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Le grand remplacement, Introduction au remplacisme global

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Le Grand Remplacement n’est ni une théorie ni un complot. C’est un état de fait observable dans la plupart des pays occidentaux. Tout le monde le voit, sauf les démographes. Tout le monde en parle, sauf les journalistes. Tout le
monde s’en effraie, sauf les politiques. Les plus audacieux l’évoquent à demi-mots. Partout le déni, l’autocensure ou simplement la peur. Comme si le réel n’avait pas lieu. « Ils ont des yeux et ne voient pas. » Terrible cécité. Il y
avait un peuple, il y en a un autre. C’est le même administrativement ; ce n’est plus le même historiquement, culturellement, ethniquement, religieusement. À travers une série d’interventions publiques, Le Grand Remplacement décrit ce phénomène inédit à l’échelle des temps historiques. L’expression a fait le tour du monde, elle est immédiatement intelligible dans tous les idiomes de la Terre. Or, l’ouvrage dont elle est tirée n’a été traduit dans aucune langue. C’est un livre fantôme, jusqu’ici édité à compte d’auteur. C’est dire l’ampleur du non-dit et le poids des censures invisibles. Voici donc porté à la connaissance du public l’un des plus grands textes de notre temps rédigé par l’une des plus grandes voix de notre temps. Après l’avoir lu, vous ne pourrez plus dire que vous ne saviez pas !
« Le Grand Remplacement n’est ni un fantasme ni un complot, c’est le drame historique de notre époque. » Éric Zemmour

444 pages, Paperback

First published November 2, 2011

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About the author

Renaud Camus

159 books58 followers
Renaud Camus, writer, painter, photographer, was born in 1946. As a young man, Camus' ideas and writings were strongly influenced by his association with Roland Barthes, Louis Aragon, Marguerite Duras, and the Warholian circles. He is now the author of more than one hundred and sixty works, published for the most part by P.O.L, Fayard and now by "Editions du Château": annual volumes of diaries, novels, essays, elegies, eglogues, dictionaries, anthologies, writings on art, political writings, literary travel guides...

His works are marked by the question of meaning. It includes avant-garde texts, the "Eclogues", conceived as a response to the aporias of the Nouveau Roman, and "Burn Boats", an immense hypertext in perpetual growth. The political work is organized around the monumental "Du Sens" (P.O.L., 2002), "Le Petit Remplacement" (Chez l'auteur, 2017) and "Le Grand Remplacement" (Chez l'auteur, 5th edition, 2019).

Cultural animator of the Château de Plieux for a decade (exhibitions Jean-Paul Marcheschi, Eugène Leroy, Miro, Jannis Kounellis, Josef Albers, etc.), Renaud Camus is also the author of abstract paintings ("YHWH", "Alephs", "Enjambements") and figurative, as well as photographic albums ("The Day nor the Hour").

To fight against the industrialization of man and the massacre of landscapes, against a pan-economism that treats men as Undifferentiated Human Matter, and against the change of people and the violence it implies, the author founded the party of In-nocence (2002) and, with Karim Ouchikh, the National Council of the European Resistance (2017)

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Profile Image for Ingmar Weyland.
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January 23, 2020
French Intellectual Sentenced to 2 Months in Prison For Calling Mass Immigration an "Invasion"

French intellectual Renaud Camus has been given a 2 month suspended prison sentence for saying that mass immigration into Europe represents an “invasion.”

Camus will only avoid jail by paying 1800 euros to two “anti-racist” organizations, SOS Racisme and the LICRA (International League against Racism and Anti-Semitism).

The writer, who is the author of Le Grand Remplacement (The Great Replacement), was charged with “public incitement to hate or violence on the basis of origin, ethnicity, nationality, race or religion.”

The conviction stems from a November 2017 speech in Colombey-les-deux Eglises to the National Council of European Resistance in which Camus declared, “Immigration has become an invasion.”

“The irreversible colonization is demographic colonization, by the replacement of the population,” said the author, adding, “The ethnic substitution, the great replacement, is the most important event in the history of our nation since it has existed; as with other people, if the story continues, it will not be that of France.”

Camus also called for a “national consensus of resistance” to oppose Islamization in “the struggle for the salvation of our common civilization, Celtic, Slavic, Germanic, Greek-Latin, Judeo-Christian.”

The part of Camus’ speech that specifically garnered the attention of judges was when he talked about European people being replaced.

Camus said mass immigration “is the substitution, the tendency to substitute everything with its emulator, normalized, standardized, interchangeable: The original with its copy, the authentic with its imitation, the true with the false, the mothers with surrogate mothers, the culture with free time and entertainment.”

France suffers Islamic terror attacks on such a routine basis that it’s barely even an important news story anymore. Many of those terrorists are radicalized by mosques that escape any police scrutiny, but Camus must be punished for his crime of opinion.

And there you have it. Free speech is now a crime in France.


Sadly this book isn't translated. I suppose this is may to be good choice for Arktos Media Ltd. or Ostara Publications
Profile Image for Hou.
100 reviews
August 21, 2019
L'existence d'écrivains comme ce Camus confirme la pensée de Hobbes : l'homme est un loup pour son "frère" humain.
Profile Image for John Sanschagrin.
5 reviews
February 9, 2025
Ouvrage intéressant pour les concepts et les néologismes développés par l’auteur. La contribution lexicale de Renaud Camus transcende ses écrits et est essentielle dans une perspective métapolitique.

Il nomme le réel tel qu’il le perçoit, sans feinte ni détour, ce qui peut déconcerter certains. Ses réflexions restent stimulantes, qu’on soit en accord ou non avec lui.

J’aurais attribué 4 étoiles si l’ouvrage avait été plus concis. Il aurait pu tenir en moins de 150 pages sans rien perdre de son propos, tant les répétitions sont nombreuses (dans l'édition de 560 pages de la Nouvelle Librairie).
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