The Future of Another Timeline

by Annalee Newitz

The Future of Another Timeline is a dark thriller from Annalee Newitz, the founding editor of io9, about the lengths we’ll go to protect the ones we love. In a modern-day United States that's just a step away from our own, time travel is possible. But a secret war is brewing over access to history.

Tess is a geologist desperately trying to change the past.

Beth is a teenage riot grrl who has witnessed a murder that will forever shape her future.

Across the timeline, a group of men are trying to destroy time travel. If they succeed, only a small elite will have the power to shape the past, present, and future.

A final confrontation is coming. Our only hope lies with an unlikely group of allies, their lives separated by centuries, battling for a world where anyone can change the future.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Genres: Science Fiction, Time Travel, Fiction, Fantasy, LGBT, Queer, Feminism

350 pages, Paperback

First published September 24, 2019

About the author

Annalee Newitz is an American journalist who covers the cultural impact of science and technology. They received a PhD in English and American Studies from UC Berkeley, and in 1997 published the widely cited book, White Trash: Race and Class in America. From 2004–2005 they were a policy analyst for the Electronic Frontier Foundation. They write for many periodicals from 'Popular Science' to 'Wired,' and from 1999 to 2008 wrote a syndicated weekly column called 'Techsploitation.' They co-founded 'other' magazine in 2002, which was published triannually until 2007. Since 2008, they are editor-in-chief of 'io9,' a Gawker-owned science fiction blog, which was named in 2010 by The Times as one of the top science blogs on the internet.

Reviews

[Silvana · Rating 5 out of 5]

4.5 stars rounded up. This might go straight to my Hugo ballot. Super fun.

I held back from writing a review because I wanted to write something smart, explaining the time travel aspect of this book, how AnnaLee weaved all those elements of feminist movements, historical personage, and so on. I mean, this book deserves it. Yet my brain has entered a vacay mode, so I'll just write what I felt when reading it.

It felt great. Exhilarating, even. The pacing was good and the POV transition was seamless.

I love that the book is so PC but not forced or superficial. It's basically a story about a group of women and non binary people who are doing time 'edits' to avoid a future of bioengineered patriarchy, worse than the Republic of Gilead. How would it feel to completely lose any agency over your own future, and even your limbs, if you have a vagina?

And then there was a lot of discussion about significant political change through collective action and community activism, juxtaposed with the Great Man perspective that involves changing an (historically important) individual's course of life. Which one has the greater effect? More efficient? Mind you, change is a complex process. All of these are debated, and I revelled in it.

Is it a perfect book? Nah, the villain albeit repulsive was not that impressive and/or menacing. The ending could be longer. Still, a really cool book. It is a compact one too, fewer than 300 pages but had a lot going on, which I really appreciate. Whether you like it or not, I think this is one of those books that would create conversation long after you read it.

Update: Whoa, just found out about this video of Grape Ape https://youtu.be/5Avc8qqRVc0 It sums up some of the themes of the book, and you can see Annalee and their friends having fun in it.

[Bradley · Rating 5 out of 5]

I would give this novel five stars for just the cool research put into this time-travel novel, but fortunately, there's a lot more going on here than just clever interpretations of history. Or rather, alternate histories mixed in among branches of a time war.

Ah, but who are the combatants? Is the whole novel about altering history so some faction or another comes out on top? Or is it an intensely personal journey with a lot of emotional punch behind it?

Why can't it be both? And it is.

Of course, I was hooked on all the girl power and the early Punk scene. This is my jam. Give me anything that says freedom and I AM ALIVE, throw me into a mosh and spout the original meaning of an=without archy=goverment without all the BS about bombs and murders and crap, and I'm there.

And, indeed, I was here for almost the entire novel. I may not be a woman but I'm totally in the whole debate. We all need to be heard. We all need to be respected. And that's kinda the point.

When it came to people like Comstock, the real one that boasted about how many women he convinced to commit suicide when all they wanted was abortions, we can't find a more detestable villain. Or at least, I can't. But worse, there are still a lot of people who think like this. And that's also a big plot push in the novel... misogyny taken to amazing extremes.

Is it any wonder that Punk is the real hero, here? When totalitarian jerkwads are a force of history? Disempowering all women across the board? Okay, maybe this is a common enough plot thread in modern SF. Or not even SF.

But the proof is in the execution. And believe me, there are quite enough executions in this novel. :)

[Blaine · Rating 4 out of 5]

That’s when I decided the point of travel was not to observe history, but to change it.

The Future of Another Timeline is set in a world in which humanity discovered five machines of unknown origin around the world that allow people to travel backwards through time (they can return to their present, but they cannot travel forward). The rules and methods of the time travel are involved, well thought out, and original.

The Future of Another Timeline is told mostly though alternating first-person narratives, and it has a lot of moving parts. One story is the focused, personal tale of Beth, a high school senior with a troubled family life and a best friend who has gotten her involved in a murder spree. The other story is the story of Tess and the edit wars. There is a group of men called the Comstockers who are trying to make edits in the past that would lead to reduced women’s rights now and in the future. Countering them is a group of women called the Daughters of Harriet who are alternatively trying to make edits to expand women’s rights.

The Future of Another Timeline has a lot to say. Some of it is not particularly subtle. The villains are the gamer gate, incel, men’s rights types, as one-dimensional as they are loathsome (in the book and in real life). The heroes are decidedly feminine (though intersectional and inclusive) and feminist. But some of the book’s ideas are more nuanced. There are arguments for and against the Great Man theory of history. There’s an argument that history is not static. Society collectively, constantly rewrites the past by noticing previously overlooked aspects, placing events in new contexts. The big things remain, but the stories change, or have new points of emphasis.

The blending of these different stories and ideas—Beth’s personal tale, Tess’s adventures, history, and philosophy—is a bit uneven. But the plot moves quickly, and The Future of Another Timeline has the spirit of the punk music treasured by the main characters (for a sample, please check out the video created for the novel’s fictional feminist punk band, Grape Ape https://youtu.be/5Avc8qqRVc0. Entertaining, thoughtful, and with a great ‘I am Spartacus’ moment. Recommended.

[Allison Hurd · Rating 4 out of 5]

I don't remember the last time I was this ambivalent about a book. It was really good! It was horrific. I'm so glad I read it! I can't believe I made it through. Delightfully hopeful! Harrowing like Handmaid's Tale but on a much bigger scale. In the end it made me feel and had me invested, so I guess that's great but for the love of sanity only read it if you have fluffy things nearby, be they pets, or popcorn books.

CONTENT WARNING: (just a list of topics, but I'll issue a general warning for most common triggers) rape, slavery, sexual slavery, extreme misogyny, anti-semitism, racism, jingoism, child abuse, pedophilia, serial killers, drug use, mental illness, suicide, abortion (graphic), transphobia, queer antagonism, loss of a loved one, body horror (including harm to eyes), infant death

Things that were amazing:

-The concept. What if we accept that time travel is real but hard enough that things aren't always chronologically inconsistent? What if, as the memes say, we are NOT in the darkest timeline, we're just in A dark timeline? What does change look like? What is victory?

-The cast. Ahh I loved this so much. It felt like sitting with all of my friends, which also made it more horrifying because HEY DUDES STOP MESSING WITH MY FRIENDS but when they weren't being brutalized somehow, it was a loving embrace of what I will call "feminine friendship".

-The relevance. She moved FAST on this book to get it out now when it's so obviously indicative of our times.

-The historical flavor. There were so many neat seasonings in this story. Lots of love for the 90s, the World Fair, and much, much older civilizations that were very fun.

-The tones. The first half kept me on a razor's edge between "fine, just scared," and "complete and utter terrified panic." The second half was much more hopeful.

Things that were just good:

-The mechanics. Don't look too hard. It's magic. There are enough rules and caveats to make it clear that the effect of time travel has severe limitations, just let it go at that.

-Some clumsy parallels. Look, we don't get perfection AND perfect timeliness. With a bit more effort some of the obvious straw men-esque baddies and conflicts could have been massaged into the story a bit more smoothly. There were a lot of scenes where I gathered that she was saying "look, this is the sort of behavior I'm talking about, but it's not necessary for me to really go into detail and/or I don't want to go into that detail."

-The plot. Again, very intent on its message rather than feeling organic and prescribing to general storytelling techniques like following rising tension. Also kind of confusing at parts, but they were just stand ins for discussing other, more interesting ideas, so I just focused on those ideas and let it be.

-The...message? So, I think the takeaway here is...very obvious and...um...well kind of objectionable. Real spoilers here. It seems like the author is saying that collective action does most of the work, but sometimes stopping a few people helps a much larger group of people. Where stopping is "murder some folks." I am not opposed to violence, per se, but assassination and/or vigilante justice is something we ought to universally revile. That was weird to me.

Ultimately glad I read it and found it a well done dose of feminism, though I think I disagree with a few points and also was very upset while reading most of it. Please read it so we can be scared, hopeful, angry, confused, and philosophical together!

[Jessica Woodbury · Rating 3 out of 5]

This is a feminist punk queer time travel novel, which will probably be enough to sell it for many readers. A group of time traveling cis and trans women and nonbinary folks suspect a competing set of cis male time travelers are trying to create a version of history where women are never allowed to vote. Tess, our protagonist, is determined not only to stop them but to make a world with strong reproductive rights. But she gets a little sidetracked when she decides to try to change part of her own past.

In a time travel novel, there is a whole system of time travel which must be imagined, explained, and then accepted for it to work. For me, the book didn't wholly succeed in its effort. I appreciated how different Newitz's system was, it doesn't feel like one you've seen before. But when you get into a story where the whole premise is changing the past, it can dig you into a muck of explanations that aren't always worth the trouble. You can get a little stuck here, the time travel mechanism and the repercussions never really gel into something that is easy to explain or understand.

I actually find the parallel story of teenage Beth. Her story intersects with Tess's attempts to fix her own past, and the simpler story of Beth and what happens to her was much more emotionally satisfying for me.

While I like the overall aesthetic Newitz is going for, I don't think this book played to her strengths quite the way her previous novel did. She's great at complicated, twisty, sci-fi plots. Here there isn't much hard science at all, and with just philosophical questions and character development the pacing can feel off. Sometimes I wasn't sure if I would finish it at all, though eventually I was pulled along by Beth's story, even though it was sometimes rather stilted.

[Claire · Rating 2 out of 5]

This book has a message and it's not subtle about it. The time travel technique is interesting. There are rocks across the world that you can use to time travel and mankind has always known. However, this isn't explored as much because the author has a message about men vs women. Characterization feels like there is a woke bingo that is being used instead of creating a fully realized character. The main character, Tess, any understanding I had of her was gone once a twist was revealed. This twist left me feeling disgusted with Tess and not sure if I was supposed to.
And I don't believe Harriet Tubman would have ever been elected to the Senate. There was too much racism and fear of African Americans after the civil war to happen. Even if, for some reason that I couldn't understand, women were give the right to vote long before they really did.
This was wish fulfillment.

[Gabi · Rating 5 out of 5]

You are one. We are many. You can not make us feel your shame.
(I don't know if this even works out of context, but the moment was so powerful, it stuck in my head)

My first 5-stars of the new year!

I wanted to be a bit more stinted with 5-star ratings, cause I couldn't compile a best-books-of-the-year list last year due to so many books that fascinated me. But even though there were elements here that irked me (the rather casual take on murder and so many people smoking), I had so many moments where the story really, deeply moved me that I had tears in my eyes. My main criteria for 5 stars is that I have to be emotionally touched, so I just can't give less.

It was interesting to read this book back-to-back with "The Female Man" (both were January BotMs in different groups). The topic both times is timetravel and feminism, but the execution was so different. Where I felt nothing while reading "The Female Man", Newitz' book gripped me tightly.

Their characters are relatable, likeable and I felt with and for them. There are so many beautiful moments of like-minded people working together, being there for each other, uplifting each other where I just got teary eyed and longed to be there with them myself. The emotional, character dependent passages were just perfect.

Newitz' approached the timetravel technicalities with a (to me at least) new concept of geology and wormholes that have been here on Earth since forever. I liked this idea that's more based in mystic than in technology.
Also the 'nothing can be changed in the past' credo doesn't apply to this novel. On the contrary, the story is in parts about a group of timetravelers whose goal is in fact to change events in the past to create a better present. Their efforts are counteracted by another group with contrary ideas. The main topic is the right of selfdetermination concerning reproduction.

I guess dependent on where the reader is coming from the story works or doesn't. It certainly isn't for everyone. I don't even want to read it with a critical nitpicking eye, but with my heart. And there it struck hard and cut deep.

ETA: I listened to it in the audiobook version, where I didn't like the voice of the narrator. And still the book made such an impression on me.

[Debbie Notkin · Rating 3 out of 5]

There is so much to like about this book! In fact, how much to there is to like about this book is why, in the end, I wasn't happy with it. Let me explain:

1) This is a book about a 1992 teenager with a troubled family and a group of close girlfriends who take rape and sexual harassment punishment into their own hands.
2) This is a book about a group of time-traveling women from 2022 who are editing the timeline to erase the effects of anti-sex misogynist Anthony Comstock from their future.
3) This is a book about a vastly original and rather opaque system of time traveling through a limited number of ancient, incomprehensible machines (or maybe organisms?) with very specific limitations.

That's a lot to put into one ordinary-sized novel. When you add in the appearance of a woman from a future in the 26th century whose women would be relieved to live in The Handmaid's Tale, and a particular failure of the time machines that leaves travelers covered in early forms of life from the Ordovician Period, and a time-travelers' archive in Jordan that preserves some history of other erased timelines, and a group of men devoted to fighting everything the time-traveling women are trying to do, and a history where Harriet Tubman was a senator, and ...

If Newitz wasn't a skilled craftsperson, the book would be completely unreadable. Because they are, it's often compelling, and some of the threads (timelines) are engrossing. And almost all science fiction writers will agree that time travel is very hard to write about. But in the end, they tried to cram too many complications into too small a package, and the result is like a meal in a trendy restaurant: you leave wondering why adding just one more ingredient didn't make your meal any better.

I'm almost tempted to re-read it sequence by sequence (the teenager's story from beginning to end, the time-traveler's story from beginning to end, the other viewpoints separately) and see if I like it better.

[Andrea · Rating 2 out of 5]

I received an advance ebook through NetGalley.

Punk rock, feminism, LQBTQ+ rights, time travel. A stellar combination in theory, but the execution really disappointed me.

The Future of Another Timeline tells the story of Tess and Beth in mostly alternating chapters. Tess is a time traveler from the near future desperately trying to counter a misogynistic cult that wants to destroy women's autonomy. Beth is a teen in the early 90s California punk scene navigating unhealthy relationships with friends and family in addition to normal teenage stuff.

First, the good.

This book is validation for the fear and anger many women, people of color, and members of the LQBTQ+ community have experienced, particularly in the last few years. For me, it was during the Supreme Court Justice confirmation hearings when I realized how fragile my autonomy and safety really were. Women have only had the right to vote for 100 years. We've only been able to legally obtain birth control since 1972, to have credit cards in our own names since 1974, to serve on juries in all 50 US states since 1975, or not get fired from work for being pregnant since 1978. The spectre of that world casts a long shadow, and this book recognizes that there are people out there who are actively trying to take away key elements of our right to self-determination.

Where does time travel come in? In many ways, history is constantly being reinvented and perverted for a variety of ends. This book speaks to that paradoxical nature of history as both immutable and yet always changing-- in this case, because people are literally going back in time to try to change the course of history.

I am excited that these powerful things are being discussed in mainstream sci-fi. However, I really wish the story was stronger. There are some big issues:

• As much as I agree with the politics of this book, I would have really preferred a strategy where the politics are subordinate to a compelling story and fully-fleshed characters who show us rather than tell us. Autonomous, the author's other novel, is an excellent example of this. It becomes very clear that patent law and the pharmaceutical industry are bad, and we learn this by seeing the characters engage with their world and each other rather than primarily from exposition dumps (see below). I think it's a more effective strategy for exploring these ideas and attracting readers who aren't automatically on board with the politics of the book.

• Extensive exposition dumps early in the book rather than strategically sharing information with the reader. After a really stellar introduction, I instantly felt alienated and bored because the main character had to brain dump so much on me about her secret society, how time travel works, etc. There is so much telling instead of showing, and it somehow managed to make time travel and secret societies yawn-inducing.

• Cardboard villains. The opposition are mostly nameless caricatures with no apparent goals besides enslavement and subjugation of women. I suspect it would be very hard to humanize villains like this, and maybe that should have been an indicator that these aren't compelling villains.

• So much seemingly unnecessary and violent murder here. Perhaps a satire of how misogynists see feminists?

• The extremely specific and yet handwavy nature of time travel. In this world, there are several time travel bases around the world that have existed for thousands of years and researchers make regular use of these to study the past. There are human laws and seemingly technological restrictions dictating the use of the portals, but most of these are broken throughout the book without consequence but are still brought up repeatedly.

• Calling time travel researchers geoscientists. This seemed like a poor choice in terminology--other geoscientists like geologists, geochemists, and biostratigraphers still appear have distinct fields of study in this world, so it was just confusing and it was unclear why another word (chronographer? chronoscientist?) wasn't used. It also kind of seemed like there was a distinction between people who studied human events (sort of like anthropologists or ethnographers) and people who were more invested in the technicalities of time travel. Not fleshing this out seemed like a curious oversight and an indicator of tenuous world-building.

[K · Rating 5 out of 5]

FULL DISCLOSURE: I beta read for this book at the end of 2018 to offer some insights into the musical material that forms a key part of the plot.

I initially beta read this novel to lend my expertise as a popular music historian and, yet, I found myself completely caught up in the narrative structure and overall message of this novel – that we ultimately have the power to change our timeline. I don't usually enjoy time travel stories, but I am huge fan of alternate histories. This one worked for me because it combined those two sub-genres and there was just enough familiar material for me to latch onto. Like the author, I am a Gen-Xer who grew up in Orange County, CA. Many of the details relating to the teenagers in Irvine, Newport Beach, and Los Angeles felt immediately close to what surrounded me as a teenager, from how kids south of LA understood that metropolitan area to what it's like to grow up with so many entertainment industry folks flirting (inappropriately) with high school girls. There's also a lot of music in this novel, from references to riot grrrl to the revolutionary role of some songs from the music hall era. Beyond all of those delicious details, it was that story in the late 20th century that kept me the most emotionally invested even as some of the leaps around the timeline got a bit dizzying, including such stops as the Chicago World's Fair and the near future where the characters are trying to figure out how to stop misogynists tampering with the timeline. Ultimately, the hopeful message really won out and made me feel far more optimistic about the present moment than I otherwise would have imagined. That, I think, is ultimately what made reading this novel so pleasurable.

This book is unabashedly feminist in the most inclusive meaning of the word. It helps if you have some sense of the history of the women's rights movement as well as the major challenges to it. Because it's a book about fighting against relentless misogyny, there are some seriously violent and even triggering moments having to do with death and abuse. The violence and threats are there from the beginning, so there's no real hiding from it. IMO, those elements heightened the emotional stakes and made reading this incredibly satisfying. Highly recommended.

[Justine · Rating 4 out of 5]

This story follows two characters, teenage Beth in 1992 California, and time travelling Tess based in 2022. The chapters alternate between the two characters, and as expected, their connection is eventually revealed.

When I started this one I had some moments of "WTF am I reading?" The early chapters following Beth are angry and violent, and I wasn't sure where it was all going. Eventually though, Beth's story ended up being the most engaging of the two.

Tess's story is less linear in its development, and not just because she is travelling through time, trying to edit events for a more positive outcome in the future for women generally. Her alternative personal motivation remains hidden from the reader for much of the story, and when it is revealed, I felt like I wanted a bit more of her history missing from the narrative.

As far as the time travel mechanism is concerned, you'll have to use some mental hand waving. But really the story is about relationships, and about the possibility of changing futures for the better through small collectively built actions.

The Future of Another Timeline is most certainly and unflinchingly political, and a story full of anger. At the same time, it is also surprisingly optimistic and hopeful. As a result, I was left feeling rather content and hopeful myself.

[Beige · Rating 4 out of 5]

What an interesting mash up! It's 90s riot grrrl raging feminism + modern womxn & non-binary scientists trying to stop the alt-right from time travelling and destroying womxn's and LGBT rights. I wasn't sure the two storylines worked at first, but I ended up thinking they truly complimented each other. I especially liked how Newitz did a ton of research for this book and wove in historical people and events -- which they helpfully provide details for at the end of the book.

A note of the violence: at first, I was taken aback by a couple of incidents, but I looked into riot grrrl history and I now see it echoed some of the pathos that existed in the movement. I now understand how it fits.









More info:
https://www.theparisreview.org/blog/2...

[Kyra Leseberg (Roots & Reads) · Rating 3 out of 5]

Tess is a member of the Daughters of Harriet, a group of time travelers who frequently revisit the past to protect women's rights for the future.

She finds herself back in 1992 at a riot grrrl concert she actually attended as a seventeen-year-old, which sets in motion a complicated chain of events.  First, she decides to try and edit a personal event that was a major turning point in her life. Second, she must travel further back in time to stop another group of time travelers known as Comstockers who are hellbent on undoing all of the good the Daughters of Harriet have done for women's rights.

In 1992, Beth leaves the riot grrrl concert with friends and before the night is over, a friend's abusive boyfriend is dead and they've agreed to hide the body.  In the months that follow, their anger grows with each encounter with men who treat females as objects.  On top of that, Beth's life is complicated by a big decision and an awkward home life with a mentally ill father.

Alternating between Beth's narrative in 1992 and Tess's narrative across multiple time jumps, The Future of Another Timeline had a ton of promise but eventually fell flat for me.

While both narratives were compelling, after a certain point I was more invested in Beth's story. I think this had to do with the fact that Tess's story became bogged down in time travel rules and chasing an enemy who was completely one-dimensional.
That said, I was surprised by the amount of violence in Beth's narrative and feel like there needed to be more insight into the justification behind it because it was all too rushed with little explanation.

Overall, the plot was extremely interesting but the delivery was sorely lacking.

If you're a reader who enjoys sci-fi/time travel/alternate history with a focus on women's rights, this is one you may want to look into.

For more reviews, visit www.rootsandreads.wordpress.com

[Stephen · Rating 2 out of 5]

I read Annalee Newitz’s previous novel, Autonomous, earlier this year and would honestly be hard pressed to think of a book that I finished that I hate more. Newitz had good ideas, but executed them in horrendously bad, and at times offensive, ways. And yet I was glad to read it because I can’t remember the last time I had so much fun ranting about a book. So I’ve been looking forward to The Future of Another Timeline partly to see if Newitz has gotten better as a writer and partly because I was hoping for another train wreck. The results are a little more mixed than I’d hoped.

The book focuses on an alternate history in which five time machines have been discovered across the world and allow people to go backward (but never forward for each person) through time. In the year 2022, Tess is a member of a group called the Daughters of Harriet who jump through time trying to edit history to be less oppressive towards women, non-binary people, and trans people. Tess and crew learn of an opposing group of men who are trying to change history to enslave women, leading to a war of edits to constantly shifting timelines. Meanwhile Beth is a teenager in 1992 with a connection to Tess who finds herself a spiral of teenage angst, parental abuse, and murder with friends.

Newitz’s prose was the best part of Autonomous. It flowed well and rarely dragged along. I can say the same for The Future of Another Timeline. The first person perspective lends itself well to this story and while there are times it drags a bit, it never quite bores, even in its duller moments. The worst I can say about it is that Newitz has a habit of writing characters’ thoughts that no one would actually say/think.

Like Autonomous, The Future of Another Timeline has some really good ideas, but once again Newitz doesn’t quite seem to know what to do with them. The idea of factions warring with time machines, constantly changing the timeline while the people who made the changes remember what happened even when others don’t, is a fascinating premise for a story and one that I would like to see done better some day. As told by Newitz, it falls flat. Tess and friends jump all over time trying to make their edits, but take their time (fitting) so much that it’s impossible to feel any kind of urgency. Tess goes back to 1992 to scope out a concert, Tess goes to the 1890s to help women’s rights, Tess goes back to 92 to scope out Beth, back to 1890s to help out with the women’s rights thing. Back and forth with only the vague goal of stopping the rival men’s group as a mostly unseen antagonist. Whenever the men’s group does show up, their dialogue is the kind of incel thing that some men have certainly said, but comes off as so over dramatic and cartoony that it’s hard to take them seriously. The pacing never quite seems to get a good speed going and frequently lurches to a halt whenever something exciting or urgent appears to happen. By the time I was 80% of the way through, it felt like a halfway point. The thing that finally makes the conflict get some urgency to it is told to all of the characters by a minor character who figured it out off-screen. And yet even then none of them act that concerned about it, despite their lives and futures being at stake.

The character Beth has the more interesting chapters, which doesn’t bode well for a book about time travel when she’s firmly stuck in the early 90s. The relationship she has with her friends, parents, and enemies provides some much needed drama while Tess’s story drags its feet and the conflicts she gets embroiled in, while nothing new as far as high school stories go, are interesting enough that I looked forward to her chapters whenever I was stuck on Tess’s time non-shenanigans. The way everyone around Beth, as well as Beth herself, at times feels like the kind of ridiculous, edgy, and shallow interactions that you’d see on something like 13 Reasons Why, but her story was the one I found the most interest in, partly because it’s paced much better than Tess’s story.

Newitz is obviously sending messages that beer into propaganda with this book, the focus on women’s rights and getting rid of the patriarchy being the prominent ones. I’m all for feminist literature and media and the goals Tess and her friends are aiming for are noble. But there’s an obnoxious ham fisted was to the way Newitz delivers these messages. The three types of characters we get in this book are women/non-binary people who are noble and selfless and want to change the world, men who are snarlingly evil and dream of a world in which all women are sex slaves, and women who go to the extreme in punishing men for their crimes. There are a couple men who support the main women, but are such minor players that it’s hard to think of them as characters. There are also some women who support the mustache-twirling men who get maybe two brief sections to show how compliant they are in oppressing other women and then drop out of the book. With the exception of Beth and arguably Tess, none of these characters develops or grows beyond the archetypes that they fit into when they are introduced and when you have a novel full of cardboard cutouts, it’s hard to take away any meaningful message. Newitz goes on and on about women’s rights and occasionally brings up rape, parental abuse, and toxic friendships, all of which are sectioned off to Beth’s side of the story. The message is good, but how it’s being delivered is not profound or beyond what you could get by just reading political Facebook posts. Good feminist literature can deliver its themes and messages like music, but Newitz is just making noise.

I don’t hate The Future of Another Timeline like I did Autonomous. Unlike Autonomous, I wasn’t offended by anything in this book. It’s not a terrible book, but it also fails in telling an interesting science fiction story or delivering a powerful message. At best it’s a mildly-interesting high school drama with a few interesting, in not well explored, science fiction ideas.

[Naima · Rating 1 out of 5]

CW: transphobia, racism, white saviorism, antisemitism, orientalism, sexual assault, sexual assault of a child, abortion

you can scroll back through my updates for the explicit instances i refer to in this book (typically w the page numbers attached), but holy shit, this is not a good book and i'm rather stunned that it has such a decent rating. the content of the book is an exercise in white saviorism, using black and brown women as plot devices, centering itself on the white main character who edits the timeline in order to make it better for all women. the book consistently condemns the 'great man' theory (the theory that in any time period there is a singular person who defines/greatly affects a movement or moment in time, to which, without them, that period would lose certain characteristics), and yet the split pov of tess and beth therefore makes the both of them Great Men, while the nonwhite women around them (morehsin, anita, aseel, soojin even glorious garcia of the grape ape band) are flattened into caricatures that serve only to push them forward in the plot. aside from the very terrible contents of the book (where racist stereotypes and caricatures are included but lampshaded, as if to say 'i know it's racist, and because i know its racist, it's ok!'), the construction of it is insanely sloppy- events bookend one another with little to no connection- tess can go from one setting to another without any transition (the most eyebrow-raising one being going from an orgy in the 19th century forward in time to keep her younger best friend from killing someone, failing to do so, then just going back. never once does the previous scene allude to her desire to do any of this, and it just feels like the writer knew they wanted these two scenes, but wasn't sure where to put them in the book). the actual conclusion of the book, the final confrontation, is a scant four pages, with everything leading up to it promising some grand stand-off.

the book as a whole tries so hard to be a progressive pro-feminist novel and fails in every aspect that matters- the only trans woman, berenice, in this entire book is introduced by being murdered within the first fifty pages, with a whole lot of discussion about how she was murdered by a transphobic serial killer and deadnamed in the past. in a book centered on time travel, she isn't even rescued until 129 pages in, then disappears for the rest of the book, only ever functioning as 'enid's girlfriend'- and we don't see enid (a chinese american) for the majority of the book. this sort of issue is rather prevalent in the book- newitz will bring up some terrible hate crime or act of racism in order to show that there is diversity in this book, but never actually use the character (or the 'diverse' aspect of the character) beyond that. soojin is another example- as readers, we only find out that she's korean after she's been preyed-upon by their teacher, who calls her a 'china doll'. we find out that tess is jewish after she's privy to an antisemitic, misogynist, anti-arab hate crime, and its never mentioned again.

regarding the undercurrent of racism in this book, i think its best exemplified by anita, aseel, and morehsin. anita is a black woman, aseel is a maghrebi woman (presumably algerian), and morehsin is described as a brown woman (from the future where apparently the concept of race has been dissolved). anita is in every sense of the word the sassy black best friend trope, and its miserable to watch- she exists the live and die for the cause of the daughters of harriet (the group of women dedicated to trying to edit the timeline in order to preserve women's rights, named for harriet tubman, who was a senator in this book's history), carry tess through her hard times, and be there to help tess lampshade her casual racism. she's the professor that helps beth out ultimately and the friend that tess vents to. it's crazy to me that the author even points this out, that anita only exists as a sort of emotional sponge for the people around her, when late in the novel anita talks about how her mother died while tess has been griping about how she has permanently altered her personal timeline and now suffers headaches that she uses opium to relieve. anita talks about how she didn't want to say anything because tess had a lot going on, to which tess says, ["Don't not tell me when something huge happens to you. You are my best friend. I don't want to feel like we're in one of those crappy movies where the black girl has to fix all the white girl's problems and deal with her own shit too."
Anita snorted, "So you're saying I have to tell you my problems to alleviate your white guilt?"
Now she was sounding more like the Anita I loved. I laughed sleepily."(p.285-286)]
like it's just stunning how it's right there in the text, the fact that the entire book quite literally had anita having to fix all of tess' problems whenever they were in the same scene, and newitz thinks they have the capacity to joke about it. they absolutely do not. this entire book is written as a white savior novel and every 'joke' made by a character of color (going from things like colorism in african communities, 'white guilt' jokes, jokes about white feminism, jokes from a native american character about how white people don't know anything) just seems like they're trying to alleviate their own white guilt. it's suffocating to read as a nonwhite reader, especially since every character of color shields every white character.

aseel is the next female character of color whose writing astounds me, particularly as a maghrebi woman. she's in charge of the 'algerian village', a group of algerian/tunisian women who perform belly dances on the midway (the dance is later exclusively called the hoochie coochie which, while historically accurate, was very annoying to see that that was something newitz didn't think was important to alter). i would say she's probably the most prominently featured woman of color, but she also gets the most shit- she's the mouthpiece for newitz to portray arab women as aggressive, sexual, and exotic. there's an elaborate quote where tess goes out of her way to backhandedly call her ugly, kinda revealing newitz' hand there in portraying aseel as an aggressive sexualized brown woman- "I wondered what made him gaze at her like that. She was beautiful, but not in this era's conventional sense - she fit no Gilded age ideal with her brown skin and thick waist. Was he rocked by moral indignation? Titillated by the idea of a live-action French postcard? Whatever it was, she forced him to look beyond the phantasm his desire conjured. She radiated authority.". newitz flattens aseel into a mouthpiece for them to talk about colorism, about white feminism (ironically, as this book is quite the exercise in white feminism), about any nonwhite topic the author wants to poke at with a stick but doesn't want tess or beth to outright say. it's most striking when newitz puts the words "she's passing as white. i don't understand how she can say she wants freedom for all when she won't even admit what her real background is. i mean, a lot of people would benefit from seeing a colored lady telling white men what to do" into aseel's mouth, like somehow that makes it better for that statement to be in this book, when the person mentioned isn't even relevant to the plot.

lastly, there's morehsin, who is in every sense of the word a plot device. her introduction is her showing up in 2022 to literally say the words, "I have come from the future. I will give anything, even my life, to help you." (p.159) and she lives up to those words, her multitool being used for half of the reasons the plot moves forward (solving multiple people being able to go back in time at once, halting attackers, etc etc). i think the most glaring issue with morehsin, other than being introduced solely to be used by tess and the others, is that her very rational approach to violence (in that, it is necessary because she's from a time where women have lost full reproductive autonomy and have been separated into two classes- women who reproduce, who are raped and have their hands cut off, and women who don't reproduce, who are workers for men) is constantly looked down upon by tess. tess' nonviolence is established only as being residual from her history of murdering random men as lizzy late in the novel, and, with enid also condemning violence, it seems as though the novel is condemning violent retribution as a whole (not just as a character choice for tess). this makes it especially aggravating when morehshin, who has seen the very violent future for women but still has to acquiesce to tess advocating for nonviolence simply because it's the more passive option. this is especially grating in the very end, where tess kills the comstock agent anyways defeating the point of literally half of the point. in the end, the great man theory is validated and tess' nonviolent approach falls apart.

i'm tired of ruminating on this book, but tldr; even if you removed the faux-progressiveness veneer, there are issues inherently with the characterizations of characters of color, and the actual construction of the novel is sloppy and doesn't make cohesive sense as a story.

more shit i really did not like:
* beth being established as jewish because of her pedophile father (whose sexual assault of her is graphically described out of the blue towards the end of the book) and his father, who is described as a '[k-slur] firebug' (p.201)
* the only native american, seacake, literally only being used for ferrying tess to and from the plot. it's implied that the cree tribe has been completely wiped out (p. 58)
* one of lizzy's attempted murders is after a serial rapist who targets latinas, to which beth opposes her even scaring them, which comes off really sour after hearing about all the stuff he says. (p.242)
* the fact that bc women get abortion rights, grape ape ceases to exist and the fact that tess gets so sad over this. like grape ape as a band got on my nerves in this simply because it's pitched as a radical far left band of chicanas, but their songs fall completely flat when it's stuff like 'go to the polls'. (p.149)
* enid opposing the murder of the transphobic serial killer of her future girlfriend. it seemed pretty obvious that the dude should die- the nonviolent tactic seems so weak and strange when they're literally going up against men who are willing to rape and murder women to deny the entire gender autonomy in the future.
* tess and beth constantly pointing out that they're white to absolve the author's white guilt. the best example of this is on p. 148 "[...] listening to the girls behind us move between Spanish and English [...] Suddenly I could hear my suburban white girl accent clearly. [...] I felt like an interloper.""

[Jodi · Rating 5 out of 5]

The Future of Another Timeline begins with three quotes. One is attributed to Senator Harriet Tubman, R-MS, in 1893. If your immediate reaction is to understand why this is inaccurate, but sincerely wish that Harriet Tubman had attained the rank of Senator, this novel is for you.

Annalee Newitz combines feminism, punk rock, time travel, history, alternative history, and the small and large ways that a human being can affect others' lives into a heady yet accessible brew. While other women and non-binary people are very much involved, the novel focuses on Beth, a teenage Riot Grrrl punk living in an abusive household in the early 1990s, and Tess, a scientist and time traveler. Time travel is possible in this world through The Machines, which are scattered throughout the world, and always has been. However, it is only accessible to people who have sufficient money and/or education and are willing to put in years of hard work.

Essentially, Tess and the feminist Daughters of Harriet are at war with the Comstockers, bitter misogynist disciples of Anthony Comstock. American History students will remember Comstock as an anti-obscenity crusader in the late 1800s who hated women, sexuality, fun, and most especially women who controlled their own sexuality and had fun. Time travelers are able to "edit" timelines, including "editing" people out through violence or other means. The Comstockers want to edit out influential women and advances in womens' rights, then render it impossible for anyone else to make a change.

The characters of Beth and Tess contrast micro and macro effects of time travel and women's rights. Annalee Newitz knows her history, and there is an appendix in which she explains historical references in her novel. Newitz manages to keep several balls and a couple chainsaws flying in the air, and to make it all make sense to the reader.

The Future of Another Timeline will not be for everyone. Some people will be confused. Some will be offended, or quite simply pissed off. But for others, this novel will be an absolute delight. I am a Generation X feminist who grew up with Riot Grrrls. I always chose female historical figures for my reports because my teachers always harped on men and wars (and Harriet Tubman was a recurring favorite). I adore alternative histories. I for one could not have loved this novel more if there had been a crisp new $100 bill tucked in between every chapter.

Many thanks to BookishFirst.com for providing an ARC in exchange for a fair and honest review.

[Fiona Knight · Rating 5 out of 5]

The Daughters of Harriet had an official name, the Applied Cultural Geology Group, with the mandate to observe major social transformations as they happened in the past. We'd been recognized as a legitimate scholarly organization by the American Geophysical Union, which made it easier to apply for grants and schedule trips on the Machines. Every month we had a research meeting at my best friend Anita's house in Brentwood, close to the UCLA campus where we worked. There, we did a lot more than share discoveries and scotch. We made plans to edit history.

I'm working through my TBR at the moment - continuing last year's project to finally read or remove some of the books that have been there way too long. And just like last year, it's already delivering gems! The Future of Another Timeline was fun, it was brutal, and it was a great time-travel book. It also coincided with one of my "play when bored" mobile games giving me a super-fitting phrase of the week: "The best way to predict the future is to invent it". Just the kind of coincidence that makes me want to believe there really is a group of time-travelling history editors out there.

That's a lot of blather about a book that deserves more attention than I'm giving it - this really was so good. Alternating chapters between Tess and her jumps through time, and Beth in 1992's California, Annalee Newitz combined a plot to radically change our world with a much smaller-scale (and no less important, as they point out) story of teenagers coming of age and finding their feet, and their boundaries. No matter the changes made in history, it's not easy to be a teen.

The villains don't get a lot of page time - good - and instead the focus is much more on friendship and collective action as a force for change. Which is not to say that there's no feeling of threat, because that's very real, whichever storyline we're following. Some of the scenes between Beth and her father were all too well reproduced, but that authenticity was necessary.

Maybe there'll be a followup and maybe I'll just come back and reread this when I need it, but either way, I'll absolutely be back for more from Annalee Newitz.

[LordTBR]

Another week, another DNF.

Based on other reviews, there is a definite audience for this novel, but I am not included.
While I enjoyed Newitz's time travel component, nothing else really grabbed me in order to direct me to the finish line.

[Samm | Sassenach the Book Wizard · Rating 5 out of 5]

oh hell yes to this whole thing. Come my friends and let's go time traveling to stop people from making edits to the timeline as they try to destroy women's rights. If this ain't the most diverse and inclusive feminist novel I have ever read...this ain't no white feminist b/s. It's actually feminist! They specify multiple times in this book that the changes are to be done to protect cis women, trans women and non-binary!

We alternate between two POVs (Tessa originally from 2022 + Beth originally from 1992) as they go to multiple other time periods. I feel like we constantly do time travel novels but it's always "be careful not to change ANYTHING" but this one is literally the opposite. The whole idea of purposely changing somethings but with the goal being a very specific change is...like that would be SO HARD!

Rep: Chinese, Korean, Black, Jewish, transgender, F/F romance & non-binary!

[Thomas Wagner | SFF180 · Rating 4 out of 5]

History, as they say, is written by the winners. Which is to say, what we’re taught about the past is very likely not the whole story. Winners are highly motivated to remain winners, and if that means what we learn about history gets heavily edited by those in power, then it’s up to us to work that much harder to get to the truth. But what if history itself, and not just the teaching of it, could be edited? You know exactly the kinds of people who would be all over that.

The concept of time travel and the dangers and consequences of altering the past is a premise that’s gotten a vigorous workout over the years in science fiction. Poul Anderson wrote several stories about the Time Patrol, who prevent time traveling troublemakers from screwing around with the past and erasing entire timelines. Similarly, Fritz Leiber wrote about the Change War (arguably not all that well). And in more contemporary entertainment we naturally have stuff like the Terminator franchise. But what about a time war saga that’s rooted in current political concerns about ongoing efforts to roll back women’s and LGBT+ civil rights? If that sounds too political to you, try to remember that every alternate history story is about speculating on political inflection points. If one of these stories makes you uncomfortable and another doesn’t, maybe that’s a reflection on who you think the winners should be.

The Future of Another Timeline, Annalee Newitz’s brilliant second novel, sets up a pretty unique time travel scenario. Geological time “Machines” exist in five locations around the world. Theyve been in place since at least the Ordovician Period, roughly 450 million years ago, give or take. Are they machines? Were they put there by aliens like the Monoliths in 2001? Or are they some kind of bizarre natural phenomena operating under laws we haven’t begun to understand? No one quite knows. (Continued...)

[Howard · Rating 3 out of 5]

3 Stars for The Future of Another Timeline (audiobook) by Annalee Newitz read by the author and Laura Nichol.

I liked the idea of the story but overall it was a bit of a disappointment.

[Ashley · Rating 4 out of 5]

I started this book first thing on New Year's Day, made it about thirty pages in, and then didn't pick it up again until Sunday morning on the 5th. I don't know if it was feeling too heavy or what, but I needed to be in the right headspace for it. (It was probably the men's right's activists that did it, followed closely by a disturbing murder.) Then I basically binge-read the whole book yesterday morning.

To sum the book up badly (and I will do better further below), The Future of Another Timeline is about feminists using time travel to save the world from men's rights activists. It's very strange, but ultimately, good.

To get more complicated about it, this is definitely speculative fiction. I have not read Newitz's other book, Autonomous, but I've heard the plot, and it seems they* have a thing for complex characters mixed in with complex worldbuilding. The time travel here is one of the most unique I've seen. Most of the time, time travel is something that is invented, and that comes from the present day or the future. Here, time travel is as much of a given as gravity or the existence of air. There are five machines that were discovered by humanity that are essentially geological formations, and no one knows where they come from. The result of this is a humanity that is comfortable with the idea of time travel, and that is pretty fascinating. (What really got me was that travelers go everywhere, so even humans from long, long, long ago are used to people from thousands of years in the future just popping up.) Also a result is a constantly shifting timeline, as people make "edits" to the timeline (even though they aren't really supposed to) according to various agendas.

*I'm glad I checked on this. I originally picked this book for my month of reading books by or about badass ladies, but it seems after this book was published, Newitz has come out as nonbinary and is using they/them pronouns now.

Our two main characters are Tess, a traveler from 2022 who is also a member of a group called the Daughters of Harriet (Tubman, who in this reality was a Senator), and Beth, a teenager in the early 1990s caught up in the punk scene. Tess is the main actor in terms of the time travel plot, as she and her friends get mixed up in an edit war with a group of Comstockers (men from the future who want to promote Anthony Comstock's censorship agenda, paving the way for a dystopian world where men have control of women's bodies). Beth acts as sort of a litmus character, as we see through her story how the different edits actually affect people (there's also a lot more to her story as well, but I don't want to spoil it).

I would definitely recommend this one. It's a great time travel story, if nothing else, but it's also an empowering story for women and nonbinary people (there's a nonbinary character in here called C.L. who is a part of the Daughters of Harriet).

[laurel [the suspected bibliophile] · Rating 3 out of 5]

3.5

Our pasts, presents and futures are connected.

In a world where time-traveling Machines have always existed, two timelines are competing for dominance. In 2022, Tess and the Daughters of Harriet have been trying to correct the timeline against a secret society of misogynistic assholes determined to erode women and trans rights. In 1992, Beth and her friends are pulled into the world of riot grrls and murder in an ever escalating path. Slowly the two times begin to intersect and flow.

This was a fascinating feminist time travel story, with a host of queer characters stacked against a powerfully misogynistic minority determined to use their pull and sway to remove women's rights. The incel culture plays a huge role in naming women and determining their place (or utter lack thereof) in the society of the future and the past.

I enjoyed a lot of the differences in history, with Senator Harriet Tubman and many other things, and the various ways the Daughters of Harriet remember the changing timelines and corrections by remembering things that had been.

I remember a time when abortion was legal.

Again, a fascinating look at women's rights—and women's roles in society throughout the centuries.

While I was less than entranced with Beth's story—because honestly I just didn't care for most of her story, although at times I wanted more and other times I wanted less—I was all in for Tess's story.

I loved the idea of a non-violent way of change, of using communal action to pursue change instead of power and force and threats. Of the concept of sacrifice, of changing yourself and the world, one step at a time. At the big picture and the very real people who are affected by decisions made up high for the better good.

If I enjoyed it so much, then why the 3.5 stars?

Because I felt like it could have been developed just a little bit better. The villain wasn't as fleshed out as they could have been—until the end they were a boogeyman. While their actions were horrific and the future they had created was dismal and brutal, I wished that more of Elliott had been developed just so that I could hate him that much more (and I already hated him quite a bit). Also, I wanted more of Aseel and more of the ladies of 1893 and more of the Daughters of Harriet and...decidedly less of Beth.

Yes, her life was horrible but I honestly didn't care for much of her timeline until she finally left for college and began to face what was happening. I just...I dunno. Much of her timeline was frustrating, mainly because she faced very few consequences for her actions, and her intersections with Tess were frustrating and felt forced into the main storyline.

Anywho, this is a different story and definitely one to explore if you want to read a queer feminist time-traveling rallying cry against the dangers of allowing the incels and douche-canoes to have a voice and a platform. And the dangers of white feminism—which was handedly explored and given a proper thumping.

I received this ARC from NetGalley for an honest review

[Kristin B. Bodreau · Rating 3 out of 5]

This was an excellent story about feminism, community action, revolutions through small acts and human rights. The characters were interesting, though a little one note. The main cast had superficial differences, but at the core were the same archetype. The “villains” were also a bit of caricature. However, it’s a great opener for discussion and thought on the evolution of women’s rights, how small acts create a ripple, female friendship and the importance of reproductive freedom.

What is also was, was a reminder of why I really don’t like time travel stories. A lot of wibbly-wobbly, timey-wimey stuff happening here with no real explanations. You can travel with the clothes on your back, but not weapons or electronics. But apparently you can create a little loophole if your clothes ARE electronics… I am not a fan of hand wavy rules. There was a lot of that happening here. And the time machines are ancient and built inside rocks and nobody knows how they got there or who is responsible for them, or really completely how they work but they’ve somehow been in use by humans for thousands of years…?

Time travel stories also tend to remove some of the sense of urgency. What’s a time crunch if you can just send someone back in time? This also had a lot of potential for emotional punch with what we know of the future through Moreshin’s character, but it never quite delivers.

If you don’t mind the inherent issues with any time travel story, and you like books about feminism, then you’ll probably enjoy this one. Oh, and there’s a little bit of a teenage murder spree. That’s always fun. I do like books about feminism, and murder sprees can be occassionally delightful, but plot holes make me crabby.

[Sara · Rating 3 out of 5]

Voto effettivo: 3 stelline e mezzo.
Questo è uno di quei libri che dopo la lettura vi frulleranno nella testa per un bel po'.
Parla di tanti concetti, tutti di un attuale da far paura. In questo mondo infatti è possibile il viaggio nel tempo, e seguiamo delle donne che cercano di cambiare alcuni avvenimenti del passato per cercare di far acquisire i diritti base alla donne. Donne che nel loro presente non hanno diritto di voto. Che vivono in un modo in cui l'aborto è illegale e in cui li INCEL hanno creato una specie di sistema alveare dopo possono avere donne "Regine" con cui accoppiarsi.
Un mondo fantascientifico, ma che non sembra così lontano dalla verità per tante donne.
E' un libro che mette rabbia, è un libro che quasi ci chiama alle armi.
Non lo so, nonostante lo stile di scrittura non sia stato il mio preferito e la storia principale in se non mi abbia entusiasmato...lo consiglio.
Se siete donne: leggetelo.
Se siete uomini: leggetelo e cercate di capire la società in cui vivamo.
Essere donna è meraviglioso, ma non quando devi lottare per diritti base.

[Emily St. James · Rating 5 out of 5]

I was WILD about this book. The only thing I can really critique is that the last couple of pages are a bit jarring and out of nowhere tonally. But then the very last historical footnote is a gut punch, so hey, I came right back around. I suspect I will be alone in preferring the mostly time travel-less Beth storyline to the time travel-full Tess storyline, but it's so well observed and so intuitive about teen girl relationships. Please read this one.

[Alan · Rating 4 out of 5]

No matter how common they are among speculative fictions, stories about time travel and alternative universes are my jam (well, one of 'em, anyway—after all, who likes marmalade all the time?). Annalee Newitz's The Future of Another Timeline scratched that itch of mine very well. Newitz keeps the plot's various threads from getting tangled, which isn't always easy when you're talking about time-travelers from multiple factions editing histories right out from under each other. The story flowed smoothly for me, too—I kept picking it back up for another chapter or two, even after I'd put it down.

I remember a world where abortion was legal in my country. I hope you do too.
—p.347

This novel felt fresh to me. A lot of that's specifically because of the way Newitz centers women—I can't think of another SF novel that manages this so naturally. It's a story about the "Daughters of Harriet" (Tubman, that is), a group of women who are trying on the down-low to unweave a future that will have left half of humanity enslaved, using ancient technology that no one on any side of the conflict really seems to understand. We realize very quickly which side we're supposed to root for—and that doesn't change (even through some really terrible choices by our protagonists).

"Sometimes I think going to college is kind of like dying. You're this one kind of person, with all different interests, but then you have to cut those off and become someone totally different."
—Hamid, right before a rather steamy scene, on p.70

The Future of Another Timeline also directly pits the "Great Man" theory of history against a communitarian view that I, for one, find much more appealing, by the way.

Now, The Future of Another Timeline does start off a little wobbly. Tess' verbose and clunky dialogue with the "Comstocker" in the first chapter could not have been carried on in the middle of a punk concert, for example. But things smooth out very quickly.

Difference vs. continuity is a perennial issue with this sort of story—I struggled with my suspension of disbelief, every time I noticed how similar The Future of Another Timeline's timelines are to our own, despite some fairly significant divergence points. Is temporal inertia enough to explain the appearance of so many details from our world in Newitz' Alta California? Maybe... and after awhile I stopped worrying about that anyway.

The Future of Another Timeline is dedicated to Newitz' partner and fellow author Charlie Jane Anders—who is (by coincidence, I swear) the writer of the next book I read.

I had already been impressed by Annalee Newitz's novel Autonomous back in 2018, but The Future of Another Timeline was infectious, and of course I mean that in the best possible way—it was very hard to stop reading, even for a moment.

[Wealhtheow · Rating 3 out of 5]

In 2022, Tess and Anita are academics, friends...and secret revolutionaries trying to change the past and their own present. Time travel is common place and has been available for all of human civilization, but only select people bother to uproot themselves to travel through time. Tess and the other Daughters of Harriet think they're they only ones venturing into the past to make minor edits...until Tess runs into another time traveler at a punk show, and realizes that an entire group of "Comstockers" are working throughout history to remove all reproductive and women's rights.

I love the ambition of this book. Newitz grounds the time travel in real history, with variations on how various movements and personal trajectories could have gone. I loved that the book tries to grapple with different theories of how time travel works: are you really changing your own timeline, or do you split into a different timeline every time you timetravel? Are historical events primarily driven by single historical figures, or the collective consciousness and activity around them? etc. The settings are great: 1990s punk California, 1890s Chicago, the near future in a different timeline than our own. And I liked the characters, although a few times they felt too self-conscious (like when Tess and Anita are talking after Anita's mom has died, and Tess says she can tell her things because she doesn't want to treat Anita like the black sidekick in a movie. What a weird thing to say when you're in the midst of talking about a friend's mom's death and grief.) and I wish there'd been more clues that Tess was Lizzie, not Beth. That revelation was a cool twist, but I hadn't picked up any hints beforehand that Tess's pov wasn't a grown-up match for Beth's. But really my issue with this book, that kept me from giving it 4 stars, was that the resolution felt so anticlimactic. Tess minorly helps with something in the 1890s and that seems to be all it takes to get the Comstock laws repealed and eventually make abortion legal in the US. And even more annoying, after 200+ pages of preventing anyone from killing the misogynist time-traveling around making all their lives hell, Lizzie finally kills Elliot and that actually solves the issue. And then she ends up become a Timeless assassin? What the heck? So once she realized that Beth didn't (just?) commit suicide because she'd seen Lizzie murder those men, she was perfectly a-ok with murder, and everyone else was to? Plus, defeating the entire Comstock conspiracy should've taken more than knifing one guy. He clearly had all sorts of colleagues and allies! Why did that work?!

[johnny ♡ · Rating 1 out of 5]

revolution, community action, and women's rights? sounds fuckin badass. queer/trans/cis women and nonbinary people going back in time to fix women's rights? awesome. but here's the thing — every character (except for beth) felt one dimensional and boring. men were evil just because they were men (facts) but it doesn't work in the context of a novel. nothing was ever fully explained. the ending felt temporary because evil men will always exist... and beth was the only character i had an emotional connection to. and tbh? not queer enough.

and did i mention the antisemitism? this feels like a white savior novel to the point that it's racist.

the only trans character is murdered within the first 50 pages and then she is literally deadnamed. it's just gross. the people of color in this novel are background caricatures. black women are used as plot devices (harriet tubman). so much fuckin antisemitism for NO REASON.

please read naima's review for a much more in depth look at the real issues this novel has with blatant racism.

[TraceyL · Rating 3 out of 5]

This was a very unique book. A group of women use time travel to go back to various points in time and try to help speed up women's rights. Other time travellers are going back to try and stop women's rights from happening. It's about feminism and punk rock. I wanted to love it.

It started off really strong but unfortunately kept veering off course in weird directions. I saw a review which said it was like the author had a bingo card of inclusiveness and was trying to stamp as many boxes as possible. There are female characters but also trans and non-binary characters. There are straight, gay and bi characters. They try to legalize abortion. They murder rapists. They unmask child molesters. They have mental health issues. They consider suicide. They fall in love.

All of those topics should be talked about, but not all at the same time. It felt like an unfocussed jumble of ideas. I still enjoyed reading this book. It just had a lot of missed potential.