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282 pages, Paperback
First published January 29, 2019
**Spoiler Alert**
Okay, I didn't like this story. However, that's not to say it's a bad book and for the most part it was suspenseful...ish, keeping a somewhat tenuous hold on my interest. It's very much a plot-driven story, told from the POV of our protagonist, Lisa, who is the newest tenant of the "Spare Room". A room that somehow connects her past to her present. A past she can only vaguely remember.
Ideally, and in my opinion, a suspenseful thriller must create an atmosphere of impending doom, multiple layers of conflict, a convincing villain, high stakes, sustained suspense, but more importantly, the reader must care about the main protagonist. While most of these elements are present in this book; unfortunately, DS Mitchell missed the most important one.
Why should I care about Lisa, or in her quest for answers? And for that matter, why was there even a quest in the first instance. Quite frankly, the entire premise (and conflict) of the story could have been resolved with one conversation with Lisa's parents and since they really were not culpable or party to the "mystery", all they needed to say was: "you're adopted, and this is why?". I'm not quite sure of their motivation for withholding this life-impacting information. It was inexcusable, made no sense; and even after finishing the book, I still don't buy Mitchell's spin.
Had that conversation happened, Lisa would have
a) Gotten proper psychiatric care
b) Not rented the spare room, ergo, no psychological trauma or impending doom thereby making the premise redundant.
Predominantly, the biggest issues I had with this story were the one-dimensional characters (even Lisa, whom I might consider multi-dimensional, was little more than the archetypal female protagonist that litter this subgenre), likewise the excessive foreshadowing that made the plot twists impalpable.
Ultimately, and even though I think this was mostly generic, I'll definitely read other books by this author.