What do you think?
Rate this book


Home Is Where The Nightmare Is
Beautiful double room to let to single person
Lisa, a troubled young woman with a past, can’t believe her luck when she finds a beautiful room to rent in a large house. The live-in owners are a kind and welcoming couple. Everything is fine until she finds a suicide note hidden in her room. But when the couple insist this man didn’t exist and that Lisa is their first tenant, Lisa begins to doubt herself.
Compelled to uncover the secrets of the man who lived in the room before her, Lisa is alarmed when increasingly disturbing incidents start to happen. Someone doesn’t want Lisa to find out the truth.
As the four walls of this house and its secrets begin to close in on Lisa, she descends into a hellish hall of mirrors where she’s not sure what’s real and what’s not as she claws her way towards the truth…
This room has already claimed one victim?
Is it about to take another?
284 pages, Kindle Edition
First published January 29, 2019
**Spoiler Alert**
Okay, I didn't like this story. However, that's not to say it's a bad book and for the most part it was suspenseful...ish, keeping a somewhat tenuous hold on my interest. It's very much a plot-driven story, told from the POV of our protagonist, Lisa, who is the newest tenant of the "Spare Room". A room that somehow connects her past to her present. A past she can only vaguely remember.
Ideally, and in my opinion, a suspenseful thriller must create an atmosphere of impending doom, multiple layers of conflict, a convincing villain, high stakes, sustained suspense, but more importantly, the reader must care about the main protagonist. While most of these elements are present in this book; unfortunately, DS Mitchell missed the most important one.
Why should I care about Lisa, or in her quest for answers? And for that matter, why was there even a quest in the first instance. Quite frankly, the entire premise (and conflict) of the story could have been resolved with one conversation with Lisa's parents and since they really were not culpable or party to the "mystery", all they needed to say was: "you're adopted, and this is why?". I'm not quite sure of their motivation for withholding this life-impacting information. It was inexcusable, made no sense; and even after finishing the book, I still don't buy Mitchell's spin.
Had that conversation happened, Lisa would have
a) Gotten proper psychiatric care
b) Not rented the spare room, ergo, no psychological trauma or impending doom thereby making the premise redundant.
Predominantly, the biggest issues I had with this story were the one-dimensional characters (even Lisa, whom I might consider multi-dimensional, was little more than the archetypal female protagonist that litter this subgenre), likewise the excessive foreshadowing that made the plot twists impalpable.
Ultimately, and even though I think this was mostly generic, I'll definitely read other books by this author.