Reminiscent of Robert Heinlein’s ORPHANS OF THE SKY!
It’s also similar (disturbingly so, if I may digress slightly) to the dystopian world that Hugh Downey created in SILO, the first entry in his WOOL trilogy. And, while we’re on the topic of noting similarities to existing sci-fi novels, there is also more than a whiff of Walter Miller’s classic A CANTICLE FOR LIEBOWITZ.
Jay Storey’s “station” world, like Downey’s limited universe and unlike Heinlein’s multi-generational starship, is a dystopian world, buried underground beneath a toxic earth, in which the inhabitants have been confined and so limited for so long that their real history is now lost in the mists of time. Or perhaps I should say, in the little understood writings of historical figures now seen as clerics in the incipient development of the theocratic world’s “religion”.
Josh Driscoll is an intelligent and adventurous young man but his attempts (via unauthorized exploration of the surface with a “borrowed” space suit) to dig deeply into the history of the world which he is convinced is in danger of imminent self-destruction run seriously afoul of the authorities. Offered the choice of indefinite detention and complete loss of any personal freedoms or enrollment as a novitiate monk in a reclusive religious monastery, Josh opts for the lesser of, in his mind, two evils. During that monastic “confinement”, Josh’s increasingly scholarly investigations into historical writing has convinced him that the planned shutdown of some of the computers running in the background of the community’s infrastructure will be a calamitous decision resulting in the destruction of their world.
It cannot be denied that Storey has penned an exciting story that is interesting, convincing, exciting, indeed gripping and compelling. While the friendships, the loyalties, and the romantic relationships between the young protagonists of the tale are predictable, they are also uplifting and heartwarming.
FULL DISCLOSURE: I am a confirmed hard-core atheist convinced in my opinion that organized religion of any and every stripe has been and continues to be the single greatest cause of violence, division, and warfare that mankind has ever created.
So, I hope readers of this review will understand that, despite my positive comments about the quality of the underlying basic story, I found the constant background commentary about religion, monastic life, and the ultimate characterization of Josh as a full-bore monk and his portrayal as the saviour of his world (seriously reminiscent of the Christian vision of the second coming) disturbing and distasteful.
My conclusion is clear. If you’re a theist of any religious persuasion, you’re likely to think that Storey’s young adult novel is akin to the creation of sliced bread. If you’re an atheist like me, you’ve been warned!
Paul Weiss