Eldon Farrell is a superb storyteller, and in Singularity he has created a superb, fast-paced tale that keeps the twists and turns coming from beginning to end — which is, in fact, the end of only the first book of a promised series. On a personal level, I needed this book for the relief it provided from my regular, steady diet of psychological thrillers and domestic noir which are the genres in which I write. In this sense, Singularity exploded on the page for me, and demonstrated what a fertile imagination can create when unrestricted by the boundaries of more conventional genres.
Initially, the story pits Nathan Miller, a rogue cop against Alexis King, an investigative blogger who is determined to expose the rampant corruption at the highest levels of law enforcement in Union City. She is getting information from someone close to Miller, and his mission to find the “mole” sets him on a dangerous, violent, and single-minded course of action. However, there is an even greater threat looming from what appears to be a medical/technological breakthrough developed by the suspect AmeriGEN corporation.
Farrell has created a world which gives the reader a peek into the not-so-distant-future of 2035. Hence, there are elements with which we, in 2018, are already becoming acquainted. For example, walls separate “upstanding” city dwellers from the “displaced” and “illegals” (and kudos to Farrell for delivering a timely tale without being politically tedious) and embedded identichips track the movement of residents inside the walls (aren’t we only a step away from this with our location-detecting iPhones?) Life is brutal outside city walls, and not that much more comfortable inside them; double-dealing characters abound. This is also a world where a group of scientists appears to be on the verge of creating a master “race” of super villains who possess enhanced senses and physical abilities which aid them in committing murder and creating mayhem.
Singularity combines the genres of dystopian fiction, sci-fi, and weaves in elements of the medical thriller and police procedural genres, with a doff -of -the- cap to the world of comic books. And, then just when you think you’re zeroing in on a futuristic, high-tech evil genius, the reader is spirited away on an action-packed, Indiana Jones -type mission.
Farrell has come a long way since his first novel, Stillness, and he writes with the ease of an author who is becoming surer of his craft with each new creation. Short chapters, realistic dialog — and plenty of it — ensure that the reader will keep turning the pages.
Yes, I had quibbles. For example, while Nathan is a well-drawn anti-hero, he often lapses into being just a simple thug with no redeeming features, putting his cyberkinetic, reconstructed physique to deplorable and gratuitous use; Alexis, is a neatly-crafted female protagonist for the blogging age, but is sometimes unnecessarily reckless for no obvious pay-off; a couple of back stories are presented as long-ish monologues which slow down the narrative, and in what I can only interpret as a Shakespearean homage, the ghost of a victim appears as a device for Nathan’s inner monologues and thought processes. There are also some personal bugbears like sloppy spelling mistakes (waived for waved and alter for altar) which are precisely mistakes made when too much reliance is placed on spellcheckers.
These quibbles would have normally prompted me to make this a four-star read. However Farrell writes as if he is truly enjoying himself, and that enjoyment is infectious. At a certain point, the reader should just abandon himself/herself to the wild and crazy ride which Farrell’s five-star storytelling surely provides.
I was provided with an ARC of this novel in exchange for an honest review.