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Desert plants: Conversations with 23 American musicians

See pictures of back cover for list of interviews.

373 pages, Paperback

Published January 1, 1976

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Walter Zimmermann

124 books1 follower

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5 stars
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2 (18%)
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Displaying 1 - 4 of 4 reviews
Profile Image for Joel Workman.
21 reviews
May 15, 2022
Some very interesting parts and thought-provoking discussions, but also occasionally some sections which were a bit waffly and didn't make much sense -I suppose exactly what you'd expect from a book interviewing 20th-century American avant-garde composers.
165 reviews6 followers
February 2, 2021
This collection of interviews rambles a bit, where a more conventional book might put context and prefer concise sketches of these composers in question - but, in my opinion, this collection works because it allows these composers and free-thinkers to elaborate, on their own terms, the conditions and qualifications of their work in such a way that defy easy categorization. Even the ridiculous money-scrounging episode of La Monte Young's was contributed with permission - as is the wealth of excerpted scores and letters reprinted here. This is a true wealth and document of its times, and any aspiring artist/composer/figure fascinated by the avant-garde collective in America (and Toronto!) will find this essential reading.
Profile Image for HelpPlus.
2 reviews1 follower
April 13, 2019
I read this book maybe 10 years ago from the san diego central library... I still think about it. I love the metaphor of american avant-garde composers being "desert plants" ... I had the pleasure of meeting Walter Zimmermann once in Boston after a concert of some of his music.
Profile Image for Djll.
173 reviews11 followers
August 21, 2009
Zimmerman's command of English is endearingly incomplete, and the interviews sometimes ramble, but this is an essential glimpse of the American new-music scene in the early 1970's, absolutely unique and full of information to be found nowhere else. A lot of these musicians subsequently went on to become mainstays of the avant-garde and therefore much less interesting. These talks catch them when they were, for the most part, still scuffling and non-academic.
Displaying 1 - 4 of 4 reviews