This volume actually contains two autobiographical writings by Althusser written several years apart, between which the philosopher strangled his wife to death in a bout of madness. The two pieces, which predictably recount many of the same events from the author's life, are haunting to read next to each other. They seem to confirm Woody Allen's pronouncement that any tale can be either a comedy or a tragedy based on the tone with which it is told.
"The Facts", the earlier work, reads like a charmingly comic and self-deprecating novella, in which Althusser nonetheless confronts his madness by describing his most grandiose delusions- he at one point believed he had robbed a bank, stolen a jet, and advised the Pope- as legitimate facts of his life. As he writes in the latter work, "hallucinations are facts" for those who experience them.
The later, longer text from which the volume takes its title is an excruciating self-interrogation with nary a humorous line. At times, it is hard to take. Some of Althusser's complaints about his parents and upbringing just seem like so much ugly self-pity. The tale becomes vastly more compelling after Althusser meets his wife Helene, who becomes a wonderfully intriguing, terribly trying character, somewhat reminiscent, I thought, of Nicole from "Tender is the Night".
All of the agony is broken by a few chapters, roughly in the middle of "Future", where Althusser discusses his philosophy in a wonderfully lucid, accessible way. One senses the succor of intellectual labor for the author. It is like the reader adopts Althusser's depression, and when the light of philosophy comes, it is beautiful and uplifting.
The last section of "Future" comes to the conclusion that Helene's death cannot be understood as the result of any one fact, be it objective or psychological, but was rather the overdetermined result of a web of contingent factors. In that, this book seems like a classically Althusserian meditation.