An anthology like this is difficult to judge. It's never going to be your favourite book; by their nature a complitation on a certain theme is going to be inconsistent and is going to cater to all styles and tastes. What shows it as a success is the ability of the collection to address a theme and present it effectively and clearly. This Penguin Book of Migration Literature does that fairly well, the subtitle saying it all. It is neatly divided into subsections with a thematic focus, beginning naturally with Depatures and ending with Returns. There is a satisfaction about the consciencious way the book has been but together and the choices are generally intriguing, fresh and suprising. There are a few massive names in here (Rushdie, Satrapi, Zadie Smith, Danticat, Kureishi) as well as a lot of unknowns, however well read you are. The forms are also varied - novel extracts, short stories, poetry, even a comic strip. The whole world is represented and the collection wants to present these stories as stories of humankind, the universal truths and reality of migration. It is a topic often portrayed as a fresh, new threat in hyperbolic, fearmongering modern media. Here we see migration for what it really is - an ordinary, traumatic, exploratory and fulfilling part of human existence.
The overall tone of the book is one of the misery of migration. That is perhaps an exaggeration, but certainly the first three parts of the book focus on the negative aspects of migration and, logically, the often terrible reasons for migration - war, famine, the search for a better life, job opportunities. One can see how this hardly changes through history - Julia Otsuka's excellent "Come Japanese!" shows a similar story of female explotation to Ibrahim's "Heading Somewhere" and Lewycka's disturbing account of youthful naivity and optimism extracted from "Strawberry Fields". This precarity is demonstrated throughout. Unnikrishnan's list like prose taken from "Temporary People" is a powerful attempt to consolation and identify the persona of the migrant, ending tellingly with the repetitive "Cog. Cog? Cog.". Naturally, these precarious tales of searching for a place, for a somewhere to be safe, are edged with fear, trouble and trauma. Even the settled stories show the uncertainty of migrant existence. Too of the best look at the troubles of the older generation with their children - Mengestu's "An Honest Exit" has a young teacher making up stories for his students about his Ethiopian father, and Hanif Kureishi's "My Son the Fanatic" is an incredibly direct and relevant short story about a second generation son who turns to extremism to deal with his migrant background, the shadow of prejudice and the difficulties of integration.
A lot of the entries are written in English, with a few translations, but they present a wide range of the English tongue - language and the adaptation of language in migrant situations is a huge topic here. Some of the pieces are very difficult and obscure - Philip's patterned sound poem "Zong! #5" is a scattered, sparse and broken expression of linguistic intent, Shani Mootoo's "Out on Main Street" is very hard to read as it is written in thick dialectal English. Others are contain clearer narratives; Sefi Atta writes a concise and moving family trip to get a green card in "Green" and Rushdie's bureaucratic comedy "Green Advice is Rarer than Rubies" also wears it's intent on its sleeve. The bredth is actually staggering and just goes to show the artistic and creative potential of our world in movement. The final stories in the collection salvage a bit more positivity, stories of integration, of being settled, of compromise, of returning, of finding a home. But they are stories rarely without an edge of trouble because migrant existence is never stable. The final story, "A Conversation" by Pauline Kaldas, is very well chosen - questions and answers put to an old migrant. It addresses and redresses many of the themes presented here, reaffirms so many of the issues that are part of our human world. There is a wealth of great material here, although one would struggle to like every piece. Thematically it's a success, carefully, thoughtful and lovingly put together with a strong sense of purpose. 6