I found the fourth book in the Lady Sherlock series quieter than the others given its focus on the interrelationships in Charlotte's inner circle. I have thought quite a bit about the role of community in this book and series because I was not initially sure about the expanding role of Charlotte's friends and family into her investigative work. I've concluded that I do like Charlotte & co. rather than Charlotte-as-individual solving cases, and I think this theme is important to the development of this series. The Lady Sherlock books upend many tropes and stereotypes, and the upending of Sherlock as rugged Individual Man who alone can solve any problem has to be debunked in a feminist retelling. Sure, Charlotte is still undeniably brilliant and intellectually heads above all humans, but she often needs help, and more importantly, she embraces it and uses collaboration as a strength rather than weakness. The more I think about the theme of community and collaboration, the more I love it, and it reminds me fondly of the power Buffy the Vampire Slayer found in her Scooby gang. Thus, in this fourth book, as Charlotte sets out to retrieve blackmail materials on behalf of her dear friend's lover and knowing that cat burglary is not her strength, she doesn't hesitate to pull in her talented cohorts. Her sister Livia, Livia's adoring suitor and talented cross-dresser Stephen Marbleton, the devoted Ash, the middle-aged Watson, Watson’s lesbian Indian former lover, and the welcome addition of Leighton Atwood -- all transport willingly to Paris to engage in some espionage/art theft/cat burglary.
I love the diversity of people who fill the pages of this series, as it adds to the richness of the world Charlotte is deliberately creating for herself now that she has successfully separated from her repressive parents and their stifling middle class values. This book also reveals that Charlotte's mentally challenged sister, Bernadette, is living with her permanently, much to Charlotte's increasing satisfaction with her private world-building. Ash, however, remains one of the most irksome aspects of Charlotte's existence, and this book slows their relationship trajectory down as both contemplate life with as well as life without the other. From a romance standpoint, I ended up feeling satisfied with the more contemplative pace of their relationship and enjoyed the internal reflection on both of their parts.
Cross-dressing as a theme still intrigues me in the series and gives me much to consider. Charlotte, to my mind, performs gender roles for the same reason she performs many other social expectations; she knows she is expected to behave like a genteel woman but she doesn't understand the logic behind the rules. And doesn't that say so much about gender? As a gender performer, Charlotte is extreme in her appearances - all flouncy bow ties, hour-glass figure, big breasts, and constrained manners. When she cross-dresses as a man, which she engages in frequently, she is portly, gregarious, assertive, and comfortable taking up lots of physical space. Which is the "real" Charlotte? In this book, she does seem more intuitive and empathetic towards others than in previous books, and I’m not sure why that’s the case. Nevertheless, I don't feel closer to knowing who she is or if there is a Charlotte Holmes beyond performativity. I'm so curious to see how Thomas continues to address her characterization. I'm also not sure why men in this series comfortably cross dress as women and with regularity, other than because disguise helps in their secretive word of spying and crime solving. Maybe that's all it is, but I think more is going on.
Having said all of this, I didn't love this book nearly as much as the previous two. The Parisian heist didn't sufficiently grab my interest and the reduction of the story to this one geographic site and plot felt a little narrow in comparison. All of the other elements work well though, and I found this an ultimately satisfying addition to the series. I'm overjoyed to learn too that there will be many more Lady Sherlock books. Thomas has created such a wonderful and complex world that I can't picture this series coming to an end anytime soon.