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Ο εικονογραφημένος άνθρωπος - Τόμος 2

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"Γι' αυτό είμαι πάντα κουμπωμένος ως τον γιακά", μου είπε ενώ έβαζε το πουκάμισό του. Το κορμί του, που άχνιζε μέσα στον ζεστό απομεσημεριάτικο ήλιο, φάνταζε σα μια κινητή πινακοθήκη. Αρχίζοντας από ένα γαλάζιο κύκλο τατουάζ γύρω στον λαιμό και φθάνοντας μέχρι τη μέση, ήταν γεμάτο πολύχρωμες μινιατούρες. Στην αρχή το βλέμμα μου καρφώθηκε σε μια σκηνή, ένα μεγάλο σπίτι με δύο ανθρώπους μέσα. Πάνω, ένας πύρινος, βαρύς ουρανός. Άκουσα φωνές. Η πρώτη εικόνα είχε τώρα ζωντανέψει.,,
Ένα μυθιστόρημα επιστημονικής φαντασίας, που η υπόθεσή του αναφέρεται στο έτος 4.000. Το μυθιστόρημα που έδωσε κινηματογραφική επιτυχία "Ο κινηματογραφημένος άνθρωπος" με τον Ροντ Στάιγκερ.

Out of print - Εκτός κυκλοφορίας

Mass Market Paperback

First published January 1, 1951

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About the author

Ray Bradbury

2,561 books25.1k followers
Ray Douglas Bradbury was an American author and screenwriter. One of the most celebrated 20th-century American writers, he worked in a variety of genres, including fantasy, science fiction, horror, mystery, and realistic fiction.

Bradbury is best known for his novel Fahrenheit 451 (1953) and his short-story collections The Martian Chronicles (1950), The Illustrated Man (1951), and The October Country (1955). Other notable works include the coming of age novel Dandelion Wine (1957), the dark fantasy Something Wicked This Way Comes (1962) and the fictionalized memoir Green Shadows, White Whale (1992). He also wrote and consulted on screenplays and television scripts, including Moby Dick and It Came from Outer Space. Many of his works were adapted into television and film productions as well as comic books. Bradbury also wrote poetry which has been published in several collections, such as They Have Not Seen the Stars (2001).

The New York Times called Bradbury "An author whose fanciful imagination, poetic prose, and mature understanding of human character have won him an international reputation" and "the writer most responsible for bringing modern science fiction into the literary mainstream".

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