Actress-cum-novelist Lara Parker's second DARK SHADOWS novel, THE SALEM BRANCH (Tor, 2006), is the follow-up to her successful debut, ANGELIQUE'S DESCENT, released by HarperCollins in 1998.
I will concede that I had heard little positive about THE SALEM BRANCH before I sat down to read it. Many readers complained of its exceedingly hot violet prose, and the fact that the author displayed little understanding of the characters from the show — which was probably the most remarkable (and quite surprising) failing of ANGELIQUE'S DESCENT. Well, I have to tell you, for the most part, I enjoyed THE SALEM BRANCH — albeit with no small number of caveats. It's quite true that Lara's characterizations aren't what one might expect from someone who actually played a part in the show, but it's evident to me that she intended from the outset to delve deeper into personalities than she had in her first book, and in large part — whether or not she accurately captured the personas from the show itself — she did frequently succeed in drawing the characters as real human beings, warts and all. If there's a real failing in this, it's that, too often, the warts are the focus, and as a result, the momentum of the story suffers, particularly in the chapters where Barnabas is dealing with life as a human being, rather than a vampire. Still, the plot feels faster-paced and better constructed than in her original outing, and some of the criticisms of the story's twists and turns strike me as unwarranted — specifically the scenes involving the Collins' family's interaction with the hippies who have taken up residence on their property. (But again with a caveat — there's a scene of local law enforcement personnel running this gang off the Collins's property that's so over-the-top that I nearly split a gut. And that is bad.)
I will agree with the critics that there is too much purple prose. In fact, if I were to make any real recommendation on technical matters, it would be for the author to check out the proper usages of words such as "akimbo" and "pugnacious" and to never, ever, ever use phrases such as "She placed the epithet in verbal italics, her tone sardonic." This was an affront to narrative voice that nearly sent me packing and moving on to reading Jonathan Maberry's GHOST ROAD BLUES (which is a fine book that I will review in detail in the near future). However...I am quite glad I persevered with THE SALEM BRANCH because, in spite of its shortcomings, it's really, really not a bad novel at all. I'd go so far as to say it's superior in almost every respect to S. E. Hinton's almost-DARK SHADOWS novel, HAWKES' HARBOR, and that's not just me shooting shit. The atmosphere is oftentimes so vivid that I can truly feel myself immersed in the story, and in my old age, that experience is a rare thing indeed. The climax, which some critics felt was ludicrous, didn't strike me as ludicrous at all. In fact, in its own way, it was admirably imaginative and reasonably well-rendered.
I'm going to give THE SALEM BRANCH three beers out of six, with a solid shot of Mezcale, worm and all, to go with it. Not superlative by any stretch, but then again, not too shabby.
Take that from an old DARK SHADOWS connoisseur.