Reed blends piratical space combat with espionage, creating science fiction that focuses on sweeping plot rather than the minutiae of living beyond Earth.
Christopher Raleigh and his crew have no interest in living under either of the interplanetary governments that vie for control of the galaxy; however, the letters of marque offered by the Republic to target the League offer plenty of opportunities for profit. His latest jaunt seems another piece of legal piracy: capture a transport, ransom any rich or important passengers, sell the ship and cargo. But when a rich young woman claims to be secretly working against the League and an entire deck of indentured servants turn out to not be quite who their records claim, Raleigh and his crew must deal with an infiltrator who definitely wants to kill them while puzzling out whether they can trust this supposed rebel.
Reed’s setting is a galaxy where humanity has spread to multiple systems, which have almost all become—some more enthusiastically than others—members of one of two multi-system governments. A few years before the novel opens, the political struggle between the League and Republic became open war.
Both sides (and the independent system Raleigh is from) are run by a pervasive general AI that is subservient to the government. In contrast to deceit practised between members of the human governments, these AI communicate openly and honestly between themselves except where loyalty keeps them silent. In addition to making the AI feel like a different form of being from humans, this networking centres the way that the governments perceive the war as a score-keeping exercise where things change sides rather than a visceral struggle between people; this also emphasises the contrast with the individualism of the pirates.
In addition to pervasive AI, Reed’s setting features teleportation that can cover approximately one astronomical unit with reasonable accuracy. This makes inter-system travel a chain of many short jumps that, even with AI to do the calculations, takes days rather than seconds. Thus, Reed’s space combat is an interesting mix of needing to predict where the enemy will be well ahead of time and needing to find ways around a losing ship being able to simply blip away.
Building on the idea that matter can be transmitted rapidly by turning it into energy and back, two members of Raleigh’s crew are escaped subjects of a secret project to create humans who can teleport themselves without needing the massive machines that ships and planets use. While this does give them a significant edge, it is slower and shorter-range than the teleporting of people using normal methods, so does not render boarding actions and such trivial.
Reed presents a not-implausible picture of the consequences of the technologies and conflicting ideologies, creating a plot that—if not a deep exploration of the socio-politics—is an engaging blend of ship-to-ship battles, small-unit combat, and espionage thriller. This is enhanced by use of a range of point-of-view characters, creating dramatic ironies that enhance the tension.
The ending resolves the immediate challenges the protagonists face; however, it leaves a number of other arcs—beyond the war itself—unresolved and so the book has a strong feel of being part of an ongoing series rather than a standalone novel.
Reed’s narrative style slants more toward the immediate and factual than average; this is perhaps most immediately noticeable in his habit of introducing most significant characters with several sentences describing their physical appearance, including their height in both metric and Imperial measurements. While this provides an accessibility for the harder-scifi aspects—such as space combat—and the raw exposition somewhat has a lantern hung on it by narration commenting on someone sharing something everyone knows, some readers might find the greater focus on statements of fact rather than hints of internal feelings makes the characters feel flatter.
While this description of physical appearance might make Raleigh and his crew feel a little like stereotypes layered with a signature shtick to begin with, patterns of behaviour emerge over the course of the novel that give them a greater sense of being real people rather than tropes.
Although Reed’s supporting cast are not one-dimensional, their lesser page-time means they do not have quite the same room to display these patterns.
Overall, I enjoyed this novel. I recommend it to readers seeking science fiction that blends tense conspiracy with fast-paced action.