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The Waverly Place #2
Where the Light Enters
From the international bestselling author of The Gilded Hour comes Sara Donati's enthralling epic about two trailblazing female doctors in nineteenth-century New York
Obstetrician Dr. Sophie Savard returns home to the achingly familiar rhythms of Manhattan in the early spring of 1884 to rebuild her life after the death of her husband. With the help of Dr. Anna Savard, her dearest friend, cousin, and fellow physician she plans to continue her work aiding the disadvantaged women society would rather forget.
As Sophie sets out to construct a new life for herself, Anna's husband, Detective-Sergeant Jack Mezzanotte calls on them both to consult on two new the wife of a prominent banker has disappeared into thin air, and the corpse of a young woman is found with baffling wounds that suggest a killer is on the loose. In New York it seems that the advancement of women has brought out the worst in some men. Unable to ignore the plight of New York's less fortunate, these intrepid cousins draw on all resources to protect their patients.
Obstetrician Dr. Sophie Savard returns home to the achingly familiar rhythms of Manhattan in the early spring of 1884 to rebuild her life after the death of her husband. With the help of Dr. Anna Savard, her dearest friend, cousin, and fellow physician she plans to continue her work aiding the disadvantaged women society would rather forget.
As Sophie sets out to construct a new life for herself, Anna's husband, Detective-Sergeant Jack Mezzanotte calls on them both to consult on two new the wife of a prominent banker has disappeared into thin air, and the corpse of a young woman is found with baffling wounds that suggest a killer is on the loose. In New York it seems that the advancement of women has brought out the worst in some men. Unable to ignore the plight of New York's less fortunate, these intrepid cousins draw on all resources to protect their patients.
670 pages, Kindle Edition
First published September 10, 2019
1272 people are currently reading
22127 people want to read
About the author
Sara Donati
28 books3,349 followersWorking on the next novel in the Waverly Place series. Looking for more information? Visit the wilderness universe wiki. Register to comment and participate in giveaways.
Sara Donati is the pen name of Rosina Lippi, also here on Goodreads because she writes too. All book reviews you'll find under Rosina's name.
Sara Donati is the pen name of Rosina Lippi, also here on Goodreads because she writes too. All book reviews you'll find under Rosina's name.
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Displaying 1 - 30 of 953 reviews
April 17, 2021
Dr Anna Savard and Dr Sophie Savard are best friends and each other's closest cousins.
The dead were not silent, if you knew how to listen.
Sophie just came back from a harrowing journey - one that forever changed her.
...the trip to Europe as a bride was hazy in her memory, but she would never forget the voyage home as a widow.And now that she's back, she's finding her old life just doesn't fit anymore.
The simple truth was: the more she learned, the less she knew; she ran and ran but never quite caught up.Meanwhile, Anna's husband (Jack) is dealing with a baffling case - women are disappearing and when they are found, they are cut apart in horrifying ways and past pregnancies seems to be a common factor.
There's a killer on the loose and Sophie and Anna just might be the key to it all.
"I'll put my money on you," said Aunt Quinlan. "Without hesitation. You will deal with them all and set things right. I don't doubt it for a moment."This one ended up being really good!
Even though it is a second book in The Waverly Place Series but it can definitely be read as a standalone.
I was pleasantly surprised by how quickly I was swept into this story - Sophie, Anna and all the other characters felt so real and authentic.
The setting was wonderfully done.
It's an alternate take on the nineteenth century - where women and people of color are able to become doctors but still face a wild amount of discrimination.
Despite it being very different from how real life was, I was completely immersed in it and fell absolutely in love.
Now, this book has a lot of pages - and part of what took me so dang long to finish it was the sheer amount of paper.
And yet - I really can't think of anything to cut out. I pretty much enjoyed all of this book - and while it did take a while to reach the ending, there was nothing that felt slow or like it was dragging.
It kept a snappy pace throughout and really kept the reader in line.
Overall - I quite enjoyed this book! It was definitely a unique read and I'm excited to see what this author writes next.
With thanks to the Elisha from Berkley Publishing and Sara Donati for a free copy in exchange for an honest review. All quotes come from an uncorrected proof and are subject to change upon publication.
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September 4, 2019
While Where the Light Enters is a follow-up to Donati’s previous novel, The Gilded Hour, this beautiful book can stand on its own.
Dr. Sophie Savard is an obstetrician returning to Manhattan in the late 1800s. Her husband has passed away, and in many ways, she is starting over.
Sophie’s dear cousin, Anna, is also doctor, and the pair plan to continue working with disadvantaged women who are often forgotten.
Anna’s husband is a detective and seeks their help in solving cases. One is a wife who has disappeared, while the other is a deceased woman with unusual wounds.
With the changing roles of women, it seems their being victims is continuing to happen. Sophie and Anna will do all they can to keep their patients safe.
Oh my, if you are looking for strong female characters, look no further. Sophie and Anna are completely inspiring, and not just because of their smarts. Their devoted friendship to each other and their care and advocacy for their patients are awe-inspiring.
Where the Light Enters is a chunk of a book, but no worries because it’s not overwritten. It’s simply that epic. If you are a mystery fan, there is a big, involved one here. Why are these women showing up murdered? And at whose hands? Sophie and Anna intend to find out.
Overall, Where the Light Enters is a must-read for historical fiction fans, though I think mystery fans, and just about anyone will love this story. There’s grittiness and atmosphere, as well as two main characters with a strong passion for doing what is right, no matter the cost.
I received a complimentary copy. All opinions are my own.
Many of my reviews can also be found on my blog: www.jennifertarheelreader.com
Dr. Sophie Savard is an obstetrician returning to Manhattan in the late 1800s. Her husband has passed away, and in many ways, she is starting over.
Sophie’s dear cousin, Anna, is also doctor, and the pair plan to continue working with disadvantaged women who are often forgotten.
Anna’s husband is a detective and seeks their help in solving cases. One is a wife who has disappeared, while the other is a deceased woman with unusual wounds.
With the changing roles of women, it seems their being victims is continuing to happen. Sophie and Anna will do all they can to keep their patients safe.
Oh my, if you are looking for strong female characters, look no further. Sophie and Anna are completely inspiring, and not just because of their smarts. Their devoted friendship to each other and their care and advocacy for their patients are awe-inspiring.
Where the Light Enters is a chunk of a book, but no worries because it’s not overwritten. It’s simply that epic. If you are a mystery fan, there is a big, involved one here. Why are these women showing up murdered? And at whose hands? Sophie and Anna intend to find out.
Overall, Where the Light Enters is a must-read for historical fiction fans, though I think mystery fans, and just about anyone will love this story. There’s grittiness and atmosphere, as well as two main characters with a strong passion for doing what is right, no matter the cost.
I received a complimentary copy. All opinions are my own.
Many of my reviews can also be found on my blog: www.jennifertarheelreader.com
March 13, 2020
4.5 Stars
Giveaway win!
This book is a monster.
Its over 650 pages....but damn it was good.
I should first start by saying that Where the Light Enters is a sequel to The Gilded Hour but you don't need to have read that book. I didn't and it was still great but I am gonna read it because I'm in love with this world.
Sophie and Anna Savard are Doctors and cousins, in 1884 New York City. The Savards are women ahead of their time. These 2 are bosses. Not only are they doctors in a time when it was rare for women to be doctors but Sophie is mixed race (or mulatto) and they solve crimes.
I don't even know how to describe this book....
Its Historical Fiction
Its a mystery
Its an adventure novel
Its a romance
It basically has a little of everything you could possibly ever want.
I highly recommend it!
Giveaway win!
This book is a monster.
Its over 650 pages....but damn it was good.
I should first start by saying that Where the Light Enters is a sequel to The Gilded Hour but you don't need to have read that book. I didn't and it was still great but I am gonna read it because I'm in love with this world.
Sophie and Anna Savard are Doctors and cousins, in 1884 New York City. The Savards are women ahead of their time. These 2 are bosses. Not only are they doctors in a time when it was rare for women to be doctors but Sophie is mixed race (or mulatto) and they solve crimes.
I don't even know how to describe this book....
Its Historical Fiction
Its a mystery
Its an adventure novel
Its a romance
It basically has a little of everything you could possibly ever want.
I highly recommend it!
September 7, 2019
There are 661 pages in this book and almost as many characters (just kidding). DO NOT BE INTIMIDATED. This book is that good.
A wonderful historical fiction that centers on two cousins that are women and doctors. And yes, the year is 1884. I had no idea that there were female doctors in that year. (Since I started this book, I found out that the first female doctor, Elizabeth Blackwell, started practicing in 1841).
This book has so many story lines to commend it. The most important is the death of women when the abortion of their child turns into their own murder. It is intimated that the doctor performing the procedure is morally incensed by their request for abortion and kills them by a slow and painful death. The cousins are involved in the investigation of these murders. Could not put the book down.
5 stars
A wonderful historical fiction that centers on two cousins that are women and doctors. And yes, the year is 1884. I had no idea that there were female doctors in that year. (Since I started this book, I found out that the first female doctor, Elizabeth Blackwell, started practicing in 1841).
This book has so many story lines to commend it. The most important is the death of women when the abortion of their child turns into their own murder. It is intimated that the doctor performing the procedure is morally incensed by their request for abortion and kills them by a slow and painful death. The cousins are involved in the investigation of these murders. Could not put the book down.
5 stars
July 4, 2019
First off, I won this as a goodreads giveaway. Thank you Berkley and Penguin Random House.
This book was jam packed with plot twits, and I rather enjoyed that. It turned out to be a very complex story.
The story takes place in New York City when the Dakota building was being built and when Comstock was still in power.
It is also a family story that shows who will always be there for you in your time of need.
I’m not going in-depth with the plot and characters in this review , for this is a book that needs to be read and shared. Once you start it, you won’t want to stop until it’s done.
This book was jam packed with plot twits, and I rather enjoyed that. It turned out to be a very complex story.
The story takes place in New York City when the Dakota building was being built and when Comstock was still in power.
It is also a family story that shows who will always be there for you in your time of need.
I’m not going in-depth with the plot and characters in this review , for this is a book that needs to be read and shared. Once you start it, you won’t want to stop until it’s done.
June 29, 2020
I’m in the minority as this book has very good reviews. It comes down to if you like descriptive writing. I don’t. The overly-done confusing descriptions and some sounding very simple like a grocery list were not for me. This style of writing makes the pace very slow for me.
September 9, 2019
Multilayered, fascinating, and incredibly absorbing!
Where the Light Enters is a gritty, compelling tale set in New York City in the mid-1880s at a time when the island was bustling, female doctors were still discounted and frowned upon, reproduction and childbirth still had high mortality rates, and women looking for help with unwanted pregnancies had little or nowhere to go.
There are two main memorable characters in this novel; Dr. Sophie Savard, a young multi-ethnic obstetrician who returns to the United States to open a scholarship program and home for girls looking to study medicine after her husband succumbs to Consumption; and Dr. Anna Mezzanotte, a young surgeon who spends her days operating on those less fortunate and helping her detective husband Jack as he hunts for a serial killer who preys on women seeking an abortion.
The prose is eloquent and rich. The characters are strong, independent, intelligent, and genuine. And the plot using an intriguing mixture of narration, letters, newspaper articles, and reports immerses you in a riveting, suspenseful tale of familial dynamics, duty, friendship, passion, loss, love, sexism, violence, murder, and the roles and struggles faced by female physicians in early medicine.
Where the Light Enters is once again another hefty novel by Donati, with just under 700 pages, but it is so remarkably atmospheric and beautifully written that before you know it the story is finished and you’re yearning for more.
Thank you to Penguin Random House Canada for providing me with a copy in exchange for an honest review.
Where the Light Enters is a gritty, compelling tale set in New York City in the mid-1880s at a time when the island was bustling, female doctors were still discounted and frowned upon, reproduction and childbirth still had high mortality rates, and women looking for help with unwanted pregnancies had little or nowhere to go.
There are two main memorable characters in this novel; Dr. Sophie Savard, a young multi-ethnic obstetrician who returns to the United States to open a scholarship program and home for girls looking to study medicine after her husband succumbs to Consumption; and Dr. Anna Mezzanotte, a young surgeon who spends her days operating on those less fortunate and helping her detective husband Jack as he hunts for a serial killer who preys on women seeking an abortion.
The prose is eloquent and rich. The characters are strong, independent, intelligent, and genuine. And the plot using an intriguing mixture of narration, letters, newspaper articles, and reports immerses you in a riveting, suspenseful tale of familial dynamics, duty, friendship, passion, loss, love, sexism, violence, murder, and the roles and struggles faced by female physicians in early medicine.
Where the Light Enters is once again another hefty novel by Donati, with just under 700 pages, but it is so remarkably atmospheric and beautifully written that before you know it the story is finished and you’re yearning for more.
Thank you to Penguin Random House Canada for providing me with a copy in exchange for an honest review.
April 11, 2019
Some sequels try too hard to squeeze in a synopsis of previous books or to fill the timeline gap with internal monologues from various characters. Where the Light Enters is not one of those.
We come back to Anna, Sophie and their extended families with an exchange of letters and news articles. Donati draws you in from the start with this simple and elegant opening.
Where the Light Enters answers, in heartbreaking ways, some of the burning questions that The Gilded Hour left us with, while leaving mysteries of its own behind. Ones that I look forward to returning to in future books.
As with The Gilded Hour and previous books in the Wilderness Series, Donati draws the past and present together. Issues that we faced as individuals and as a country a century and more ago are still relevant today.
Beautifully researched and rich with historical detail, Where the Light Enters will make you feel as if you’ve stepped onto the sidewalks in 1884 to walk alongside strong, intelligent female physicians and students and cunning New York Detectives.
Advanced reading copy from publisher.
We come back to Anna, Sophie and their extended families with an exchange of letters and news articles. Donati draws you in from the start with this simple and elegant opening.
Where the Light Enters answers, in heartbreaking ways, some of the burning questions that The Gilded Hour left us with, while leaving mysteries of its own behind. Ones that I look forward to returning to in future books.
As with The Gilded Hour and previous books in the Wilderness Series, Donati draws the past and present together. Issues that we faced as individuals and as a country a century and more ago are still relevant today.
Beautifully researched and rich with historical detail, Where the Light Enters will make you feel as if you’ve stepped onto the sidewalks in 1884 to walk alongside strong, intelligent female physicians and students and cunning New York Detectives.
Advanced reading copy from publisher.
September 6, 2020
"The simple truth was: the more she learned, the less she knew; she ran and ran but never quite caught up."
Brilliant and absorbing—this book totally transported me away from life.
Set in the 1880s in New York City, Where the Light Enters centers around the plight of female doctors, who were often discounted in favor of their male counterparts. Women in general had it hard at that time—they weren’t equal citizens with equal rights, the mortality rates during childbirth were high, and a woman finding herself with a pregnancy she can’t or didn’t want had no options. Men held all the power, and women were left to deal with their “sins”, as they say. (Sadly, though nearly 150 years later things are much better in this regard, it is disheartening how far we still have to go in the battle for equality)
Anna and Sophie Savard are cousins who are both trained in medicine and both practice women’s health. As the story picks up, Sophie is grieving the loss of her husband to TB and is planning to use her inheritance to set up funding for women in medicine. Meanwhile Anna is a surgeon who is married to detective Jack Mezzanotte, and the two have recently lost custody of their foster children since the church wants them raised by Catholics (which Anna and Jack are not).
When Jack calls on Anna and Sophie to consult on two of his cases, things take a turn. A banker’s wife has disappeared, and a young woman is found murdered. One thing becomes clear—women are disappearing and there is a killer on the loose.
This is a weighty novel, both in the themes it broaches and in the physical size. At 650 pages, I loved holding this book in my hands. It often felt as though the physical weight was an important manifestation of the important topics of the novel itself. I loved the way it was told through many different types of media. It felt like I had genuine primary source documents interspersed to validate the story, though I realize it is a work of fiction. It felt so real, and I could tell how much research Donati did when writing this. Including letters, formal reports, newspaper articles, and even mundane items from life such as shopping lists really made the book feel authentic. I often forgot it was a work of fiction because everything felt so real.
Themes of race, gender, class, socioeconomic disparity, religion, friendship, family, loss, violence, and equality make this a book that feels like I got so much more out of than a mere novel. Truly outstanding!
Thank you to Berkley Publishing for my copy. Opinions are my own.
Brilliant and absorbing—this book totally transported me away from life.
Set in the 1880s in New York City, Where the Light Enters centers around the plight of female doctors, who were often discounted in favor of their male counterparts. Women in general had it hard at that time—they weren’t equal citizens with equal rights, the mortality rates during childbirth were high, and a woman finding herself with a pregnancy she can’t or didn’t want had no options. Men held all the power, and women were left to deal with their “sins”, as they say. (Sadly, though nearly 150 years later things are much better in this regard, it is disheartening how far we still have to go in the battle for equality)
Anna and Sophie Savard are cousins who are both trained in medicine and both practice women’s health. As the story picks up, Sophie is grieving the loss of her husband to TB and is planning to use her inheritance to set up funding for women in medicine. Meanwhile Anna is a surgeon who is married to detective Jack Mezzanotte, and the two have recently lost custody of their foster children since the church wants them raised by Catholics (which Anna and Jack are not).
When Jack calls on Anna and Sophie to consult on two of his cases, things take a turn. A banker’s wife has disappeared, and a young woman is found murdered. One thing becomes clear—women are disappearing and there is a killer on the loose.
This is a weighty novel, both in the themes it broaches and in the physical size. At 650 pages, I loved holding this book in my hands. It often felt as though the physical weight was an important manifestation of the important topics of the novel itself. I loved the way it was told through many different types of media. It felt like I had genuine primary source documents interspersed to validate the story, though I realize it is a work of fiction. It felt so real, and I could tell how much research Donati did when writing this. Including letters, formal reports, newspaper articles, and even mundane items from life such as shopping lists really made the book feel authentic. I often forgot it was a work of fiction because everything felt so real.
Themes of race, gender, class, socioeconomic disparity, religion, friendship, family, loss, violence, and equality make this a book that feels like I got so much more out of than a mere novel. Truly outstanding!
Thank you to Berkley Publishing for my copy. Opinions are my own.
September 7, 2021
After the death of her beloved husband Cap, obstetrician Dr Sophie Savard has returned to Manhattan. She plans to work closely with her cousin and good friend Dr Anna Savard in setting up a scholarship scheme to help disadvantaged women. Meanwhile, Anna’s husband Jack Mezzanotte is trying to solve a murder case where women choosing to undergo abortions are callously murdered. The hope is to find the gruesome killer before any more women lose their lives. Anna and Jack are also trying to deal with the fact that their three foster children have been taken away from them since the church insists they must be be raised by Catholics.
Racial tensions, religion, family and friendship, grief and loss are all dealt with in this book along with the murder mystery. So there is a lot going on. With 652 pages, this is a massive tome. At times it felt that no matter how much I was reading, I was not making much headway. While I enjoyed the strong female characters and the general story line, it did feel like it could have done with a good edit. The time is 1884 and the historical period is well conveyed. But just too much detail at times. While I enjoyed it overall, it seemed a bit of a hard slog. However it did keep me reading to see how it all planned out.
Apparently this is book 2 in a series that started with The Gilded Hour, which I had not read. Not a drama, as this reads fine as a stand alone. For readers who like authenticity, research, well conveyed historical fiction and descriptive writing, this could well be an absolute winner. For me, I could have done with less detail and a faster pace. But still well worth reading for its characterisation, setting and the historical and social context of the time, showing the changes we have made over the years as well as those which don’t seem to have advanced much further over the intervening years.
Racial tensions, religion, family and friendship, grief and loss are all dealt with in this book along with the murder mystery. So there is a lot going on. With 652 pages, this is a massive tome. At times it felt that no matter how much I was reading, I was not making much headway. While I enjoyed the strong female characters and the general story line, it did feel like it could have done with a good edit. The time is 1884 and the historical period is well conveyed. But just too much detail at times. While I enjoyed it overall, it seemed a bit of a hard slog. However it did keep me reading to see how it all planned out.
Apparently this is book 2 in a series that started with The Gilded Hour, which I had not read. Not a drama, as this reads fine as a stand alone. For readers who like authenticity, research, well conveyed historical fiction and descriptive writing, this could well be an absolute winner. For me, I could have done with less detail and a faster pace. But still well worth reading for its characterisation, setting and the historical and social context of the time, showing the changes we have made over the years as well as those which don’t seem to have advanced much further over the intervening years.
September 25, 2019
I am obviously in the minority regarding my thoughts on this book. I did not realize it was a sequel to "The Gilded Age" until I was already about 100 pages in. As I was told the book could stand on its on, I continued reading. Ugh, I wish I hadn't.
For me this was a laborious read. There were bits and parts that held promise, but for the most part it felt like the author was just vomiting as much of her research as she could on each page. I didn't find the characters particularly interesting and found the storylines rather flat. If the story had concentrated on the murders, it could have provided a page turning story. Unfortunately, this "slice of life" narrative was dull, dull, dull.
Needless to say, this was not my cup of tea.
"Later, when people asked about her travels, Sophie would put it simply: the trip to Europe as a bride was hazy in her memory, but she would never forget the voyage home as a widow." (p.47)
For me this was a laborious read. There were bits and parts that held promise, but for the most part it felt like the author was just vomiting as much of her research as she could on each page. I didn't find the characters particularly interesting and found the storylines rather flat. If the story had concentrated on the murders, it could have provided a page turning story. Unfortunately, this "slice of life" narrative was dull, dull, dull.
Needless to say, this was not my cup of tea.
"Later, when people asked about her travels, Sophie would put it simply: the trip to Europe as a bride was hazy in her memory, but she would never forget the voyage home as a widow." (p.47)
July 11, 2019
I have previously read The Gilded Hour by this same author. I was so surprised to learn that I won ARC from Goodreads through Penguin Random House. I enjoyed The Gilded Hour and I couldn’t wait to read the continuing story. I was not disappointed.
Where the Light Enters is an epic historical novel. This book is set in NYC in the 1880’s when the Dakota building was being built, along with many medical mysteries and police investigations.
We meet again Dr Anna Savard and her cousin Sophie who is also a doctor. Anna is married to Jack Mezzanotte who is a detective sergeant with the New York City police Dept. Sophie has recently become a widow and has returned to New York from Europe. The story continues with Anna and Jack and Rosa and Lia and baby Tonino. We learn about the mystery at the end of The Gilded Hour. Although this book is the second book in the sequel it can be read as a stand alone but I recommend reading the first book in the saga.
This book was very well written with historical details, including details from newspaper articles and letters from members of the family. I loved how the female doctors helped the NYC police Dept solve some of their medical mysteries and murders. This is an enjoyable read for all
Where the Light Enters is an epic historical novel. This book is set in NYC in the 1880’s when the Dakota building was being built, along with many medical mysteries and police investigations.
We meet again Dr Anna Savard and her cousin Sophie who is also a doctor. Anna is married to Jack Mezzanotte who is a detective sergeant with the New York City police Dept. Sophie has recently become a widow and has returned to New York from Europe. The story continues with Anna and Jack and Rosa and Lia and baby Tonino. We learn about the mystery at the end of The Gilded Hour. Although this book is the second book in the sequel it can be read as a stand alone but I recommend reading the first book in the saga.
This book was very well written with historical details, including details from newspaper articles and letters from members of the family. I loved how the female doctors helped the NYC police Dept solve some of their medical mysteries and murders. This is an enjoyable read for all
March 3, 2019
An epic of a historical fiction~
Two trail blazing female doctors in the 1880s (I found myself Googling parts throughout the read – always a good sign!) set in NYC when The Dakota was just being built.
This meticulously research story focuses on an obstetrician and general sergeant, and the many obstacles they must overcome, especially Sophia who's half African American. Plus so much more!
Both doctors are called to help consult on a police case where a women has been found tortured. Opening up to a larger case; a serial killer who is brutally killing pregnant women, who've forgotten their purpose in society. Reminiscent of The Alienist~
Galley borrowed from the publisher.
Two trail blazing female doctors in the 1880s (I found myself Googling parts throughout the read – always a good sign!) set in NYC when The Dakota was just being built.
This meticulously research story focuses on an obstetrician and general sergeant, and the many obstacles they must overcome, especially Sophia who's half African American. Plus so much more!
Both doctors are called to help consult on a police case where a women has been found tortured. Opening up to a larger case; a serial killer who is brutally killing pregnant women, who've forgotten their purpose in society. Reminiscent of The Alienist~
Galley borrowed from the publisher.
September 28, 2019
You can find my full review and author interview on my blog now live here:
https://brooklynthebookworm.wordpress...
A huge thank you to Penguin Random House Australia for having me on this review tour! Review included below, accordingly:
This is a follow up novel to the author’s The Gilded Hour but I feel like it certainly sits comfortably on its own. I certainly think that the story of cousins Dr Sophie Savard and her dearest cousin, Anna Savard, is more of a character journey rather than plot, although there is a lingering mystery underlying throughout this book, too.
As a genre, I really enjoy Historical Fiction, the ability to transport the reader to another time and place, immersing them in a completely different setting! Sara Donati’s hugely vast setting of Nineteenth Century New York, where her Dr Sophie Savard returns after suffering a personal loss. I did feel so sad for Sophie having to grieve her husband, I feel like her characters, namely Sophie and Anna, were really strongly fleshed out and I absolutely adored their dedication and determination to help the impoverished women that society would generally frown upon.
Furthermore, both ladies utterly adored one another and relied on one another through thick and thin, Anna providing comfort to Sophie as they mourned together and attempt to figure out what, or whom, is causing these young women to fall victim to foul play.
Whilst the characters were absolutely fascinating and engaging to read about, I found the writing to be highly filled with every little detail, from Anna and Sophie’s day to day activities, to just every little detail. Unfortunately, this is where it fell flat for me, I found myself getting lost amongst the description, it taking away from the main plot and mystery of the story.
This shall conclude my review, but if you continue to read on, which I hope you will, you’ll find my interview with Sara Donati. Thank you again to Penguin Random House Australia for this review and author interview opportunity.
https://brooklynthebookworm.wordpress...
A huge thank you to Penguin Random House Australia for having me on this review tour! Review included below, accordingly:
This is a follow up novel to the author’s The Gilded Hour but I feel like it certainly sits comfortably on its own. I certainly think that the story of cousins Dr Sophie Savard and her dearest cousin, Anna Savard, is more of a character journey rather than plot, although there is a lingering mystery underlying throughout this book, too.
As a genre, I really enjoy Historical Fiction, the ability to transport the reader to another time and place, immersing them in a completely different setting! Sara Donati’s hugely vast setting of Nineteenth Century New York, where her Dr Sophie Savard returns after suffering a personal loss. I did feel so sad for Sophie having to grieve her husband, I feel like her characters, namely Sophie and Anna, were really strongly fleshed out and I absolutely adored their dedication and determination to help the impoverished women that society would generally frown upon.
Furthermore, both ladies utterly adored one another and relied on one another through thick and thin, Anna providing comfort to Sophie as they mourned together and attempt to figure out what, or whom, is causing these young women to fall victim to foul play.
Whilst the characters were absolutely fascinating and engaging to read about, I found the writing to be highly filled with every little detail, from Anna and Sophie’s day to day activities, to just every little detail. Unfortunately, this is where it fell flat for me, I found myself getting lost amongst the description, it taking away from the main plot and mystery of the story.
This shall conclude my review, but if you continue to read on, which I hope you will, you’ll find my interview with Sara Donati. Thank you again to Penguin Random House Australia for this review and author interview opportunity.
October 23, 2019
Large characters with heart!
I found this tale somewhat difficult to be present with at first. I kept thinking I'd missed something. And I had! The first book! However, in the end that didn't matter. As the story emerged I was swept up into its dynamics.
Opening in 1884 with a series of letters and telegrams between obstetrician Dr. Sophie Savard, in a sanatorium in Switzerland and her family in New York, as her husband Cap battles tuberculosis.
This in effect recaps some of the actions from before and sets up for us some of what is to come.
Dr. Anna Savard is Sophie's cousin, friend and also a doctor. These two are the central axis of the story. As we look into this family I am struck by the powerful women stretching back, including mid wife Aunt Amelie and elder Aunt Quinlan, “Iakoiane ... It means clan mother." (And with that one line for me the mystery behind these women beckoned!) Women of color, strong and independent.
Anna's husband, Detective-Sergeant Jack Mezzanotte, seeks their help with some unusual murders. This in turn opens up dealings from the past that will impact on the present. And introduces us to the gregarious Italian partners in the story.
There are so many interesting characters that trying to pick one out above the rest is like trying to choose that first chocolate from the box.
There is a fascinating moment when these intrepid women struggle to understand the damaged and how out of that wounding darkness flowed. Compassion and horror vie. For the light to enter, the poison to be removed, the wound must be revealed, and our title comes full circle.
I was exhilarated by the way the tension ebbs and flows, runs off into side streams and then thunderously bursts back onto center stage.
This is a work I found powerful and intriguing, with a host of amazing characters that I intend to develop a further relationship with.
A Berkley ARC via NetGalley
I found this tale somewhat difficult to be present with at first. I kept thinking I'd missed something. And I had! The first book! However, in the end that didn't matter. As the story emerged I was swept up into its dynamics.
Opening in 1884 with a series of letters and telegrams between obstetrician Dr. Sophie Savard, in a sanatorium in Switzerland and her family in New York, as her husband Cap battles tuberculosis.
This in effect recaps some of the actions from before and sets up for us some of what is to come.
Dr. Anna Savard is Sophie's cousin, friend and also a doctor. These two are the central axis of the story. As we look into this family I am struck by the powerful women stretching back, including mid wife Aunt Amelie and elder Aunt Quinlan, “Iakoiane ... It means clan mother." (And with that one line for me the mystery behind these women beckoned!) Women of color, strong and independent.
Anna's husband, Detective-Sergeant Jack Mezzanotte, seeks their help with some unusual murders. This in turn opens up dealings from the past that will impact on the present. And introduces us to the gregarious Italian partners in the story.
There are so many interesting characters that trying to pick one out above the rest is like trying to choose that first chocolate from the box.
There is a fascinating moment when these intrepid women struggle to understand the damaged and how out of that wounding darkness flowed. Compassion and horror vie. For the light to enter, the poison to be removed, the wound must be revealed, and our title comes full circle.
I was exhilarated by the way the tension ebbs and flows, runs off into side streams and then thunderously bursts back onto center stage.
This is a work I found powerful and intriguing, with a host of amazing characters that I intend to develop a further relationship with.
A Berkley ARC via NetGalley
September 30, 2019
A good editor could have helped this book tremendously.
to-be-review
July 3, 2020This is a historical fiction. I was lucky enough to won a kindle edition of this book from a goodreads giveaway, and I will post a honest review as soon as I finish reading this book.
September 12, 2020
2.5 stars
This is a long, meandering middle book in a series by an author who doesn’t seem to be much edited, perhaps because for her readers the syrupy slice-of-life is the charm. I swear half this book consists of characters mulling over events and empathizing with one another. But that warm and fuzzy atmosphere, in which the author quickly diffuses any imagined threat to the protagonists before the reader can get excited, sits ill with the mystery element, involving the brutal murders of women we don’t know.
Set in 1884 New York, this book continues the stories of Drs. Anna and Sophie Savard and their large and complicated network of family and friends. I learned from the last book that female doctors (not just midwives or traditional healers but doctors who attended medical schools specifically for women) did in fact exist in 19th century America, a piece of history I’m grateful to Donati for bringing to wider attention, and these doctors did in fact include women of color like Sophie. But in this installment the professional focus of the story has shifted more to Anna’s husband Jack, a police detective. Sophie is now a rich widow trying to figure out her next steps, Anna doesn’t do much at all, and the author fills in the medical-woman gap with Elise, a medical student whom I only vaguely remember from the last book.
Unfortunately, while the author uses a collection of letters, newspaper articles, telegrams, etc., as a fun device to catch readers up at the beginning of the book, these just get us back up to speed on the main characters. It’s been a few years since I read the first one and by the end I was still wondering: why did Elise leave the church again? Why is Bambina so often at Aunt Quinlan’s house when she doesn’t seem to like anyone there? Who even is Ned and why is he here?
Meanwhile, there isn’t much plot. For the first 200 pages it looks like this might become a murder mystery, but then those elements are largely dropped until the end, though that storyline does wrap up in a reasonably satisfying way. Other subplots are either dropped or deferred to the next book despite significant page time: we never do find out, for instance, what was up with the shipwrecked woman and how her brother tricked her into leaving her husband, despite the book’s returning to this family several times. Did we really spend 50+ pages on this subplot just as an excuse to bring Elise to the Good Shepherd orphanage? Hard to say, in a book that often overdoes the background buildup. But those expecting tension, momentum and cohesiveness from their fiction will be disappointed. Those seeking a slice-of-life—following the principals on their errands with nothing in particular at stake, reading about cheerful marital foreplay, and stopping to learn the life story of the new stablehand—will be in heaven.
It is often sweet, and there’s something to be said for comfort reading, but still I was underwhelmed. It doesn’t do a great job of distinguishing the characters, and avoiding any real threats to them makes it harder to emotionally invest. Sometimes warm-and-fuzzy fiction can also take the warmth and fuzziness to a point that it’s jarringly unlikely, which happened for me here, for instance when Jack’s partner turns pale on hearing that a nonverbal former foster child of Jack’s is probably seriously ill. Blood rushing out of your face requires an intense emotional reaction and I had a hard time believe that an experienced detective (or for that matter, almost anyone) would respond that strongly to hearing bad news affecting someone they don’t know well.
But juxtaposed with all this sweetness and light are murders sufficiently gruesome and torturous to stand out in a much darker book than this one. This book is more a mystery than the last, and one of the reasons I avoid mysteries is that most of them seem to depend on horrible crimes against bit-part female characters. Why, while we call out “women in refrigerators” as a motivational tool for male characters, don’t we yet object to the trope as a plot device and foil for strong heroines? It’s as if as a culture we think female empowerment can exist only alongside female degradation.
So I have mixed feelings about this book. It is quite readable and while at times it feels a little like wading through treacle (very sweet but takes forever to get anywhere), the fact remains that I zoomed through it. The physical setting is immersive, and while the characters’ attitudes feel rather modern, I suspect that too is a feature rather than a bug for Donati’s fans. I don’t think I’ll read the third book but don’t feel particular ill will toward the series.
This is a long, meandering middle book in a series by an author who doesn’t seem to be much edited, perhaps because for her readers the syrupy slice-of-life is the charm. I swear half this book consists of characters mulling over events and empathizing with one another. But that warm and fuzzy atmosphere, in which the author quickly diffuses any imagined threat to the protagonists before the reader can get excited, sits ill with the mystery element, involving the brutal murders of women we don’t know.
Set in 1884 New York, this book continues the stories of Drs. Anna and Sophie Savard and their large and complicated network of family and friends. I learned from the last book that female doctors (not just midwives or traditional healers but doctors who attended medical schools specifically for women) did in fact exist in 19th century America, a piece of history I’m grateful to Donati for bringing to wider attention, and these doctors did in fact include women of color like Sophie. But in this installment the professional focus of the story has shifted more to Anna’s husband Jack, a police detective. Sophie is now a rich widow trying to figure out her next steps, Anna doesn’t do much at all, and the author fills in the medical-woman gap with Elise, a medical student whom I only vaguely remember from the last book.
Unfortunately, while the author uses a collection of letters, newspaper articles, telegrams, etc., as a fun device to catch readers up at the beginning of the book, these just get us back up to speed on the main characters. It’s been a few years since I read the first one and by the end I was still wondering: why did Elise leave the church again? Why is Bambina so often at Aunt Quinlan’s house when she doesn’t seem to like anyone there? Who even is Ned and why is he here?
Meanwhile, there isn’t much plot. For the first 200 pages it looks like this might become a murder mystery, but then those elements are largely dropped until the end, though that storyline does wrap up in a reasonably satisfying way. Other subplots are either dropped or deferred to the next book despite significant page time: we never do find out, for instance, what was up with the shipwrecked woman and how her brother tricked her into leaving her husband, despite the book’s returning to this family several times. Did we really spend 50+ pages on this subplot just as an excuse to bring Elise to the Good Shepherd orphanage? Hard to say, in a book that often overdoes the background buildup. But those expecting tension, momentum and cohesiveness from their fiction will be disappointed. Those seeking a slice-of-life—following the principals on their errands with nothing in particular at stake, reading about cheerful marital foreplay, and stopping to learn the life story of the new stablehand—will be in heaven.
It is often sweet, and there’s something to be said for comfort reading, but still I was underwhelmed. It doesn’t do a great job of distinguishing the characters, and avoiding any real threats to them makes it harder to emotionally invest. Sometimes warm-and-fuzzy fiction can also take the warmth and fuzziness to a point that it’s jarringly unlikely, which happened for me here, for instance when Jack’s partner turns pale on hearing that a nonverbal former foster child of Jack’s is probably seriously ill. Blood rushing out of your face requires an intense emotional reaction and I had a hard time believe that an experienced detective (or for that matter, almost anyone) would respond that strongly to hearing bad news affecting someone they don’t know well.
But juxtaposed with all this sweetness and light are murders sufficiently gruesome and torturous to stand out in a much darker book than this one. This book is more a mystery than the last, and one of the reasons I avoid mysteries is that most of them seem to depend on horrible crimes against bit-part female characters. Why, while we call out “women in refrigerators” as a motivational tool for male characters, don’t we yet object to the trope as a plot device and foil for strong heroines? It’s as if as a culture we think female empowerment can exist only alongside female degradation.
So I have mixed feelings about this book. It is quite readable and while at times it feels a little like wading through treacle (very sweet but takes forever to get anywhere), the fact remains that I zoomed through it. The physical setting is immersive, and while the characters’ attitudes feel rather modern, I suspect that too is a feature rather than a bug for Donati’s fans. I don’t think I’ll read the third book but don’t feel particular ill will toward the series.
September 14, 2019
What a story! Although a follow-up to THE GILDED HOUR (released in 2015), this could be read as a standalone, though I'd definitely not recommend it. Indeed it is captivating and mesmerizing in its scope and depth of life in New York City in 1884. The hefty novel (670 pages) is great historical fiction and focuses on two very strong women, the Drs. Anna and Sophie Savard, cousins who are two of the few practicing women physicians during this time period. Related through a very complicated bloodline, Anna is white and Sophie is mulatto, and their family tree is as diverse as can be imagined. Their relationship to their huge family is so complex that it requires a section in the front of the book listing all the primary characters! You may need to refer to it especially if you haven't read the first book. Regardless, the author is very adept at explanations and detail to help keep them straight.
The novel begins with Dr. Sophie Savard Verhoeven's return to New York after accompanying her husband, Peter (Cap), to Switzerland where he died of tuberculosis. She has kept up with her extended family though many letters during her absence, and comes back to claim her husband's estate and to, hopefully, establish a scholarship program for "colored girls who want to study medicine." Sophie, a specialist in gynecology, quickly reconnects with her cousin, Dr. Anna Savard Mezzanote -- physician and surgeon -- who has married Detective Sergeant Mezzanote of the New York Police. In no time at all, Sophie and Anna, along with Jack and his partner DS Oscar Maroney, become embroiled in a mystery that seems to have a link to a case that stymied them in the first book, the unsolved Multipara Homicides. Nine different women sought out illegal operations (abortions) and were essentially murdered by whomever performed the procedure; the deaths of these women were intentional. The perpetrator was never caught or convicted though Jack and Oscar have their suspicions. When another victim turns up in the morgue showing signs of imprisonment and torture, Jack, Oscar, Sophie and Anna step up their investigation. Meanwhile, there are many family dramas and other activities to keep them all very busy. NO SPOILERS
I really enjoyed this book and it took me far longer than usual to read because I savored every page and kept rereading certain parts. I love historical fiction, especially if it has anything medical in it, and there was so much within the narrative to provide the descriptiveness and information that I crave. I loved the characters and their quirks -- there's nothing like a large family to add some spice and flavor to a story. It's a great saga and I hope that there will be another book to follow as I still have a huge interest in them all and want to know more. Any fan of a good mystery cloaked in historical detail will be completely engrossed. It can't be over!
Thank you to NetGalley and Berkley Publishers for this e-book ARC to savor and review. Don't miss it!
The novel begins with Dr. Sophie Savard Verhoeven's return to New York after accompanying her husband, Peter (Cap), to Switzerland where he died of tuberculosis. She has kept up with her extended family though many letters during her absence, and comes back to claim her husband's estate and to, hopefully, establish a scholarship program for "colored girls who want to study medicine." Sophie, a specialist in gynecology, quickly reconnects with her cousin, Dr. Anna Savard Mezzanote -- physician and surgeon -- who has married Detective Sergeant Mezzanote of the New York Police. In no time at all, Sophie and Anna, along with Jack and his partner DS Oscar Maroney, become embroiled in a mystery that seems to have a link to a case that stymied them in the first book, the unsolved Multipara Homicides. Nine different women sought out illegal operations (abortions) and were essentially murdered by whomever performed the procedure; the deaths of these women were intentional. The perpetrator was never caught or convicted though Jack and Oscar have their suspicions. When another victim turns up in the morgue showing signs of imprisonment and torture, Jack, Oscar, Sophie and Anna step up their investigation. Meanwhile, there are many family dramas and other activities to keep them all very busy. NO SPOILERS
I really enjoyed this book and it took me far longer than usual to read because I savored every page and kept rereading certain parts. I love historical fiction, especially if it has anything medical in it, and there was so much within the narrative to provide the descriptiveness and information that I crave. I loved the characters and their quirks -- there's nothing like a large family to add some spice and flavor to a story. It's a great saga and I hope that there will be another book to follow as I still have a huge interest in them all and want to know more. Any fan of a good mystery cloaked in historical detail will be completely engrossed. It can't be over!
Thank you to NetGalley and Berkley Publishers for this e-book ARC to savor and review. Don't miss it!
August 18, 2019
This is the longest book I think I have ever read. Good plot but mixed feelings. 3.5 stars
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I have to start this off with a warning of sorts. This is a massive book. Easily 3 to 4 times the size of a normal fiction story.
With that said, the author did an amazing job developing infinite and minute detail in every piece of the story. In my opinion, this book is actually two books in one. Let me explain.
First of all, it would be helpful to read the first book in the series, The Gilded Hour, which I did not do. There are multiple details the author assumes you know that are coming in from the other book.
Secondly, the list of characters is quite large and it does take a bit to keep track of everyone. Even the housekeepers and other attendants have ample say in this story.
Now back to why this is two books in one. On one hand you have the murder mystery and all of that which surrounds the detail.
Then in the next chapter you’re learning about the women and their medical stories and their daily work. The murder mystery pieces are forgotten for many, many, many chapters. We get intricate conversation about daily happenings, the hopes and dreams of one character, even hiring people are detailed conversations. There’s also a side story of orphaned children tied into this whole humongous family unit.
I’m not saying this is a bad thing. But I was looking for a story about the murder mystery which to me was intensely interesting. The time, the history, the fact that the female doctors (including a black female) and midwives were involved greatly interested me.
But it seemed that portion was diminished amongst everything else surrounding it until the very end when it became key. The second part of the story and all of the supreme detail about the family unit was not what I was expecting. But some details did cross over into the murder mystery.
Overall, the story is beautifully laid out, very interesting to read, and perfect for someone that loves family sagas, with a twist of love, murder, and history. Just be prepared to dedicate quite a while to read this book.
I have to admit it was difficult for me but looking back, it was a pleasurable read with some nice twists that keep you engaged, especially the last half.
* copy received fore review consideration
Full Review - https://amidlifewife.com/where-the-li...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I have to start this off with a warning of sorts. This is a massive book. Easily 3 to 4 times the size of a normal fiction story.
With that said, the author did an amazing job developing infinite and minute detail in every piece of the story. In my opinion, this book is actually two books in one. Let me explain.
First of all, it would be helpful to read the first book in the series, The Gilded Hour, which I did not do. There are multiple details the author assumes you know that are coming in from the other book.
Secondly, the list of characters is quite large and it does take a bit to keep track of everyone. Even the housekeepers and other attendants have ample say in this story.
Now back to why this is two books in one. On one hand you have the murder mystery and all of that which surrounds the detail.
Then in the next chapter you’re learning about the women and their medical stories and their daily work. The murder mystery pieces are forgotten for many, many, many chapters. We get intricate conversation about daily happenings, the hopes and dreams of one character, even hiring people are detailed conversations. There’s also a side story of orphaned children tied into this whole humongous family unit.
I’m not saying this is a bad thing. But I was looking for a story about the murder mystery which to me was intensely interesting. The time, the history, the fact that the female doctors (including a black female) and midwives were involved greatly interested me.
But it seemed that portion was diminished amongst everything else surrounding it until the very end when it became key. The second part of the story and all of the supreme detail about the family unit was not what I was expecting. But some details did cross over into the murder mystery.
Overall, the story is beautifully laid out, very interesting to read, and perfect for someone that loves family sagas, with a twist of love, murder, and history. Just be prepared to dedicate quite a while to read this book.
I have to admit it was difficult for me but looking back, it was a pleasurable read with some nice twists that keep you engaged, especially the last half.
* copy received fore review consideration
Full Review - https://amidlifewife.com/where-the-li...
November 24, 2019
*https://mrsbbookreviews.wordpress.com
My introduction to the work of historical fiction novelist Sara Donati (the pen name for Rosina Lippi) began with a beautifully crafted and thoughtful letter to the reader.
“In order to write, I read and listen. You cannot write stories if you don’t immerse yourself in stories. You can’t write historical fiction if you don’t do everything in your power to understand the way people once lived their lives. I write historical fiction because there are so many stories that have gone untold, and I feel compelled to share them.”
Something about this personalised and passionate letter sang to me as a big historical fiction fan. Where the Light Enters is concerned with the stories we seldom get to hear, about women, immigrants, the right to education, life as an orphan, females in medicine and women’s health – among other major themes. I was really looking forward to delving into this novel. Where the Light Enters is the follow on novel to The Gilded Hour, published by Sara Donati in 2015. I would have loved to have read The Gilded Hour, prior to Where the Light Enters, but unfortunately my current schedule didn’t allow this to happen. However, based on my enjoyment of Donati’s writing, I have made it a priority to put The Gilded Hour, along with the Into the Wilderness series on the top of my reading list.
Sara Donati’s latest set piece is a sprawling novel, set in the nineteenth-century, in New York. Where the Light Enters pays homage to the work of two pioneers of this time, female doctors Sophie Savard and Anna Savard. Following the sad loss of her husband, obstetrician Dr Sophie Savard settles back into life in Manhattan, in an attempt to move on from her shock loss. With the support of her cousin and colleague, Dr Anna Savard, the two work tirelessly to improve the medical conditions of those on struggle street, the women society cares to neglect. In the process of building a new life, Anna and Sophie both become embroiled in two intricate cases, with Anna’s Detective husband Jack Mezzanotte. With a possible murderer sweeping the streets of New York, it is a dangerous place for women of any class or creed – especially for Sophie and Anna.
Where the Light Enters is a grand scale masterpiece and it is a perfect example of quality historical fiction. The commitment that the author has demonstrated to her latest release is absolutely astounding. Where the Light Enters is a meticulously researched novel, full of rich period detail and authentic medical knowledge. Sara Donati has carefully matched her historical background, with full bodied characterisation and a wholly engaging storyline.
When I first unwrapped this book parcel and I held the novel in my hands I was taken aback by the sheer weight of this novel. At 650 pages, Where the Light Enters is a heavy book, but it offers plenty of entertainment value. Where the Light Enters will consume you, offering hours and hours of reading pleasure. I personally enjoyed being immersed in New York in the nineteenth-century and I felt incredibly inspired by the work of the leads. Where the Light Enters is a ground breaking novel, highlighting the tough path faced by educated females in the medical profession at this point in history. The sacrifice, grit, determination, independent spirit and passion of the female leads took my breath away – many times over. I was also incredibly saddened by the plight of the female citizens of this time, especially those on the fringes of society. Donati works to increase our collective consciousness around women’s health, reproduction, abortion, pregnancy, childbirth, infanticide and the terrible plight of orphans during this time. It will make your heart break, but it is imperative that we are aware that this was normal practice during the era in which Where the Light Enters is situated.
There is a suspect murder, a detailed investigation, plenty of underground detective work and a disappearance that works to keep these already busy Savard women on their toes. I enjoyed this part of Where the Light Enters and it helps to offset other aspects of the narrative. I picked up on a number of resounding themes from Where the Light Enters, from race relations, the class system, gender inequality, religion, politics, the US economy, familial relationships, the judicial system, health care and child neglect. Many of these issues will strike a tough chord, but there are moments of light, as well as a hope, that underscore the bleak reality of this book.
Where the Light Enters has a very unique format, which I found impressive – to say the least. Preceding the story itself are a number of introductory prompts. These include a list of primary characters listed by location and family origin, a family tree and a map of key reference points. The first fifty pages of Where the Light Enters unfolds in letters, envelopes (authentically handwritten and printed with stamps), newspaper articles, police correspondence, hospital records and telegrams. Many of these excerpts are included in the main narrative, which I appreciated. The authenticity of these extra layers to the narrative are magnificent, as they allow the reader to truly interact with this text.
Before closing off this review I need to offer a gentle word of advice. To appreciate the full worth of Where the Light Enters and the effort the author has undertaken to produce a novel of such strong stature, I would recommend turning to The Gilded Hour first, as it will give you good grounding for this one. I have also been informed by a big fan of Sara Donati’s work that there are loose links to Donati’s famous Into the Wilderness series that crop up in Where the Light Enters. While this aspect of the book went completely over my head, I’m sure it will please loyal followers of Donati’s work. My final hint is to make sure you have plenty of uninterrupted reading time to complete surrender yourself to Where the Light Enters, it is a book that you will want to read – without life’s distractions!
Where the Light Enters is an immersive set piece, that takes the reader on an unforgettable journey from start to finish. Written by a highly skilled and masterful novelist, any historical fiction fan should make a conscious effort to let this book, and series, into their heart.
To learn more about the author of Where the Light Enters, Sara Donati, visit here.
*I wish to thank Penguin Books Australia for providing me with a free copy of this book for review purposes.
My introduction to the work of historical fiction novelist Sara Donati (the pen name for Rosina Lippi) began with a beautifully crafted and thoughtful letter to the reader.
“In order to write, I read and listen. You cannot write stories if you don’t immerse yourself in stories. You can’t write historical fiction if you don’t do everything in your power to understand the way people once lived their lives. I write historical fiction because there are so many stories that have gone untold, and I feel compelled to share them.”
Something about this personalised and passionate letter sang to me as a big historical fiction fan. Where the Light Enters is concerned with the stories we seldom get to hear, about women, immigrants, the right to education, life as an orphan, females in medicine and women’s health – among other major themes. I was really looking forward to delving into this novel. Where the Light Enters is the follow on novel to The Gilded Hour, published by Sara Donati in 2015. I would have loved to have read The Gilded Hour, prior to Where the Light Enters, but unfortunately my current schedule didn’t allow this to happen. However, based on my enjoyment of Donati’s writing, I have made it a priority to put The Gilded Hour, along with the Into the Wilderness series on the top of my reading list.
Sara Donati’s latest set piece is a sprawling novel, set in the nineteenth-century, in New York. Where the Light Enters pays homage to the work of two pioneers of this time, female doctors Sophie Savard and Anna Savard. Following the sad loss of her husband, obstetrician Dr Sophie Savard settles back into life in Manhattan, in an attempt to move on from her shock loss. With the support of her cousin and colleague, Dr Anna Savard, the two work tirelessly to improve the medical conditions of those on struggle street, the women society cares to neglect. In the process of building a new life, Anna and Sophie both become embroiled in two intricate cases, with Anna’s Detective husband Jack Mezzanotte. With a possible murderer sweeping the streets of New York, it is a dangerous place for women of any class or creed – especially for Sophie and Anna.
Where the Light Enters is a grand scale masterpiece and it is a perfect example of quality historical fiction. The commitment that the author has demonstrated to her latest release is absolutely astounding. Where the Light Enters is a meticulously researched novel, full of rich period detail and authentic medical knowledge. Sara Donati has carefully matched her historical background, with full bodied characterisation and a wholly engaging storyline.
When I first unwrapped this book parcel and I held the novel in my hands I was taken aback by the sheer weight of this novel. At 650 pages, Where the Light Enters is a heavy book, but it offers plenty of entertainment value. Where the Light Enters will consume you, offering hours and hours of reading pleasure. I personally enjoyed being immersed in New York in the nineteenth-century and I felt incredibly inspired by the work of the leads. Where the Light Enters is a ground breaking novel, highlighting the tough path faced by educated females in the medical profession at this point in history. The sacrifice, grit, determination, independent spirit and passion of the female leads took my breath away – many times over. I was also incredibly saddened by the plight of the female citizens of this time, especially those on the fringes of society. Donati works to increase our collective consciousness around women’s health, reproduction, abortion, pregnancy, childbirth, infanticide and the terrible plight of orphans during this time. It will make your heart break, but it is imperative that we are aware that this was normal practice during the era in which Where the Light Enters is situated.
There is a suspect murder, a detailed investigation, plenty of underground detective work and a disappearance that works to keep these already busy Savard women on their toes. I enjoyed this part of Where the Light Enters and it helps to offset other aspects of the narrative. I picked up on a number of resounding themes from Where the Light Enters, from race relations, the class system, gender inequality, religion, politics, the US economy, familial relationships, the judicial system, health care and child neglect. Many of these issues will strike a tough chord, but there are moments of light, as well as a hope, that underscore the bleak reality of this book.
Where the Light Enters has a very unique format, which I found impressive – to say the least. Preceding the story itself are a number of introductory prompts. These include a list of primary characters listed by location and family origin, a family tree and a map of key reference points. The first fifty pages of Where the Light Enters unfolds in letters, envelopes (authentically handwritten and printed with stamps), newspaper articles, police correspondence, hospital records and telegrams. Many of these excerpts are included in the main narrative, which I appreciated. The authenticity of these extra layers to the narrative are magnificent, as they allow the reader to truly interact with this text.
Before closing off this review I need to offer a gentle word of advice. To appreciate the full worth of Where the Light Enters and the effort the author has undertaken to produce a novel of such strong stature, I would recommend turning to The Gilded Hour first, as it will give you good grounding for this one. I have also been informed by a big fan of Sara Donati’s work that there are loose links to Donati’s famous Into the Wilderness series that crop up in Where the Light Enters. While this aspect of the book went completely over my head, I’m sure it will please loyal followers of Donati’s work. My final hint is to make sure you have plenty of uninterrupted reading time to complete surrender yourself to Where the Light Enters, it is a book that you will want to read – without life’s distractions!
Where the Light Enters is an immersive set piece, that takes the reader on an unforgettable journey from start to finish. Written by a highly skilled and masterful novelist, any historical fiction fan should make a conscious effort to let this book, and series, into their heart.
To learn more about the author of Where the Light Enters, Sara Donati, visit here.
*I wish to thank Penguin Books Australia for providing me with a free copy of this book for review purposes.
October 20, 2019
4.5 stars Top-notch historical fiction set in 1884 New York City.
This sequel to The Gilded Hour(2015) was well worth the wait. Not only do we get a great family saga, but there's a very intriguing murder mystery as well.
Donati gives us well-rounded characters: I love them all, especially our two women physicians. Anna and Sophie Savard are cousins (thank goodness for the family tree!) who could not be more different in temperament; however, they are both dedicated to practicing medicine; to insuring that women and children are given the health care they need--no matter their social or financial status.
Donati also gives us a real feel for life in the bustling NYC of the late 19th century--the various neighborhoods are presented vividly. The various hospitals, foundling homes, clinics are also described in detail; giving the reader an eye-opening look at late 19th century medical care.
I'm a Donati fangirl and I loved the characters she brought to life. I'll be re-reading this one and The Gilded Hour as I wait for the next.
I might even settle in and re-read her Wilderness series as well!
This sequel to The Gilded Hour(2015) was well worth the wait. Not only do we get a great family saga, but there's a very intriguing murder mystery as well.
Donati gives us well-rounded characters: I love them all, especially our two women physicians. Anna and Sophie Savard are cousins (thank goodness for the family tree!) who could not be more different in temperament; however, they are both dedicated to practicing medicine; to insuring that women and children are given the health care they need--no matter their social or financial status.
Donati also gives us a real feel for life in the bustling NYC of the late 19th century--the various neighborhoods are presented vividly. The various hospitals, foundling homes, clinics are also described in detail; giving the reader an eye-opening look at late 19th century medical care.
I'm a Donati fangirl and I loved the characters she brought to life. I'll be re-reading this one and The Gilded Hour as I wait for the next.
I might even settle in and re-read her Wilderness series as well!
September 22, 2019
I feel as though I have been waiting forever for this novel but in reality, it has only been a couple of years. I have been very aware of it for all of that time though as Sara Donati is generous to her fans and regularly shares progress and research via her Facebook page, ensuring that all of us who read The Gilded Hour have been eagerly awaiting the chance to get our hands on Where the Light Enters. It has definitely been worth the wait, but all of Sara’s novels are. Those who have been following my blog for any length of time will have seen Sara’s work pop up here before. She is without doubt, one of my favourite authors. Her Wilderness Series, and The Gilded Hour, which precedes Where the Light Enters, are nothing short of master classes on writing historical fiction that fulfils its true potential. Now she has another worthy addition to her stable of brilliance. Stop reading now if you don’t want to hear me gushing. Because I do not intend to hold back.
Where the Light Enters seamlessly picks up the threads left dangling at the end of The Gilded Hour. We are immediately transported back into the lives of the Savard cousins as though we had never left them. In this, I feel it important to point out that Where the Light Enters is very much a second book in a series. Some may read it as a standalone, but as a die-hard fan, I recommend reading The Gilded Hour first in order to maximise your appreciation for the world building and character depth that Sara Donati has infused into this series from the beginning. Fans of her preceding Wilderness series will enjoy the continued references throughout to those characters, who are the ancestors of Anna and Sophie Savard. Each time I noticed one of these threads, it was like a gift from the past. I loved the Wilderness series so much, and while not all good things can last forever, I am so pleased that some elements of it remain immortal through this new series.
Where the Light Enters offers readers such an immersive reading experience through its use of different mediums. The narrative is broken up with letters, newspaper articles, tables, maps, postcards, telegrams, court transcripts, police reports, doctor reports, and even household lists. Even though these elements are all fictional, they still offer such an insightful view into the history of the era. The research that Sara Donati employs is very much in evidence throughout the entire novel within the depth, breadth and scope of her setting and themes. As it was with The Gilded Hour, the focus within Where the Light Enters is on women in history, but its gaze is a broad one, encompassing a myriad of social, welfare, economic, professional, and health issues across the classes for women of all colours and cultures. This novel is huge, but it needs to be on account of its story depth and significance. It goes without saying that this is recommended reading. I have seen on Sara’s website that there is a third book in the making – we just need to be patient!
I’d like to finish with a few of Sara’s own words. They sum up what this story is about far more elegantly than I ever could:
‘For the most part I write about women who lived in male-dominated societies, who fought for education, acknowledgment, and self-determination, often against all odds. My curiosity about women who sacrificed a great deal to pursue a medical degree in the last half of the 19th century was the natural extension of the women healers who were central to the earlier Wilderness series, and so Anna and Sophie Savard are Hannah and Elizabeth and Curiosity’s granddaughters, women who lived their lives in Manhattan when women’s health was still mostly a matter for men to decide.’
And on that note, I leave you so you can get started on reading it for yourself.
Thanks is extended to Penguin Random House Australia for providing me with a copy of Where the Light Enters for review and for the invitation to participate in the #WhereTheLightEntersTour.
Where the Light Enters seamlessly picks up the threads left dangling at the end of The Gilded Hour. We are immediately transported back into the lives of the Savard cousins as though we had never left them. In this, I feel it important to point out that Where the Light Enters is very much a second book in a series. Some may read it as a standalone, but as a die-hard fan, I recommend reading The Gilded Hour first in order to maximise your appreciation for the world building and character depth that Sara Donati has infused into this series from the beginning. Fans of her preceding Wilderness series will enjoy the continued references throughout to those characters, who are the ancestors of Anna and Sophie Savard. Each time I noticed one of these threads, it was like a gift from the past. I loved the Wilderness series so much, and while not all good things can last forever, I am so pleased that some elements of it remain immortal through this new series.
Where the Light Enters offers readers such an immersive reading experience through its use of different mediums. The narrative is broken up with letters, newspaper articles, tables, maps, postcards, telegrams, court transcripts, police reports, doctor reports, and even household lists. Even though these elements are all fictional, they still offer such an insightful view into the history of the era. The research that Sara Donati employs is very much in evidence throughout the entire novel within the depth, breadth and scope of her setting and themes. As it was with The Gilded Hour, the focus within Where the Light Enters is on women in history, but its gaze is a broad one, encompassing a myriad of social, welfare, economic, professional, and health issues across the classes for women of all colours and cultures. This novel is huge, but it needs to be on account of its story depth and significance. It goes without saying that this is recommended reading. I have seen on Sara’s website that there is a third book in the making – we just need to be patient!
I’d like to finish with a few of Sara’s own words. They sum up what this story is about far more elegantly than I ever could:
‘For the most part I write about women who lived in male-dominated societies, who fought for education, acknowledgment, and self-determination, often against all odds. My curiosity about women who sacrificed a great deal to pursue a medical degree in the last half of the 19th century was the natural extension of the women healers who were central to the earlier Wilderness series, and so Anna and Sophie Savard are Hannah and Elizabeth and Curiosity’s granddaughters, women who lived their lives in Manhattan when women’s health was still mostly a matter for men to decide.’
And on that note, I leave you so you can get started on reading it for yourself.
Thanks is extended to Penguin Random House Australia for providing me with a copy of Where the Light Enters for review and for the invitation to participate in the #WhereTheLightEntersTour.
October 2, 2019
This book was mis-titled. Based on context, it should have been called "1984." Despite its non-similarity to that famous book, it is indeed far more reflective of the social attitudes, concerns, speech, medical procedures, and political correctness of the late 20th century, than of the late 19th century it claims to portray.
It read like a modern-day T.V. script...in fact, if NYPD Blue and ER were combined with a very convoluted (but not very good) Russian family saga, you might end up with a pastiche like this!
Part of my confusion is due to the fact that this is the second in a series, so because I didn't read the first book, I came into this mish-mash utterly unaware of how, what, who, when, where, why these random people had to do with each other. In the hands of a master storyteller, any series book can also be a "stand alone." That is definitely NOT the case here! Some of it I was able to piece together, but as for the rest of it, frankly, I didn't ever get some of it and I didn't care! At the bottom of my apathy is the fact that none of the characters is engaging and their strange backgrounds are not intriguing. Ironically, the anachronisms and discordant words and attitudes which plague the story like leprosy, were enough of a challenge to make me research the status of female doctors in the New York City of 1884. There are no hard statistics for that particular year, but it is repeatedly noted that there were none of licensed record. Furthermore, any women who put themselves in the medical arena in the "late 19th century, faced scorn and ridicule from their male colleagues." While these attitudes were alluded to in the book, far more often, the few men doctors who are allowed to make an appearance, seem to hold their female counterparts in the highest esteem and are deferential in the extreme. Wishful, 1984 thinking!
Other disturbing things in this book: graphic torture and medical details that are not for the faint of stomach. These gruesome descriptions are totally off-putting and unsettling. But to the author's credit, there are no equally graphic sexual scenes, although several clinical sexual terms and conditions are referred to liberally through-out.
There was a completely inadequate family tree at the front of the book which did not help connect the ramifications of the several branches of the family at all. Lastly, I felt this complex, diverse family was far too contrived to be believable!
Clearly, there will be additional sequels in this series. I will not be reading any of the others.
It read like a modern-day T.V. script...in fact, if NYPD Blue and ER were combined with a very convoluted (but not very good) Russian family saga, you might end up with a pastiche like this!
Part of my confusion is due to the fact that this is the second in a series, so because I didn't read the first book, I came into this mish-mash utterly unaware of how, what, who, when, where, why these random people had to do with each other. In the hands of a master storyteller, any series book can also be a "stand alone." That is definitely NOT the case here! Some of it I was able to piece together, but as for the rest of it, frankly, I didn't ever get some of it and I didn't care! At the bottom of my apathy is the fact that none of the characters is engaging and their strange backgrounds are not intriguing. Ironically, the anachronisms and discordant words and attitudes which plague the story like leprosy, were enough of a challenge to make me research the status of female doctors in the New York City of 1884. There are no hard statistics for that particular year, but it is repeatedly noted that there were none of licensed record. Furthermore, any women who put themselves in the medical arena in the "late 19th century, faced scorn and ridicule from their male colleagues." While these attitudes were alluded to in the book, far more often, the few men doctors who are allowed to make an appearance, seem to hold their female counterparts in the highest esteem and are deferential in the extreme. Wishful, 1984 thinking!
Other disturbing things in this book: graphic torture and medical details that are not for the faint of stomach. These gruesome descriptions are totally off-putting and unsettling. But to the author's credit, there are no equally graphic sexual scenes, although several clinical sexual terms and conditions are referred to liberally through-out.
There was a completely inadequate family tree at the front of the book which did not help connect the ramifications of the several branches of the family at all. Lastly, I felt this complex, diverse family was far too contrived to be believable!
Clearly, there will be additional sequels in this series. I will not be reading any of the others.
January 7, 2020
The first book in the series is far more worth the read...
August 12, 2019
An amazing mix of genre, historical fiction plus some thriller element, that makes you read this book as fast as you can.
I loved this engrossing and entertaining book even sometimes I felt a bit lost as there're so many characters.
The character development and the well researched historical background were excellent, the style of writing is very good.
It's the first book I read by this author and won't surely be the last.
Highly recommended!
Many thanks to the publisher and Edelweiss for this ARC, all opinions are mine.
I loved this engrossing and entertaining book even sometimes I felt a bit lost as there're so many characters.
The character development and the well researched historical background were excellent, the style of writing is very good.
It's the first book I read by this author and won't surely be the last.
Highly recommended!
Many thanks to the publisher and Edelweiss for this ARC, all opinions are mine.
January 18, 2023
Leer a Sara Donati es siempre un placer, y reencontrarse, además, con los personajes de La edad dorada, me ha dejado en una nube. Es impresionante cómo consigue la autora envolver al lector con una trama aparentemente sencilla en la que encuentras de todo (amor, misterio, etc) y, al mismo tiempo, todo gire alrededor de algo tan natural y complejo como son las emociones humanas y esos actos que cometemos las personas que no siempre tienen sentido. Me ha dado pena terminarla; confío en que haya una próxima entrega.
July 10, 2019
WHERE THE LIGHT ENTERS is a beautifully written novel. By the time I finished the book, I felt I knew the characters and their homes. This is a book I believe any woman would love. Taking place in the 1880's, the main characters are 2 female doctors and their friends and family in New York. Romance, family dynamics, murder are just a few of the topics covered. I highly recommend this book to all! I love Sara Donati!!!
October 29, 2019
The story starts off with a page-turner then gradually it slows me down to a point I had to speed read and hope for the best.
The book is too lengthy at least for me. Caught myself wandering away from the story at times because of the drag and boring nature then it picks of steam and then falls in that boring trap again.
However, I would recommend this book for those interested in a really good storyline.
The book is too lengthy at least for me. Caught myself wandering away from the story at times because of the drag and boring nature then it picks of steam and then falls in that boring trap again.
However, I would recommend this book for those interested in a really good storyline.
August 28, 2019
Okay read. Interesting read for the history of women physicians in 1880s NY. Story line read not so much, it was too disjointed, hopping from one character storyline to another, also felt like I was dropped into a series and missed out not reading previous books although it’s stated to be a stand alone book.
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