This stimulating guide will help students and their teachers to achieve stylish performances of music of the Romantic period. Individual chapters from leading experts focus on historical background, notation and interpretation, and sources and editions, presenting the latest thinking on performance in a clear, helpful and practical way.
Various is the correct author for any book with multiple unknown authors, and is acceptable for books with multiple known authors, especially if not all are known or the list is very long (over 50).
If an editor is known, however, Various is not necessary. List the name of the editor as the primary author (with role "editor"). Contributing authors' names follow it.
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The third book in the ABRSM performer’s guide series, this is a primer on how music of the romantic period might have been approached at the time, as well as describing technical developments in the instruments of the time that affect performance.
I found this to be an informative introduction, although it was quite dry in places. It also assumed too much prior knowledge given that the introduction implored you to read the chapters beyond your instrument! The commentary on how modern recordings have affected romantic performance was especially interesting. Very useful as a general overview with sections on different instrument families. Perhaps less so if your interest is in one instrument, as the detail might not be there.
Very satisfied again, the excerpts used for illuminating the points are very useful even for my own classroom and I thouroughly enjoy the accompanying recording samples, too! The chapters on notations and sources are again among those recommended to anyone.