An estimated 620,000 lives were lost in the American Civil War, the most fatalities of any conflict in U.S. history. But in the postbellum America of Justina Ireland's Dread Nation, the dead don't rest in peace. From battlegrounds and graveyards, these lost souls rise up as the undead, starved for the flesh of the living.
Fortifications around the most populous cities can only provide so much protection against these zombies, here called "Shamblers". A new institution of servitude is subsequently created in slavery's wake: Freed black Americans are trained to kill Shamblers to bodyguard white families.
Protagonist Jane McKeene is a young black woman undergoing such training at a school for girls in Baltimore. Already, she is a master at killing Shamblers - highly skilled with sword and sickle and the second best shot in her class. But combat isn't the only expectation placed upon the girls; they must train in dress and etiquette to make them more hireable by white ladies. Frankly, Jane doesn't see the point in such matters as table manners and propriety when there are ZOMBIES TRYING TO EAT EVERYONE, and she disregards such lessons completely.
Clearly, she's very smart. And it's not lost on her that it's only black and Native people who become zombie slayers, and always to protect whites. It's not lost on her either that there are no jobs afforded to them that aren't dangerous, servile, or both.
Such is the brilliance of Ireland's work: Her America is literally swarming with zombies, but that horror is nothing compared to the reality of Jane's everyday life as a black woman. For Jane and her peers, simply moving about in the world is perilous, with Shamblers or without. They're always being watched, judged, and followed. The wrong word, outfit, place, or time could cost them their lives, and their freedom is always in jeopardy, always subject to another’s whims.
This horror, this dread, is so effective because it's real. Because we know zombies don't exist, but that racism such as this continues to this day - so prevalent in our current society, it threatens books like Dread Nation's availability to all readers.
The messaging of postbellum injustice and the perceived disposability of non-white bodies is amazing. The other story elements are fine; this is very much an action story, so there is a good amount of slicing and dicing zombies. The non-zombie villains were rather caricaturish - considering the degree of their crimes, they could've been less heavy-handed and still been effective.
Also, for someone as competent as Jane, she got caught unaware A LOT. Some examples:
- (p. 174) "I open the book, but before I get very far there's the unmistakable sound of a gun cocking."
- (p. 208) "The sound of a revolver cocking is deafening next to my ear."
- (p. 296) "The click of a gun's hammer cocking back ain't good news, though. I put my hands up."
- (p. 312) "I'm almost to the saloon when I hear the unmistakable sound of a gun cocking."
Storywise, this makes for an exciting turn of events and encourages reading on to see what will happen to Jane next - rather like the cliffhangers of the newspaper serials she loves so much, but it's a little silly how frequently it happens.
Regardless, I like Jane very much 💕 She's stubborn, charming, and a little dense - perfect traits for a protagonist. Katherine's character, being insightful and refined, is the perfect complement to her. I can't wait to read of their further adventures in the sequel!