This book is a mystery, but it's a mystery for the same reason as many of the other books in the author's Homer Kelly series...there are crimes present, there is a detective ambling through the scenery, and there is a solution, more or less, to be found. But, truth to tell, Langton's Homer Kelly mysteries, once firmly ensconced in the genre, have by subtle degrees moved out of the mainstream and created their own little sub-genre, sort of a cross between cozy murder and Spoon River. Overall, that's a good thing, though it might leave some traditionalists scratching their heads.
"Divine Inspiration" is a good example. We have a kidnapping (probably), a few arson cases (most likely) and eventually a suspicious death (sort of). Likewise, we have Homer Kelly, former detective in the D.A.'s office (though he kept his ID card), following leads, asking questions, and chasing down coincidences and red herrings, but he's usually in the background, playing second fiddle to church organist Alan Starr and sometimes his own wife Mary. But even Alan, the semi-protagonist of the book, often takes backseat to the churches and organs researched and illustrated by Langton.
At the heart of the book, however, we have not the crimes committed, nor the mysteries investigated, nor even the churches, organs and music depicted, but the personalities whose lives make up the intricate tapestry woven by Langton in a narrative that is often lucid and evocative, and frequently brilliant. We are presented with the lives of parishioners, musicians, construction workers, civil servants, blaggards, and others, depicted in exquisite detail like rare Italian cameos.
Not a book for mystery fans craving action or even those looking for cozy crimes, but very much aimed at those who appreciate literate mysteries, fine music and writing so lovely as to weep over.