The brilliant Caro Ramsay writes a standalone dark and disturbing psychological thriller that centres on the deaf Megan Melvick returning to her family home on the Brenbrae estate to see her dying favoured sister, Melissa. The Melvick family may be upper class and wealthy, but its history suggests that it is afflicted with a curse worse than the Kennedys. The malevolent Italian House drips poison, with the Melvicks held tightly in death's grip, with its alarming faerie pools and hanging tree in the grounds. 5 years ago at Melissa and Jago's wedding a tragedy occurred that Megan finds herself revisiting as the same people return to the house as funeral preparations are made. What exactly happened back then? Megan's mother left soon after the wedding, taking a few items, apparently running off with another man, and hasn't been heard of since. Will she make an appearance for the funeral? The narrative is related from the perspective of Megan and her only friend, the feral and in your face Carla, both outsiders drawn to each other, one locked in, the other locked out, with Megan refusing to give up Carla despite her family's efforts to dissuade her, citing her unsuitability.
Megan is not happy to return to her toxic home, aware that this time it is for good, she is, after all, the only surviving heir. She is not close to Melissa, puzzled by her last word to her, 'sorry', but sorry for what exactly? Carla may well have been a persona non grata, but as far as Megan is concerned, she had a direct honesty, unlike the Melvick stiff upper lip duplicity. She feels she owes it to Carla to find out what happened to her, and is it possible that Carla was not the target at the wedding? It doesn't take long before Megan begins to unravel, finding herself sleepwalking and plagued with unreliable memories, begging the question just how far can she be trusted. As she looks back in time, she has blackouts in her memories and is unaware at what point in her life she became deaf. What she does know is that the psychiatric doctor employed by her father, Dr Scobie, has made no improvements in her health, in fact, the drugs make things worse. In a narrative of dark secrets and class, where Carla's perspective is so revelatory, is it possible that the recent woes of the Melvick family are not a curse, but all too human in origin?
Ramsay writes a mosaic of a disturbing and unsettling murder mystery that is pieced together in a shocker of a conclusion by the local police officer in true Agatha Christie style with a gathering together of all the suspects. This is a fantastic read, atmospheric with a great sense of location, with great twists. The characterisations of the two main characters, Megan and Carla, along with the supporting cast is done with expertise and style, you cannot help but get your attention snagged by them. I love Caro Ramsay's Glasgow based crime series, and this is a brilliant standalone addition to her writing canon which I think so many crime and thriller readers will adore. Highly recommended! Many thanks to Severn House for an ARC.