Esta escalofriante novela refleja en gran parte las ideas que sobre el arte y la ética del arte poseía su autor, Oscar Wilde. Para ello, este genial y provocador escritor nos arroja a la cara el comportamiento de Dorian Gray. Todo parte de un deseo alocado… Dorian Gray había pedido conservar intacta la belleza de la juventud y que fuera su retrato no sólo el que envejeciera, sino también el que soportara la carga de sus terribles pasiones y pecados. Dorian Gray había traspasado su alma a un lienzo, estandarte visible de su conciencia, y éste le mostraba una imagen cada vez más espantosa
Oscar Fingal O'Fflahertie Wills Wilde was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and his criminal conviction for gross indecency for homosexual acts. Wilde's parents were Anglo-Irish intellectuals in Dublin. In his youth, Wilde learned to speak fluent French and German. At university, he read Greats; he demonstrated himself to be an exceptional classicist, first at Trinity College Dublin, then at Magdalen College, Oxford. He became associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. Wilde tried his hand at various literary activities: he wrote a play, published a book of poems, lectured in the United States and Canada on "The English Renaissance" in art and interior decoration, and then returned to London where he lectured on his American travels and wrote reviews for various periodicals. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). Wilde returned to drama, writing Salome (1891) in French while in Paris, but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Undiscouraged, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London. At the height of his fame and success, while An Ideal Husband (1895) and The Importance of Being Earnest (1895) were still being performed in London, Wilde issued a civil writ against John Sholto Douglas, the 9th Marquess of Queensberry for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel hearings unearthed evidence that caused Wilde to drop his charges and led to his own arrest and criminal prosecution for gross indecency with other males. The jury was unable to reach a verdict and so a retrial was ordered. In the second trial Wilde was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison he wrote De Profundis (published posthumously in abridged form in 1905), a long letter that discusses his spiritual journey through his trials and is a dark counterpoint to his earlier philosophy of pleasure. On the day of his release, he caught the overnight steamer to France, never to return to Britain or Ireland. In France and Italy, he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.
¿Estamos (probablemente) ante una de mis lecturas favoritas de este año? ¡Lo estamos!
Me ha encantado este libro. Al principio creía que no se trataba de un libro para mí y que me iba a resultar aburrido, pese a que la película me ha encantado, pero estaba totalmente equivocada y ha sido una maravilla.
Mi personaje favorito ha sido, sin lugar a dudas, Henry Wotton. De hecho, la mayoría de las frases que he marcado han sido parte de diálogos suyos.
No obstante, el final me ha decepcionado un poco, lo que no quiere decir que no me haya gustado, pero me esperaba un gran cierre cargado de drama, como a mí bien me gusta.
Además, el personaje de Dorian Gray no me ha gustado del todo, pues en varias ocasiones lograba sacarme de quicio.
De forma notable critica los estereotipos de belleza y juventud de la sociedad, y de como finalmente estos atributos superficiales no son esenciales ni fundamentales por sí solos en ningun caso, pudiendo además ser nuestra perdición si los tenemos como nuestro principal objetivo en la vida.
Me encantó este libro, una mezcla de pensamientos complejos del ser humano, la belleza, la vanidad, el placer y finalmente, misterio y terror. Me encantaron las reflexiones abordadas a lo largo del libro, la degradación que va sufriendo Dorian a lo largo de los años, producto de su vanidad y su ego. El final fue algo abrupto, pero bastante acertado para mí. Este libro también me ayudo a comprender un poco los pensamientos y sentimientos de Oscar Wilde, ya que de acuerdo con su vida, siento que plasmo mucho de sus deseos en esta obra.
Las desventuras de Dorian Gray ese dandi paradigmático y ocurrente obsesionado con lo efímero y su pánico a envejecer nos envuelve en una historia dramática y hasta cierto punto triste.
Me encanta este libro, aunque sufro tanto cuando Dorian comienza a cometer tantos crímenes. Solo no le doy la última estrella, porque no soporto a Lord Henry Wotton
This entire review has been hidden because of spoilers.