Let me be honest up front. I read most of James Patterson’s books and have for several years. Some might ask why and that’s another whole discussion best saved for another day. I have really enjoyed some, liked some, and didn’t really care for others. On a personal level, I must admit that his Women’s Murder Club series – focused on the professional and personal lives of four women in San Francisco - has been hit and miss over the last couple of years with more weak outings overall.
“The 19th Christmas” takes place from December 20th through January 2nd with a heavy focus on the holidays. It begins with each of the Murder Club members and their families preparing for Christmas and then the major mystery kicks off with Detective Lindsey Boxer and her partner, Rich Conklin, getting caught in a street crime in San Francisco’s Union Square.
Catching the young criminal is only the beginning of their troubles as they are given clues about a fearsome criminal known only as "Loman", who is supposed to be planning a deadly surprise for Christmas in San Francisco. As the clues come in, it appears that “Loman” has organized himself a team of criminal colleagues who are out committing multiple crimes with the intent of distracting, dividing, and wearing out the police force before putting his real plan into action. Lindsay, Conklin, Brady, Jacobi, and the rest of the SFPD are running around chasing their tales with no real idea of who “Loman” is and how destructive his plan really is.
There is also another subplot involving journalist Cindy, who is given an assignment to tell a story about the true meaning of the season for San Francisco, and discovers an immigrant family in which the father has been falsely imprisoned for murder and detained by ICE for 2 years pending a trial. She pulls in lawyer Yuki to help her try and get his freedom. This secondary plot started out well, but got choppy at key moments. The worst part was the key climactic moments took place off screen, disrupting the flow and letting the reader down.
Patterson and Paetro weave between the primary and secondary plotlines in an overly fast-paced but predictable manner. There are foreseeable twists and turns along the way, but most of the distractions and obstacles “Loman” through at our heroes were not that compelling or interesting. Although “Loman” seemed interesting and had potential to be a quality villain, too much time was spent on the SFPD reacting to each of the distractions in a foolhardy manner rather than taking a strategic approach.
To make it worse, the biggest weakness in this book (and I have to be careful to give away any specific spoilers) is that suddenly at the last possible moment, our heroes get all of the information on who “Loman” is and what he looks like in a manner that is so unrealistic and unbelievable. All of the plot development of the first 270 pages is suddenly discarded and all of the complex dots connecting the villain’s plan are just ignored in a way takes away all of the worthiness of the villain and turns him into a crybaby. The climax of the primary plot was a raging mess.
Patterson and Paetro also add a well-intended epilogue with the women’s club being together on New Years eve and Joe’s first daughter suddenly showing up from his past. However, the part about Joe felt awkward being thrown in at the end. It didn't connect to anything else and would have been better used as a subplot in a book where it could be developed better than just being a throw-in.
In my humble opinion, the structure of the book, using the Christmas holiday season, and creation of a strong villain had a lot od potential. However, the actual writing came across as a rushed first draft, lacking strong editing and rewriting to fill the obvious plot hole problems. In addition, other than Joe’s weird epilogue there was no real growth or development for any of the main characters, either professionally or personally. Our fearless club members are so stagnant that they almost seem like caricatures. Some of the things that disappointed me included no connective tissue between the four Murder Club friends until the very end, Joe being relegated to Super House-husband, and Claire Washburn being sent out of town and missing in action for the most part.
Overall, Patterson and Paetro have lost some of their Women’s Murder Club mojo over the last three or four books, and that includes this time out. If you like the standard Patterson recipe, then I hope you can find a way to enjoy this. But this one breaks no new ground or character development, and the obvious plot problems make it feel way too one-dimensional. For me, this is a weak outing for Patterson and Paetro.