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Река без берегов. Часть вторая. Свидетельство Густава Аниаса Хорна. Книга первая
Спустя почти тридцать лет после гибели деревянного корабля композитор Густав Аниас Хорн начинает вести дневник, пытаясь разобраться в причинах катастрофы и в обстоятельствах, навсегда связавших его судьбу с убийцей Эллены. Сновидческая Латинская Америка, сновидческая Африка — и рассмотренный во всех деталях, "под лупой времени", норвежский захолустный городок, который стал для Хорна (а прежде для самого Янна) второй родиной...
Между воображением и реальностью нет четкой границы — по крайней мере, в этом романе, — поскольку ни память, ни музыка такого разграничения не знают.
Между воображением и реальностью нет четкой границы — по крайней мере, в этом романе, — поскольку ни память, ни музыка такого разграничения не знают.
904 pages, Paperback
Published January 1, 2014
About the author
Hans Henny Jahnn
59 books51 followersHans Henny Jahnn (17 December 1894, Stellingen – 29 November 1959, Hamburg) was a German playwright, novelist, and organ-builder.
As a playwright, he wrote: Pastor Ephraim Magnus (1917), which The Cambridge Guide to Theatre describes as a nihilistic, Expressionist play "stuffed with perversities and sado-masochistic motifs"; Coronation of Richard III (1922; "equally lurid"); and a version of Medea (1926). Later works include the novel Perrudja, an unfinished trilogy of novels River without Banks (Fluss ohne Ufer), the drama Thomas Chatterton (1955; staged by Gustaf Gründgens in 1956),[1] and the novella The Night of Lead. Erwin Piscator staged Jahnn's The Dusty Rainbow (Der staubige Regenbogen) in 1961.
Jahnn was also a music publisher, focusing on 17th-century organ music. He was a contemporary of organ-builder Rudolf von Beckerath.
As a playwright, he wrote: Pastor Ephraim Magnus (1917), which The Cambridge Guide to Theatre describes as a nihilistic, Expressionist play "stuffed with perversities and sado-masochistic motifs"; Coronation of Richard III (1922; "equally lurid"); and a version of Medea (1926). Later works include the novel Perrudja, an unfinished trilogy of novels River without Banks (Fluss ohne Ufer), the drama Thomas Chatterton (1955; staged by Gustaf Gründgens in 1956),[1] and the novella The Night of Lead. Erwin Piscator staged Jahnn's The Dusty Rainbow (Der staubige Regenbogen) in 1961.
Jahnn was also a music publisher, focusing on 17th-century organ music. He was a contemporary of organ-builder Rudolf von Beckerath.
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