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Cassatt: Mothers and Children

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Mary Cassatt's tender and profound paintings redefined portraiture and broke down barriers for women in art—both as artists and as subjects. This collection focuses on Cassatt's insightful portrayal of women and children living their everyday lives. Fifty magnificent images cover the scope of Cassatt's work, from her early interest in Japanese woodblocks all the way to her exploration of Modernist techniques. Two essays contextualize her as a pioneering female artist and as the American face of Impressionist painting.

• Captures the love between mothers and children
• A luminous, robust, and timely celebration of an artist with a unique legacy
• A meaningful gift book in a luxurious textured case

Fans of The Private Lives of the Impressionists , In Montmartre , and Mary An American Impressionist in Paris will love this book.

This book is perfect
• Mothers or grandmothers
• Feminists
• Art and Impressionism lovers

120 pages, Hardcover

Published October 1, 2019

1 person is currently reading
48 people want to read

About the author

Sue Roe

16 books64 followers
Sue Roe is an acclaimed biographer and poet with a strong interest in the visual arts. Her first biography, Gwen John : A Life (Chatto & Windus, 2001), reveals that the painter best known for her quiet, restrained portraits of women was surprisingly ardent and exuberant. The Private Lives of the Impressionists (Chatto & Windus, 2006) shows how daring the early Impressionsts seemed by the standards of their own times. In Montmartre (Penguin, 2014) illuminates Picasso’s early years in Paris, when suddenly all the arts (painting, writing, film, dance) seemed to be happening in parallel.

Sue Roe’s early scholarship was on Virginia Woolf, the subject of her PhD, and she has published a number of articles on Woolf. Her critical book, Writing and Gender: Virginia Woolf’s Writing Practice (Harvester/Wheatsheaf, 1990) explores Woolf’s processes of composition. She is co-editor of The Cambridge Companion to Virginia Woolf (Cambridge University Press, 2000) and editor of the Penguin Modern Classics edition of Jacob’s Room. Her teaching is inspired by her scholarship and her editorial experience. She has taught BA, MA and PhD students at various universities, and before that worked as a Commissioning Editor for two academic publishing houses.

These days she divides her time between research for her books, which includes exploring the galleries of Paris as well as copious reading, and writing. She likes to work with a good view of the colourful garden her partner Steve has created while she drafts – and re-drafts – her work.

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