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Terminator: Poems, 2008-2018
Love, science, and politics collide in this sharp assessment of who we are now, in a generous selection of work by the award-winning poet.
The terminator--the line, perpendicular to the equator, that divides night from day--is the organizing concept for this collection, which examines a world where "pert, post-apocalyptic / entertainment trades have trod the pocked / planet raw." Kenney's division of light verse from darker poems serves to remind us that what makes us laugh is often dead serious, and what's most serious can be best understood through wordplay, an ironic eye, the cleaving and joining magically effected by metaphor. With grace and candor, Richard Kenney thumbs through our troubles like a precious but scratched collection of vinyl: "the nature of emotion's analog, while languages are digital." From "Siri, Why Do I Wear a Necktie?" to the eternal springing of love ("Magnetic swipe to the blinking lock / is me to you"), Kenney reminds us that art's the best weapon to maintain our wits in very challenging times.
The terminator--the line, perpendicular to the equator, that divides night from day--is the organizing concept for this collection, which examines a world where "pert, post-apocalyptic / entertainment trades have trod the pocked / planet raw." Kenney's division of light verse from darker poems serves to remind us that what makes us laugh is often dead serious, and what's most serious can be best understood through wordplay, an ironic eye, the cleaving and joining magically effected by metaphor. With grace and candor, Richard Kenney thumbs through our troubles like a precious but scratched collection of vinyl: "the nature of emotion's analog, while languages are digital." From "Siri, Why Do I Wear a Necktie?" to the eternal springing of love ("Magnetic swipe to the blinking lock / is me to you"), Kenney reminds us that art's the best weapon to maintain our wits in very challenging times.
- GenresPoetry
224 pages, Hardcover
Published October 8, 2019
3 people are currently reading
23 people want to read
About the author
Richard Kenney
34 books11 followersRichard L. Kenney (born 1948) is a poet and professor of English. Kenney and his family live in Port Townsend, Washington.
He is the author of four books of poetry: The Evolution of the Flightless Bird, Orrery, The Invention Of The Zero, and The One-Strand River: Poems, 1994-2007.
After graduating from Dartmouth College in 1970, Kenney won a Reynolds Fellowship and studied Celtic lore in Ireland, Scotland, and Wales. He teaches in the English department at the University of Washington and has published in many magazines and journals, including The New Yorker, The Atlantic Monthly, and The American Scholar.
Drawing from many great writers and thinkers throughout time, Kenney often includes references to them in his works. James Merrill influenced him the most, and, fittingly so, his third book, The Invention of the Zero, is dedicated to him. Other notable influences include W.B. Yeats, Gerard Manley Hopkins, Robert Lowell, and Philip Larkin.
Known for having an avalanching and original style, James Merrill best sums it up in his foreword to The Evolution of the Flightless Bird:
"The poetic wheels just spin and spin, getting nowhere fast. But Kenney--it's what one likes best about him--nearly always has an end in view, a story to tell."
He is the author of four books of poetry: The Evolution of the Flightless Bird, Orrery, The Invention Of The Zero, and The One-Strand River: Poems, 1994-2007.
After graduating from Dartmouth College in 1970, Kenney won a Reynolds Fellowship and studied Celtic lore in Ireland, Scotland, and Wales. He teaches in the English department at the University of Washington and has published in many magazines and journals, including The New Yorker, The Atlantic Monthly, and The American Scholar.
Drawing from many great writers and thinkers throughout time, Kenney often includes references to them in his works. James Merrill influenced him the most, and, fittingly so, his third book, The Invention of the Zero, is dedicated to him. Other notable influences include W.B. Yeats, Gerard Manley Hopkins, Robert Lowell, and Philip Larkin.
Known for having an avalanching and original style, James Merrill best sums it up in his foreword to The Evolution of the Flightless Bird:
"The poetic wheels just spin and spin, getting nowhere fast. But Kenney--it's what one likes best about him--nearly always has an end in view, a story to tell."
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September 30, 2021
If my IQ were thirty points higher, I would enjoy this even more.
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