A Walking Shadow opens with a prologue which briefly introduces Irene Davenport, a celebrated actress who is making a return to Chicago, the city she despises and in which she began her career. Her opening night performance of Lady Macbeth is a triumph but the evening ends in a shocking tragedy which is observed by a young extra, Lillian Nolan, whose life is about to change in the most unexpected way.
The remainder of the book takes an epistolary form as the now eighty year old Lillian writes to her great-grandniece, Agnes who has insisted that she should record the events and memories of her life. It's a very cleverly used device to introduce what looks to be an unmissable series of A Backstage Mystery books. Lillian recalls her introduction to the theatre as twelve year old, Rosemary Hampton when her beloved grandmother takes her to see a performance of Henry VIII in New York. One of the aspects of A Walking Shadow which I particularly enjoyed was the inclusion of real-life actors of Gilded Age and so here she admired Charlotte Cushman as Queen Katherine in what we learn was one of her many farewell tours. These little vignettes throughout the novel add a fascinating authenticity to the proceedings.
Her visit sparks a love of theatre which results in her being forced to make a devastating decision. The book is a reminder that acting was once viewed as a dishonourable choice of career with actresses in particular considered to be women of disrepute. It certainly wasn't a job for a young woman from a wealthy, reputable family and the fear of scandal leads her parents to take drastic action. In deference to their wishes, she takes the stage name of Lillian Nolan but their extreme reaction doesn't dim her desire to be on the stage.
Her grandmother remains supportive and it is through her that she gains her first role in a play but it is a steep learning curve for the young woman. In those days touring companies had limited engagements with local actors being employed to fill in the majority of the company. They were expected to learn their lines and the stage business according to the star's demands, often with limited rehearsal time. Nevertheless, Lillian is thrilled to be given her first role as the Gentlewoman in Macbeth, especially as it allows her the opportunity to watch the immensely talented Irene Davenport at such close quarters. However, she soon becomes much closer to Irene than she could ever have imagined as she discovers she has spiritual abilities which lead to her reluctant introduction to the paranormal world. Lillian agrees to what looks like an amazing opportunity - if she attempts to solve a murder, she will be assisted on stage and allowed to shine in a way no new actress could ever dream to achieve. It's an irresistible proposition but ultimately leads her into dangerous situations as she ventures into the darker underbelly of Chicago's society.
The action is allowed to unfold gradually until the truth is finally revealed and I really enjoyed Lillian's asides to her great-grandniece and her recollections which often led her to wandering from the point of her letter but which ensure it reads as a realistic missive from one relative to another. Readers are given a real insight into theatrical life; the various egos at play, the enduring superstitions and the terrifying, compelling exhilaration of being on stage. It effortlessly evokes the attitudes and societal mores of the time and the incorporation of actual events works really well and offers further drama towards the end of the novel. I thoroughly enjoyed A Walking Shadow, it is an engrossing supernatural murder mystery interlaced with engaging historical fiction and I look forward to reading the next story in the series, Foul Deeds Will Rise very soon.