A modern, funny, showbiz P&P
Love and Loathing is a humorous love story set in the world of musical theatre, where the romance of the two main characters gives a very strong nod to Pride and Prejudice. William Martin Darcy is a famous movie star who is treading the boards for a change, at the behest of an old and dear friend and famous actress, Stella, and as a means of helping his friend, Bing, jumpstart his career.
Beth (short for Elizabeth, sometimes called Lizzy, but never Eliza) Bennet is a pocket-sized dynamo who hopes one day to sing and dance her way to bigger and better things, be they stage or screen. Family dynamics for Lizzy are different here: Jane is not her sister but her best friend, flaky Lydia is another friend and Mary is her only sister, who is not in showbiz but is still studying. There is no Kitty.
Sparks fly when Beth and Darcy first meet; she loathes him and writes him off as a second rate actor whose claim to fame is a series of very popular and lucrative action movies, and he barely acknowledges her friendly overtures, and is standoffish with all the ensemble, except Bing, the director and the musical director, Fitz Hanlon.
There are a lot of nods to different stage shows throughout, but often just referring to characters in said productions, and as I am not a mad, crazy stage show devotee, I was often at a loss to know what production was being spoken of. Beth, instead of cussing (or swearing as we Aussies say) would invoke the name of a character or show, a habit that confuses people who do not know her well.
This work, though thoroughly modern, is the closest to the original P&P as far as character personalities and storyline goes; there are many instances where the dialogue echoes some of the well known scenes that we all know and love.
Jorge Wickham and Catherine de Bourgh are present to provide villainy and overbearing self importance, and Caroline is a would-be femme fatale and an annoyance, mostly to Will, and she is not Bing's sister. Stella, a famous actress and septuagenarian and owner of the Gardiner (theatre), is a powerhouse of talent and vitality, and is, I gather, a nod to Mrs Gardiner, Lizzy's aunt in P&P. She is the matchmaker in this work rather than Mrs Bennet, but she is neither desperate, nor foolish; she just sees the chemistry between Beth and Will and she just wishes to help things along.
The book is long, and though that is a definite plus for me, I know there are people out there who prefer shorter works, it is set in Los Angeles, and though film is definitely LA's claim to fame, I gather that, though not Broadway, stage productions have their own niche in the City of Angels.
The book is well written with very few mistakes; a very easy to read, enjoyable story. Some of the Americanisms and stage show references went a little over my head and I found myself Googling several things, the story and Beth and Will kept me thoroughly entertained throughout.
Definitely recommend. Five stars. 🌟🌟🌟🌟🌟