What do you think?
Rate this book
Mama Dot
Every once in a while, a new poet appears who makes us feel that the contours of contemporary poetry have been significantly changed. Fred D'aguiar is such a poet. Although still in his early twenties, he already has a wholly independent voice, and a powerful grasp of original and strange subjects. Many of these arise from his childhood in the first section of Mama Dot comprises a series in which these early years are recalled with a passionately lyrical evocation of landscapes, incidents and family relations. They are sensuous celebrations, but are nevertheless touched with melancholy and nostalgia – qualities which are more fully evident elsewhere in the book, in poems which address the life D’Aguiar now leads in England, and which concentrate on themes of exile. In the final section, ‘Guyanese Days’, he returns once again to the scenes and memories of his childhood. Mama Dot is one of the most exciting first collections to have been published for many exhilarating, haunting and restlessly inventive.
- GenresPoetry
48 pages, Paperback
First published August 26, 1985
1 person is currently reading
16 people want to read
About the author
Fred D'Aguiar
32 books53 followersPoet, novelist and playwright Fred D'Aguiar was born in London in 1960 to Guyanese parents. He lived in Guyana until he was 12, returning to England in 1972.
He trained as a psychiatric nurse before reading African and Caribbean Studies at the University of Kent, Canterbury, graduating in 1985. His first collection of poetry, Mama Dot (1985), was published to much acclaim and established his reputation as one of the finest British poets of his generation. Along with Airy Hall (1989), it won the Guyana Poetry Prize in 1989 and was followed by British Subjects (1993). His first novel, The Longest Memory (1994), tells the story of Whitechapel, a slave on an eighteenth-century Virginia plantation and won both the David Higham Prize for Fiction and the Whitbread First Novel Award. It was adapted for television and televised by Channel 4 in the UK. His long poem 'Sweet Thames' was broadcast as part of the BBC 'Worlds on Film' series in 1992, winning the Commission for Racial Equality Race in the Media Award.
Fred D'Aguiar was Judith E. Wilson Fellow at Cambridge University (1989-90), Visiting Writer at Amherst College, Amherst, MA (1992-4), and was Assistant Professor of English at Bates College, Lewiston, ME (1994-5). More recently he was Professor of English and Creative Writing at the University of Miami.
His plays include High Life, which was first produced at the Albany Empire in London in 1987, and A Jamaican Airman Foresees His Death, performed at the Royal Court Theatre, London, in 1991.
He is also the author of the novels Dear Future (1996), set on a fictional Caribbean island, and Feeding the Ghosts (1997), inspired by a visit D'Aguiar made to the Merseyside Maritime Museum in Liverpool and based on the true story of a slave who survived being thrown overboard with 132 other men, women and children from a slave ship in the Atlantic.
Recent poetry includes Bill of Rights (1998), a long narrative poem about the Jonestown massacre in Guyana in 1979, and a new long narrative poem, Bloodlines, the story of a black slave and her white lover, published in 2000.
Fred D'Aguiar's fourth novel, Bethany Bettany (2003), is centred on a five-year-old Guyanese girl, Bethany, whose suffering symbolises that of a nation seeking to make itself whole again.
He trained as a psychiatric nurse before reading African and Caribbean Studies at the University of Kent, Canterbury, graduating in 1985. His first collection of poetry, Mama Dot (1985), was published to much acclaim and established his reputation as one of the finest British poets of his generation. Along with Airy Hall (1989), it won the Guyana Poetry Prize in 1989 and was followed by British Subjects (1993). His first novel, The Longest Memory (1994), tells the story of Whitechapel, a slave on an eighteenth-century Virginia plantation and won both the David Higham Prize for Fiction and the Whitbread First Novel Award. It was adapted for television and televised by Channel 4 in the UK. His long poem 'Sweet Thames' was broadcast as part of the BBC 'Worlds on Film' series in 1992, winning the Commission for Racial Equality Race in the Media Award.
Fred D'Aguiar was Judith E. Wilson Fellow at Cambridge University (1989-90), Visiting Writer at Amherst College, Amherst, MA (1992-4), and was Assistant Professor of English at Bates College, Lewiston, ME (1994-5). More recently he was Professor of English and Creative Writing at the University of Miami.
His plays include High Life, which was first produced at the Albany Empire in London in 1987, and A Jamaican Airman Foresees His Death, performed at the Royal Court Theatre, London, in 1991.
He is also the author of the novels Dear Future (1996), set on a fictional Caribbean island, and Feeding the Ghosts (1997), inspired by a visit D'Aguiar made to the Merseyside Maritime Museum in Liverpool and based on the true story of a slave who survived being thrown overboard with 132 other men, women and children from a slave ship in the Atlantic.
Recent poetry includes Bill of Rights (1998), a long narrative poem about the Jonestown massacre in Guyana in 1979, and a new long narrative poem, Bloodlines, the story of a black slave and her white lover, published in 2000.
Fred D'Aguiar's fourth novel, Bethany Bettany (2003), is centred on a five-year-old Guyanese girl, Bethany, whose suffering symbolises that of a nation seeking to make itself whole again.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 of 1 review
February 19, 2025
One of his best
In particular, the long last poem is excellent. The whole volume is full of high quality poetry. The dialect poems are full of great rhythms.
In particular, the long last poem is excellent. The whole volume is full of high quality poetry. The dialect poems are full of great rhythms.
Displaying 1 of 1 review