by people of all age groups.
The story starts with a young Ganga who is strong in her opinion and is really carefree. She is the daughter of the mountain king Himavat and queen Mena. Parvati is her younger sibling and their relationship is described really beautifully. It’s like any other sibling relationship; where there is love and also bitter sweet rivalry. Her life changes when she is summoned by the Gods to cleanse the Earth of the sinners.
Read the complete treview on my blog - http://blushesandsparkle.com/ganga-th...
The story starts with a young Ganga who is strong in her opinion and is really carefree. She is the daughter of the mountain king Himavat and queen Mena. Parvati is her younger sibling and their relationship is described really beautifully. It’s like any other sibling relationship; where there is love and also bitter sweet rivalry. Her life changes when she is summoned by the Gods to cleanse the Earth of the sinners.
Read the complete treview on my blog - http://blushesandsparkle.com/ganga-th...
December 13, 2018
I have always been amazed at the author’s language style. It always seems to carry a poetic quality and sounds melodies which is an odd way to describe a book but it is what it is for me. Just as with the previous books, Ganga too takes on a beautiful mythological journey and in between taking in all the snippets of other added mythological stories we have all grown up, listening. The difference being the language and the way these stories are narrated and put together to create a beautiful experience
The book puts together the story of Goddess Ganga and weave in all the small and big aspects of the mythological life of the goddess along with glimpses of all other Gods and Goddess from hindu mythology. I feel that the book would appeal to people of all ages and sects irrespective of how much you know about the stories and Gods & goddesses mentioned in the book
The one thing you need to look forward to in the book is the language. I simply love the writing style of the author and her choice of language. very rhythmic and easy to read. it flows in very smoothly and with a satin finish and i love that quality to the book more than the theme and other aspects
I have always loved the author’s work and this would be another prized possession for me from the author’s writing house. The book offers a great read with the beautiful story and the language and making it a quick, easy and interesting read with all the best of mythological flavours to it.
The book puts together the story of Goddess Ganga and weave in all the small and big aspects of the mythological life of the goddess along with glimpses of all other Gods and Goddess from hindu mythology. I feel that the book would appeal to people of all ages and sects irrespective of how much you know about the stories and Gods & goddesses mentioned in the book
The one thing you need to look forward to in the book is the language. I simply love the writing style of the author and her choice of language. very rhythmic and easy to read. it flows in very smoothly and with a satin finish and i love that quality to the book more than the theme and other aspects
I have always loved the author’s work and this would be another prized possession for me from the author’s writing house. The book offers a great read with the beautiful story and the language and making it a quick, easy and interesting read with all the best of mythological flavours to it.
December 31, 2018
Anuja Chandramouli has attempted with this novel to bring together the numerous references to the eternal river Ganga—worshipped as a goddess by the Hindus—from various religious texts and folklore to build a cogent story, and has succeeded to a large extent. Starting with her adolescence at the house of her father Himavan, the story traces Ganga's journey during which she constantly works to maintain the balance of the three worlds, providing guidance and solace to lost souls.
Well known episodes like the penance of Bhagiratha and the story of Shantanu and Bhishma have been blended with obscure ones like the story of Mahabisha, holding the reader's interest right through. Certain sequences / events from her earlier novels like Kartikeya, Kamadeva, etc. find their place in this one also.
The author's command over the language is evident in every sentence, demanding frequent references to the dictionary. She paints a vivid picture of every scene with her expressive descriptions of love and war and everything in between. Another thing that is evident throughout this novel is the author's feministic views, mainly voiced through the characters of Ganga and Saraswati.
On the negative side, the portrayal of almost all the Devas and the Saptarishis as male chauvinists doesn't feel correct. Also, the descriptions, in spite of being enjoyable, tend to start overshadowing the actual story at some places. I feel that the lengthy prelude doesn't add any value to the story.
To summarise, Ganga: The Constant Goddess quite an entertaining read where the author has presented the timeless tale of the river goddess through a thoroughly modern point of view.
Well known episodes like the penance of Bhagiratha and the story of Shantanu and Bhishma have been blended with obscure ones like the story of Mahabisha, holding the reader's interest right through. Certain sequences / events from her earlier novels like Kartikeya, Kamadeva, etc. find their place in this one also.
The author's command over the language is evident in every sentence, demanding frequent references to the dictionary. She paints a vivid picture of every scene with her expressive descriptions of love and war and everything in between. Another thing that is evident throughout this novel is the author's feministic views, mainly voiced through the characters of Ganga and Saraswati.
On the negative side, the portrayal of almost all the Devas and the Saptarishis as male chauvinists doesn't feel correct. Also, the descriptions, in spite of being enjoyable, tend to start overshadowing the actual story at some places. I feel that the lengthy prelude doesn't add any value to the story.
To summarise, Ganga: The Constant Goddess quite an entertaining read where the author has presented the timeless tale of the river goddess through a thoroughly modern point of view.
February 16, 2019
Title: Ganga – The Constant Goddess
Author: Anuja Chandramouli
Length: 271 pages
Publisher: Rupa Publications
Genre: Mythological, History
My rating: 5/5
Summary:
The book is based on the folktales of a main river Ganga also known as Ganges in India. The holy river which is worshipped in India has many stories and all the stories have been woven in this delightful book.
My Take:
This is the third book I am reading by the author. Had loved the earlier books of Padmavati and Prithviraj Chauhan. Couldn’t believe my luck when the best selling author contacted me and gave me the honour of reading and reviewing this marvellous book based on the Indian River Goddess.
The mythical Goddess Ganga has been given a new angle and even though based on folktales has a very different feel to it. Various relationships of the protagonist has been explored here which is very new. Her relationship to her Father, her Mother, Sister Parvati, brother in law Lord Shiva, Sister rivers Yamuna and Saraswati, her husband Shantanu and her son Bhishma.
I have always marvelled at the authors use of adjectives for descriptions which are very intriguing. The transitions between past of a character to the present is very seamless without any disconnect. While I was aware of some of the tales but not all. This book is truly a well researched one before author gave the story her touch bringing the characters to life.
Many moments in the book leave your jaws dropped. One aspect which has never been explored till date is the period when Bhishma goes with Ganga till he is 16 years, the same has been mentioned here.
All the descriptions are very vivid leaving nothing to readers anticipation. Due to detailed descriptions, the pace of the book does slow down, nevertheless still a hooking book. Absolutely loved this book and would recommend this book to every mythological lover.
Author: Anuja Chandramouli
Length: 271 pages
Publisher: Rupa Publications
Genre: Mythological, History
My rating: 5/5
Summary:
The book is based on the folktales of a main river Ganga also known as Ganges in India. The holy river which is worshipped in India has many stories and all the stories have been woven in this delightful book.
My Take:
This is the third book I am reading by the author. Had loved the earlier books of Padmavati and Prithviraj Chauhan. Couldn’t believe my luck when the best selling author contacted me and gave me the honour of reading and reviewing this marvellous book based on the Indian River Goddess.
The mythical Goddess Ganga has been given a new angle and even though based on folktales has a very different feel to it. Various relationships of the protagonist has been explored here which is very new. Her relationship to her Father, her Mother, Sister Parvati, brother in law Lord Shiva, Sister rivers Yamuna and Saraswati, her husband Shantanu and her son Bhishma.
I have always marvelled at the authors use of adjectives for descriptions which are very intriguing. The transitions between past of a character to the present is very seamless without any disconnect. While I was aware of some of the tales but not all. This book is truly a well researched one before author gave the story her touch bringing the characters to life.
Many moments in the book leave your jaws dropped. One aspect which has never been explored till date is the period when Bhishma goes with Ganga till he is 16 years, the same has been mentioned here.
All the descriptions are very vivid leaving nothing to readers anticipation. Due to detailed descriptions, the pace of the book does slow down, nevertheless still a hooking book. Absolutely loved this book and would recommend this book to every mythological lover.
January 13, 2019
This, was my first read of Anuja. Despite the fact that her Arjuna was my very first Kindle purchase. Don't know why I still haven't read it. Because, after reading Ganga, I ought to do that very soon.
It took a good amount of time (and of course, pages) to get used to her style of telling the tale. Because I am always slow when it comes to descriptive paragraphs and bit heavy words, which are constant here in her telling. But when you are used to it, you know the purpose behind it. The way it creates scenario in front of your eyes, is really commendable.
Re-telling the tales about the constant goddess, Ganga, the river, isn't easy task because she is not a central character in any of old literature. Always side stories, running parallel, mention here. Be in Shiv Puran, Mahabharata or Ramayana. So, here we get interesting insights (of course fictional, still) on how daily life could be in the times when asura wrecked havoc, why Shiva caught her in his long traces, how was the relationship between two sisters - Parvati and Ganga. And also a few very interesting discussions between Saraswati and Ganga-two best friends. Also, a lovable chapter about Radha (I still can't connect that to the main story, don't know why).
Definitely a worthy read for mytho-fiction lovers. As it travels to a few unknown areas and lesser known 'hero' of 'Devas' times.
It took a good amount of time (and of course, pages) to get used to her style of telling the tale. Because I am always slow when it comes to descriptive paragraphs and bit heavy words, which are constant here in her telling. But when you are used to it, you know the purpose behind it. The way it creates scenario in front of your eyes, is really commendable.
Re-telling the tales about the constant goddess, Ganga, the river, isn't easy task because she is not a central character in any of old literature. Always side stories, running parallel, mention here. Be in Shiv Puran, Mahabharata or Ramayana. So, here we get interesting insights (of course fictional, still) on how daily life could be in the times when asura wrecked havoc, why Shiva caught her in his long traces, how was the relationship between two sisters - Parvati and Ganga. And also a few very interesting discussions between Saraswati and Ganga-two best friends. Also, a lovable chapter about Radha (I still can't connect that to the main story, don't know why).
Definitely a worthy read for mytho-fiction lovers. As it travels to a few unknown areas and lesser known 'hero' of 'Devas' times.
December 30, 2018
Title: Ganga the Constant Goddess
Author: Anuja Chandramouli
Published on: 20th November 2018
Publisher: Rupa Publications
Binding: Paperback
ISBN: 9353332680
"The wise men,when looking for a place of sacrifice, made sure there was a perennial source of water."
BLURB
Believed to be the liquid manifestation of Shakti and the nurturer of the three worlds with her life-sustaining waters, Goddess Ganga is the epitome of beauty and purity, famous for her indomitable spirit and boundless charm. Renowned as a devoted daughter, a caring mother, a passionate lover, and a merciful saviour, she is here to absorb and absolve us of our sins. A constant goddess, she is part of the Indian ethos, revered, and loved across the ages.
The exquisite epic that is Ganga’s story, from her miraculous origins, her sojourn in the heavens, her poignant relationships with the divine trinity, the birth of her sons—Bhishma and Kartikeya, and her descent into a wicked world that is not worthy of her, is dazzlingly told by Anuja Chandramouli. Without this Goddess, life as we know it will be over, for her righteous retribution will be terrifying.
This book is a vibrant retelling of the story of Ganga, who has the power to save us all and bestow the precious gift of moksha, embracing saints and sinners alike with her all-encompassing compassion.
COVER PAGE
The cover page of the book Ganga The Constant Goddess is very beautiful. It is a really attractive and an eye catchy cover page in shades of blue, white and pink with the image of beautiful and elegant Goddess Ganga in a white saree. It is a very subtle and an amazing cover page. I really liked the cover page a lot.
REVIEW
I love to read mythology books and I am a big fan of Anuja Chandramouli's books. Ganga The Constant Goddess by Anuja Chandramouli is the fourth book which I have read by her. After reading her book, The Burning Queen Rani Padmavati, I had great expectations from this book and I am glad that this book was beyond my expectations.
I have read a lot about Lord Shiva so, I had a fair idea about Goddess Ganga but not in depth. Ganga The Constant Goddess is an intriguing and an interesting tale of Goddess Ganga who is the epitome of beauty and purity. She is a devoted daughter of King Himavat and Mena and a caring mother, lover and has the power to save or bestow us. This amazing tale took me on a life journey of Goddess Ganga.
The book is written in a simple and clear language in a very fluent way. It is very well written which made me visualise events at times. I love author's writing style which only makes me stick to the book. There are a a lot of sub plots in the story which at times were relatable and made me think a lot. The story moves at its own pace neither so fast nor too slow which I really liked a lot.
There are quite a number of characters in the book such as Ganga, King Himavat and Mena, Parvati and various others. I really liked the main protagonist Goddess Ganga because she is so elegant and pure. The relationship she shares with her sister Parvati is very beautifully depicted in the the book. Few encounters between both of them is so nicely penned like when Ganga tells Parvati the story of Lord Shiva. The characters are very interesting interesting, well developed and each character has some originality.
Overall, it is a very amazingly penned down book having a very interesting and an engrossing plot and well developed characters. I took a bit time to read this mythology fiction and I enjoyed reading it a lot. I am glad that I got a chance to read this book. I would highly recommend this book to all the mythology buffs.
* I received a copy of the book from the publishers and the author in exchange of a review. Thank You.
Author: Anuja Chandramouli
Published on: 20th November 2018
Publisher: Rupa Publications
Binding: Paperback
ISBN: 9353332680
"The wise men,when looking for a place of sacrifice, made sure there was a perennial source of water."
BLURB
Believed to be the liquid manifestation of Shakti and the nurturer of the three worlds with her life-sustaining waters, Goddess Ganga is the epitome of beauty and purity, famous for her indomitable spirit and boundless charm. Renowned as a devoted daughter, a caring mother, a passionate lover, and a merciful saviour, she is here to absorb and absolve us of our sins. A constant goddess, she is part of the Indian ethos, revered, and loved across the ages.
The exquisite epic that is Ganga’s story, from her miraculous origins, her sojourn in the heavens, her poignant relationships with the divine trinity, the birth of her sons—Bhishma and Kartikeya, and her descent into a wicked world that is not worthy of her, is dazzlingly told by Anuja Chandramouli. Without this Goddess, life as we know it will be over, for her righteous retribution will be terrifying.
This book is a vibrant retelling of the story of Ganga, who has the power to save us all and bestow the precious gift of moksha, embracing saints and sinners alike with her all-encompassing compassion.
COVER PAGE
The cover page of the book Ganga The Constant Goddess is very beautiful. It is a really attractive and an eye catchy cover page in shades of blue, white and pink with the image of beautiful and elegant Goddess Ganga in a white saree. It is a very subtle and an amazing cover page. I really liked the cover page a lot.
REVIEW
I love to read mythology books and I am a big fan of Anuja Chandramouli's books. Ganga The Constant Goddess by Anuja Chandramouli is the fourth book which I have read by her. After reading her book, The Burning Queen Rani Padmavati, I had great expectations from this book and I am glad that this book was beyond my expectations.
I have read a lot about Lord Shiva so, I had a fair idea about Goddess Ganga but not in depth. Ganga The Constant Goddess is an intriguing and an interesting tale of Goddess Ganga who is the epitome of beauty and purity. She is a devoted daughter of King Himavat and Mena and a caring mother, lover and has the power to save or bestow us. This amazing tale took me on a life journey of Goddess Ganga.
The book is written in a simple and clear language in a very fluent way. It is very well written which made me visualise events at times. I love author's writing style which only makes me stick to the book. There are a a lot of sub plots in the story which at times were relatable and made me think a lot. The story moves at its own pace neither so fast nor too slow which I really liked a lot.
There are quite a number of characters in the book such as Ganga, King Himavat and Mena, Parvati and various others. I really liked the main protagonist Goddess Ganga because she is so elegant and pure. The relationship she shares with her sister Parvati is very beautifully depicted in the the book. Few encounters between both of them is so nicely penned like when Ganga tells Parvati the story of Lord Shiva. The characters are very interesting interesting, well developed and each character has some originality.
Overall, it is a very amazingly penned down book having a very interesting and an engrossing plot and well developed characters. I took a bit time to read this mythology fiction and I enjoyed reading it a lot. I am glad that I got a chance to read this book. I would highly recommend this book to all the mythology buffs.
* I received a copy of the book from the publishers and the author in exchange of a review. Thank You.
January 19, 2019
I would like to thank the author, Ms. Anuja Chandramouli, for providing me with a copy of the book in exchange for an honest review.
Ganga: The Constant Goddess a mythological fiction novel about the sacred river Ganga, which combines many of the popular and little-known stories from Mahabharata and other religious literature about the goddess. The novel portrays Ganga as a free-spirited being who challenges the rules set by the males of the society. She is also portrayed as someone who is compassionate, always ready to help out those who are poor and weak.
The story is captivating descriptions of the places and events, and it flows like the river itself. The characters of Ganga and Saraswati are well developed. Though I have known the stories of Bhagiratha’s penance and Shantanu’s love for Ganga, the story of Ganga’s connection with Radha was new for me.
Like the author’s other books, this book also needed me to refer to the dictionary frequently. I strongly feel it is important to keep the language simple and not overload a book with so many complicated words as it reduces (or at least in my case I can definitely say) the enjoyment of reading. Also, I feel that the author has included too many of the modern issues related to women in this novel. All male characters except one or two have been depicted as male chauvinists to justify the views and actions of Ganga.
I liked this novel for the way the author has incorporated lesser-known stories into the popular ones to build a complete picture of Ganga.
Ganga: The Constant Goddess a mythological fiction novel about the sacred river Ganga, which combines many of the popular and little-known stories from Mahabharata and other religious literature about the goddess. The novel portrays Ganga as a free-spirited being who challenges the rules set by the males of the society. She is also portrayed as someone who is compassionate, always ready to help out those who are poor and weak.
The story is captivating descriptions of the places and events, and it flows like the river itself. The characters of Ganga and Saraswati are well developed. Though I have known the stories of Bhagiratha’s penance and Shantanu’s love for Ganga, the story of Ganga’s connection with Radha was new for me.
Like the author’s other books, this book also needed me to refer to the dictionary frequently. I strongly feel it is important to keep the language simple and not overload a book with so many complicated words as it reduces (or at least in my case I can definitely say) the enjoyment of reading. Also, I feel that the author has included too many of the modern issues related to women in this novel. All male characters except one or two have been depicted as male chauvinists to justify the views and actions of Ganga.
I liked this novel for the way the author has incorporated lesser-known stories into the popular ones to build a complete picture of Ganga.
March 9, 2019
My Take:
Anuja does it again. A very reverting take on the less known journey of Ganga. We all know Ganga as the holy water. The purest of all.However her journey is not much known about. The author has flair in touching characters less explored and writing about them with a thorough research. Ganga as a person and her journey and stay in earth is explored in this book.
Most of our knowledge about Ganga is only via Mahabharatha where she comes in from the river and talks to Bhishma. Her back story about marrying the king Shantanu is all we know about. Here Anuja talks about her journey to earth, her role on the earth, how she became one of the most important and respected and her relationship with Bhoomi, Shiva and Parvati.
I loved her equation with her sister Parvati. Their banters, Parvati's obsession/ love for Shiva , her relation with her parents, her ability to think logically and daring to ask questions to even Gods makes Ganga a personality to look up to. Both sisters were a part of Shiva. One is the better half and the other one needed Shiva's love and patience to bring some balance in her. In a way she completed Shiva and vice versa.
The best thing about Ganga I felt is her free spirit. Not the one to be domesticated, she believed in living freely and on her terms. Not a easy one at that, but she did that with grace and epitome.A journey you won't want to miss. She is an inspiration. Ganga is a great addition to your collection.
Rating:
I would rate this 4.8/5 for the research and narration. This work is completely worth every penny spent.
Anuja does it again. A very reverting take on the less known journey of Ganga. We all know Ganga as the holy water. The purest of all.However her journey is not much known about. The author has flair in touching characters less explored and writing about them with a thorough research. Ganga as a person and her journey and stay in earth is explored in this book.
Most of our knowledge about Ganga is only via Mahabharatha where she comes in from the river and talks to Bhishma. Her back story about marrying the king Shantanu is all we know about. Here Anuja talks about her journey to earth, her role on the earth, how she became one of the most important and respected and her relationship with Bhoomi, Shiva and Parvati.
I loved her equation with her sister Parvati. Their banters, Parvati's obsession/ love for Shiva , her relation with her parents, her ability to think logically and daring to ask questions to even Gods makes Ganga a personality to look up to. Both sisters were a part of Shiva. One is the better half and the other one needed Shiva's love and patience to bring some balance in her. In a way she completed Shiva and vice versa.
The best thing about Ganga I felt is her free spirit. Not the one to be domesticated, she believed in living freely and on her terms. Not a easy one at that, but she did that with grace and epitome.A journey you won't want to miss. She is an inspiration. Ganga is a great addition to your collection.
Rating:
I would rate this 4.8/5 for the research and narration. This work is completely worth every penny spent.
February 27, 2019
This book gave me everything I expected out of it and more. The words and sentences were in perfect symphony with each other. And the whole book felt like a song which the reader wished to never end.
Firstly, I would appreciate the author for intensive research that resulted in this beauty of a book. I mean, there are so many facts, and they have been so beautifully thrown into a mix to form this story, that I can’t help being pleased about having the privilege of reading this book.
Feel me when I say that some books are written so beautifully that you enjoy every word of it? That’s what I felt while reading Ganga: the constant goddess.
And when we talk about Indian mythology, feminism would be the last thing on mind. But I think the author simply pulled it off with the feminism done just right. “For reasons that have always eluded me, the males of any species are most intent on controlling the lives of their ladies for the ostensible purpose of keeping them safe from all harm and shielding them against hurt.”There are numerous more statements in the book which very honestly present the state of mind of a woman when she comes across prejudices against her sex.
Even though I have made it apparent in the earlier part of the review, but I will say it again: the writing is simply magical. Besides, the book along with being a pleasurable read, is very informative as well. Some very important snippets of Indian mythology have been mentioned in the book and the knowledge simply feels very enlightening! I think I’ll pick up another book by Anuja Chandramouli soon.
And, I would very much recommend this book to anybody who is looking for a good piece of mythological fiction. Or mythology alone. Or fiction alone. This is a true Indian literature!
Firstly, I would appreciate the author for intensive research that resulted in this beauty of a book. I mean, there are so many facts, and they have been so beautifully thrown into a mix to form this story, that I can’t help being pleased about having the privilege of reading this book.
Feel me when I say that some books are written so beautifully that you enjoy every word of it? That’s what I felt while reading Ganga: the constant goddess.
And when we talk about Indian mythology, feminism would be the last thing on mind. But I think the author simply pulled it off with the feminism done just right. “For reasons that have always eluded me, the males of any species are most intent on controlling the lives of their ladies for the ostensible purpose of keeping them safe from all harm and shielding them against hurt.”There are numerous more statements in the book which very honestly present the state of mind of a woman when she comes across prejudices against her sex.
Even though I have made it apparent in the earlier part of the review, but I will say it again: the writing is simply magical. Besides, the book along with being a pleasurable read, is very informative as well. Some very important snippets of Indian mythology have been mentioned in the book and the knowledge simply feels very enlightening! I think I’ll pick up another book by Anuja Chandramouli soon.
And, I would very much recommend this book to anybody who is looking for a good piece of mythological fiction. Or mythology alone. Or fiction alone. This is a true Indian literature!
January 25, 2019
Honest rating: 3.5 stars.
Short review soon.
Short review soon.
December 30, 2018
Anuja Chandramouli’s new book ‘Ganga: The Constant Goddess’ explores the descent, the origin, the transformation and the persona of one of the mightiest rivers in the world. Just like water (pun used), Ganga is also free-willed and vivacious. She cannot be bound by the chains of patriarchy or misogyny or sexual objectification. She is audacious and calls a spade a spade. At the same time, she is an epitome of beauty and kindness. The story has several sub-plots (most of which we would have heard during our childhood) like how Ganga stood against the mighty Lord Bharma and how she was tamed in the matted locks of Lord Shiva. But then there are certain aspects to this story that have never been heard of- like the tiff between Ganga and her sister, Parvati (Shiva’s companion) and many more. The best part of the book is that the author weaves together different stories to exemplify the personality of the protagonist.
Read the complete review here:http://aliveshadow.com/category-bookr...
Read the complete review here:http://aliveshadow.com/category-bookr...
January 2, 2019
This is my first read of 2019 and the author has delivered yet another masterpiece.I was fortunate enough to receive a free copy from the author herself in exchange for a honest review.
The writing is elegant.I had some knowledge about the Ganga,the goddess very much revered and worshipped in India and at some places the storyline was predictable but the writing was unputdownable.In this book,we get to see multiple facets of Ganga's personality.This book also talks about lesser known stories and I am glad to have read them now.
Overall,it was a very enjoyable read and a great start to the reading challenge.
The writing is elegant.I had some knowledge about the Ganga,the goddess very much revered and worshipped in India and at some places the storyline was predictable but the writing was unputdownable.In this book,we get to see multiple facets of Ganga's personality.This book also talks about lesser known stories and I am glad to have read them now.
Overall,it was a very enjoyable read and a great start to the reading challenge.
Displaying 1 - 29 of 45 reviews