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240 pages, Hardcover
Published January 20, 2020
Seventy-five years after the civil war, the last vestiges of slavery in the United States were documented. The remains of plantations, slave quarters, cabins and barns--some long abandoned--were photographed. Thousands of formerly enslaved African American men and women provided first-hand accounts of life under slavery. Now, these words and pictures are paired to offer insight into a shameful time in American history that resonates today.

The Federal Writers' Project [was] a branch of the Works Progress Administration. The WPA was a government agency set up to provide work to the one-quarter of Americans who were unemployed during the Great Depression. More than 8 million men and women were hired by the WPA to build roads, bridges, dams and parks--and to paint, sculpt and write. "Hell," said relief administrator Harry L. Hopkins, "artists have got to eat just like other people."Ten years ago, I read another book pulled from the work produced by the Federal Writers' Project: The Food of a Younger Land : A Portrait of American Food From the Lost WPA Files, edited by Mark Kurlansky. It does an equally wonderful job of capturing an aspect of U.S. history. I'd love to see even more.
The WPA's Federal Writers' Project hired more than 6,500 unemployed writers, historians and teachers to gather the nation's history. They produced 48 books called The American Guide series for each state, as well as dozens of books and pamphlets of cities and regions. They also interviewed 10,000 ordinary Americans.
Federal Writers' Project managers were described as "romantic nationalists" because they were interested in the words and thoughts of almost everyone--from story clerks to prostitutes to meat packers. Everybody had something to say. The work of the government writers was a celebration of diversity and democracy.