Linda Gregg's first two books are, at long last, available again—this time in a single volume. In this book, we witness the awakening of one of the finest American poets of her generation.
Linda Gregg is the author of several collectios of poetry: In the Middle Distance, Things and Flesh, Chosen by the Lion, The Sacraments of Desire, Alma,Too Bright to See and All of It Singing. Her honors include fellowships from the Guggenheim Foundation, the Lannan Literary Foundation, and the National Endowment for the Arts. She won 2006 PEN/Voelcker Award winner for Poetry and has won a Whiting Award.
Librarian's note: There is more than one author in the Goodreads database with this name.
Gregg appeals to me because of her spiritual/emotional depth. Her poems are clean and accessible, but provoke several readings. I love this poem--it breaks my heart:
We Manage Most When We Manage Small
What things are steadfast? Not the birds. Not the bride and groom who hurry in their brevity to reach one another. The stars do not blow away as we do. The heavenly things ignite and freeze. But not as my hair falls before you. fragile and momentary, we continue. Fearing madness in all things huge and their requiring. Managing as thin light on water. Managing only greetings and farewells. we love a little, as the mice huddle, as the goat leans against my hand. As the lovers quickening, riding time. Making safety in the moment. This touching home goes far. this fishing in the air.
Linda Gregg’s poems are some kind of salve for the heart
“I can see she has done this to herself. So she would not feel the other pain. And it is true, she does not feel it. She does not even see me” (11).
“What a greed of bruised gardenias” (17)
“There are so many traps, and many look courageous./ The body goes into such raptures of obedience./ But the huge stones on the desert resemble/ nobody’s mother” (17)
“Take it easy, I say. It is a long time to wait in,/ this order of reality. My presence stings./ I grow specific without consequence” (23)
“The moon will dim/ and I will change;/ but this immortal lizard will stay/ breathing in this stone room,/ without evidence” (26)
“My head ached from the sounds I did not make./ It was more frightening than living./ I went to him, with that singing in me” (27)
“I was bred for slaughter, like the other/ animals. To suffer exactly at the center,/ where there are no clues except pleasure” (30)
“Heavy black birds flying away hard from trees/ which are the color of rust that will green” (74)
“She was perhaps more beautiful/ from where I stood than to him./ I can say it now: She was like a vase/ lit the way milky glass is lighted” (83)
What things are steadfast? Not the birds. Not the bride and groom who hurry in their brevity to reach one another. The stars do not blow away as we do. The heavenly things ignite and freeze. But not as my hair falls before you. Fragile and momentary, we continue. Fearing madness in all things huge and their requiring. Managing as thin light on water. Managing only greetings and farewells. We love a little, as the mice huddle, as the goat leans against my hand. As the lovers quickening, riding time. Making safety in the moment. This touching home goes far. This fishing in the air.
This book made absolutely no sense to me when I first read it. It was terse and angsty, with a lot of allusions to Greek mythology that went over my head. When I read it the second time, though, I realized that its main subject, Alma, was more than just a jilted lover. There's some beautiful imagery here, but not the type that makes you want to fall in love...haha
It has taken me over a year to read this book/these books. A Ph. D program got in the way of the pleasure reading. And truly, these poems have been a heart-breaking pleasure to read. And this is why these poems have sat on my nightstand for so long. I am drawn the to short lyrics of Greece, of love, of suffering. Linda Gregg has become a new favorite of mine.