Poetry. Melissa Broder deepens the explorations of hunger and mystery and laughter that she began in Meat Heart (Publishing Genius Press, 2012). The poems in Scarecrone are consumed by universal questions, directed unapologetically back to the universe. The poet didn't ask to exist, but since she's here, she's not taking anything for granted.
Melissa Broder is the author of the novels DEATH VALLEY, MILK FED and THE PISCES, the essay collection SO SAD TODAY, and five collections of poems including SUPERDOOM: Selected Poems and LAST SEXT.
Her books have been translated in over ten languages.
There's something really contrary about these poems. They're completely selfish, but incredibly giving and generous; they're hopeless but find a way to see hope; they are godless but filled with "god"; they are scary but comforting; they tell you you're on your own but are nurturing; they will rip your heart out but love you as well as--if not better than--anyone else; they want nothing and they want it all. Your "soft dick" is shit to them, "holy shit;" they will help "your softshitdick / reach a miracle dimension."
This, for me, makes it very easy to conflate the speaker with the poet. But that's part of what's so amazing about them. Like life itself, you can't tell where the fiction ends and the reality begins (or vice versa). It's like that thing Whitman said, except updated: "this is no book;/ Who touches this touches a [woman]."
Wait. That sounded kinda rapey. Sorry. What I mean is, read this book. It will be good to you. It will fuck with your head. It will "make your heart loud." Shit don't get any realer than that.
When I read Broder's new book, I tried to stay curious: what she does here is not so different than what my undergrads do, which is to write seriously internal, inscrutable but still emotional statements, one per line, where the intent seems to be to be dramatic more than poetic, to get something out there instead of to craft much of anything. But when Broder does it, it's awesome, exciting and strange, even though there's not, often, the kind of thing I look for from poetry. There's imagery, sure, but it's the imagery of verbal dynamite, more flash than insight, and not much else.
Maybe it's because it's so gonzo that Broder works, her decision to shock not only with sexual references (lots of poems here about filling her holes, more than a few about blow jobs) but also with just outside-the-box weirdness, like the eskimos who jump in later in the book. Kind of like she should be a character in Anchorman 3, Ron Burgundy's sister or something.
A visceral, often shocking but pretty awesome book of poems. Again.
There’s a weird brand of inner loathing mashed with inner haunting lurking here, but what I like best about Broder, oddly, is her morality. As coal-black as her imagery gets, and as overriding as the sadness in her ongoing personal desolation might be there is an unrelenting sense that there’s a reason for it. That humans, perhaps, carry hell because they are hell, and that really the self is just a vessel toward something no one really has a name for.
That Broder wields this, and isn’t just pumping out poems full of wry cartoon loathing and social exuberance, shifts the center of the book not onto the self but onto something larger, undefined. I don’t know what a book is if not a latch to elsewhere, and Scarecrone has pressed its skull against the hidden door. It is neither drunk nor ecstatic to be here-it is a state unto itself.
I’m crazy about this book – I want to swallow this book and never let it leave my body. I want to send this book to every living person I know (but I cannot afford that). I would sell my house for this book – if the house was in my name alone and I didn’t have a child who depended me – I would even burn down my house. I could live inside this book but I don’t want to because it makes me so crazy. I’ve lost my head over this book – it has ruined all other books for me because now all other books must measure up to this book (and I’m not kidding about that). If you are reading another book STOP and read this book. (I’m not kidding about that either.) I'm in LOVE with this book. I now must go forth and read Broder's other books.
I was baffled by Melissa Broder's book of essays - indulgent, juvenile and attention-seeking in the extreme. So put off by it I needed more...weird, right? I had to find out if her poetry was as bad. It's worse. Should have read this first, would have saved me the time spend on the essays. Here's a tip for you Melissa - find a way to rhyme: inscrutable doggerel. Then you could define your poetry's key strengths/weaknesses in a poem of your own.
It's like the third album of an indie rock band, but they decided to record a metal album. "I bang/my forehead/on a thing/then go oops." Also: "Dark piano enters as ode/to maggots. Maggots/rise with streamers/to my skull."
I’m so in love with this book. I was actually surprised how good it was. I loved the way of writing SO MUCH. It was somewhat cynical and selfish, but it didn’t stop me for falling for this book even more. I would highlight my favorite parts, then I gave up because all the lines that came after were just too fucking good. This was a good recovery from the last horrendous poetry book I read. THIS IS REAL POETRY AND IT DESERVES MORE RECOGNITION. A new favorite for 2018.
The third book I've read by Melissa Broder and my favorite so far. It has a little more weight/heft to it than her earlier work, for me. I like all three, but this one feels like it goes deeper and has more resonance.
Well, I'm not sure Melissa Broder's poetry and I will ever become friends… I liked this better than "When You Say One Thing But Mean Your Mother" and I especially enjoyed the beginning but thought it went down from there. I only recommend this if you enjoyed The Pisces or So Sad Today, otherwise I don't think you would get along with this one.
My favorite Poems: -Satisfy the Desolate -Power Nothing -The Nature of Concerns -Transcendental Critique -Ultimate Giver
What is most unfair is that they Earth is still okay with me being here I think, and even encourages it. Hello ocean you have asked me not to die, but I swim in neon pools that are happy to kill me.
Poetry that always seemed to propel me onward through the book, I felt like I really wanted to read the whole thing in one sitting. Every poem seemed to be internal, focused on thoughts and inspirations of the subject (the author?). Lots of really good poems in here. Right up there among my favorite poetry books that I've read.
I already knew how it felt to be alive and sad and angry. Now I know how it sounds. It sounds like Scarecrone and it feels kind of good to feel kind of sad.