Cuba By Korda

by Alessandra Silvestri-Levy, Alessandra Silvestri-Levy, Alberto Korda (Photographer)

If you don’t know his name, you know his photograph—Che staring into the distance like a prophet—that has been reproduced on millions of T-shirts and posters around the world. Korda always said he didn’t mind its use on the ubiquitous revolutionary paraphernalia but finally drew the line in the 1990s when Smirnoff used it for a vodka commercial, which he considered “disrespectful”. Alberto Korda was born Alberto Díaz Gutiérrez in Havana, 1928—the same year as Ernesto Che Guevara. Their fates were to be entwined as Korda’s portrait of the Argentine became his most famous photograph. Korda was Cuba’s best known photographer of the revolutionary period. He died in Paris in 2001. This book, originally published in France, gives an overview of Korda’s extraordinary camerawork, from his first work as a fashion photographer to “The Quixote of the Lamp Post” – a Cuban peasant sitting on a lamp post above a sea of people during a mass rally. It includes other somewhat quirky and less well-known photographs, such as Castro warily eyeing a tiger at the Bronx zoo and Che Guevara playing golf. The proof strip of the roll of film from which the famous shot of Che was taken is also reproduced, including Korda’s photos of Jean Paul Sartre and Simone de Beauvoir who were visiting Cuba which were published at the time, not the photo of Che! Korda liked the photo and stuck it on his wall until an Italian journalist spotted it and took it home.

Genres: Photography

156 pages, Paperback

First published October 15, 2002

Reviews

[Jon]

This book was amazing. The photography and supplemental text was adequate to get a basic picture of the Cuban Revolution and a glimpse into the lives of Fidel and the man who became Che.

[Moushumi Ghosh]

A look back at the 60s Cuba, Che and Fidel through the lens of Alberto Korda. This book is a wonderful testimony to Korda, the man and photographer who was at the heart of it all. The black and white photographs trace Korda's journey as a fashion photographer to a political one. I got to know about THAT photo that has lost some of its icon status because of its indiscriminate use but is just as powerful now as it was taken in the 60s. I picked the book up at the Chennai Book fair and it is such a gorgeous find. The only flaw I would say is that it had a finite number of pages. It makes me hungry for more of Korda's work.