F.M Cutlack knew Harry Breaker Morant personally, having ridden with him in South Australia, 1889-9. Cutlack contributed to the Official History of Australians in the War 1914-17. Called ' the only factual record of any worth about these events' Breaker Morant will be the basis of a film to star Edward Woodward.
BREAKER MORANT
Australian horse-breaker and balladist Harry Morant was executed in South Africa in 1902 after service in the Boer War. Breaker Morant shows that Morant's shooting of the Boer prisoners was probably the result of a command inciting his patrol to vengeance. Lord Kitchener, who signed Morant's death warrant, was possibly appeasing the German Emperor, since a German missionary also died... but Morant had advised this missionary to defend himself from the dangerous Boers. Undoubtedly the brave Morant suffered questionable British justice.
Wrote Volume 8 of the Australian Official History of World War I, which is available in digital form from the Australian War Memorial: http://www.awm.gov.au/histories/first...
Writing in 1962, Frederic Cutlack contends the execution of Breaker Morant and Peter Handcock during the Boer War for murdering prisoners of war was a travesty of justice. The basis of this argument - that orders not to take prisoners existed despite subsequent denials, and that the accused were political scapegoats - hasn't changed and remains a matter of dispute.
Later research has overtaken Cutlack's biography in two major respects. Morant's familial connection to Hampshire/Devonshire gentry has been discredited. Also, evidence later emerged that he was probably guilty of having the German missionary killed, the only charge he and Handcock were acquitted of. Ironically this appeared in a long-suppressed letter by George Witton, Morant's co-accused, whose book Scapegoats of the Empire (1907) was Cutlack's main source of information.
This book remains significant, however. In boyhood the author actually knew Morant, who was a stockman on the South Australian cattle station Cutlack's family lived on. Morant quit to enlist for the Boer War, and his best-known likeness (see book cover) was a photo he gave Cutlack's father before departing for South Africa. Cutlack includes only a couple of sparse personal anecdotes about this time, but personal knowledge surely adds some depth to his grasp of the man's character, even if it may also have influenced his stance on the court martial.
A generous serving of Morant's verse vividly illustrates his swagger while showcasing his strong rhythmic gift, although it's clear the Breaker is no Banjo. His best is also the most poignant, the blackly humorous 'Butchered To Make A Dutchman's Holiday', written on the eve of his execution.
Cutlack is a good writer; he was, after all, one of Australia's leading war correspondents and historians. Dated bits aside, his account remains a brief and useful overview of one perspective of an ongoing controversy, and its distinguishing features have earned it a lasting place in The Breaker's historiography.