Deborah Poe is the author of the poetry collections keep (DUSIE), the last will be stone, too (Stockport Flats), Elements (Stockport Flats), and Our Parenthetical Ontology (CustomWords), as well as a novella in verse, Hélène (Furniture Press). Her writing has appeared in journals like Denver Quarterly, Bellingham Review, Court Green, Colorado Review, Yellow Field, Touch the Donkey, and Jacket2. Her visual works —including video poems and handmade book objects—have been exhibited at Pace University (New York City), Casper College (Wyoming), Center for Book Arts (New York City), University of Arizona Poetry Center (Tucson), University of Pennsylvania Kelly Writers House at Brodsky Gallery (Philadelphia), and ONN/OF “a light festival” (Seattle), as well as online with Bellingham Review, Elective Affinities, Peep/Show, Trickhouse, and The Volta. She lives in Seattle.
Deborah is the author of the poetry collections the last will be stone, too (Stockport Flats), Elements (Stockport Flats), and Our Parenthetical Ontology (CustomWords), as well as a novella in verse, Hélène (Furniture Press). In addition, Deborah is co-editor of Between Worlds: An Anthology of Fiction and Criticism (Peter Lang).
Deborah Poe is associate professor of English at Pace University, where she directs the creative writing program and is founder and curator of the annual Handmade/Homemade Exhibit. She has also taught at Binghamton University, Western Washington University, Port Townsend Writer’s Workshop in Washington, and Casa Libre en La Solana in Tucson.