The Best American Comics 2019

The Best American Comics #14

by Bill Kartalopoulos (Editor), Jillian Tamaki (Editor)

 Jillian Tamaki, co-author of This One Summer, picks the best graphic pieces of the year.

Jillian Tamaki, coauthor of the New York Times bestseller This One Summer, selects the best graphic pieces of the year. The Best American Comics 2019 showcases the work of established and up-and-coming artists, collecting work found in the pages of graphic novels, comic books, periodicals, zines, online, in galleries, and more, highlighting the kaleidoscopic diversity of the comics form today. 

Genres: Comics, Graphic Novels, Fiction, Anthologies, Short Stories, Graphic Novels Comics, Art

400 pages, Kindle Edition

Published October 1, 2019

Reviews

[Dave Schaafsma · Rating 4 out of 5]

I really like Jillian Tamaki’s selection of best comics of 2019. I had read longer versions of a lot of it, and with her recommend, among many others:

An excerpt from Nick Drnaso’s (Chicago!) bleak futuristic mindscape, Sabrina;
Margot Ferrick’s (also Chicago) Dognurse;
Fanny Britt and Isabelle Arsenault’s Louis Undercover;

A sample of what I had not read before and loved:

Lale Westvind’s Grip, excerpt from Volume one, wordless, focus on women in the trades;
“Selections From ‘King-Cat #78’” by John Porcellino, about his backyard, the natural world, small wonders in a world of chaos;
“Uninhabitable” by Jed McGowan, speculative fiction about developing other planets to live;
“Hurt Or Fuck” by Eleanor Davis, a wry and witty exploration of relationships;

And maybe the gem (because I had not heard of it) of the collection:

Joe Sacco’s “Bitumen or Bust,” about climate change and the “tar sands” of Alberta, just amazing comics journalism from the master.

[Rod Brown · Rating 3 out of 5]

A fairly decent anthology as long as you keep in mind that hardly any of this is the best of anything except alternative comics to which the publisher could wrangle reprint rights. No DC, Marvel, Image, Dark Horse here. No, Drawn & Quarterly and Koyama Press are the dominate publishers according to this.

Seriously, I read more than 500 graphic novels a year, and only 3 of the 25 excerpts were from books I had previously read.

At least there were fewer unreadable selections than in previous years, and the new-to-me Joe Sacco story was enough to make the whole book worthwhile.

[Maia · Rating 3 out of 5]

Jillian Tamaki is one of my favorite comics author/illustrators, and I was delighted to see she was edited a Best American Comics volume! This cover by Sophia Foster-Dimino knocked my socks off. The anthology as a whole mixes short stories with excerpts from longer works. For me, the standouts were: Jillian's introduction; Joe Sacco's "Bitumen or Bust" about tar sands and oil extraction in Northern Canada; Ben Passmore's "Martin Luther King Jr. Was More Radical Than You Think" previously published on The Nib; Sophia Foster-Dimino's "Small Mistakes Make Big Problems" which I had read before in Comics For Choice a collection supporting abortion access; Vera Brosgol's "Be Prepared" from the wonderful YA comic of the same name; and "Hurt or Fuck", a weird beautiful story by Eleanor Davis that investigates the meaning of art, love and human relationships.

[Peacegal · Rating 3 out of 5]

3.5 stars -- As with any varied collection from different artists, there were comics that really intrigued me and others that left me cold. I'm with the other reviewers who were wowed by Joe Sacco's contribution, in which he examines the complicated debate over the Alberta, Canada, tar sands and what they mean for the community and the environment.

[Karl · Rating 3 out of 5]

This was worth it for the Drnaso and Porcellino pieces but my biggest criticism of this particular anthology is that every year on the Notables list at the back of the book the editor always leaves off incredible work by outstanding creators. This years omissions were Jim Woodring ! Micheal DeForge ! Jaime Hernandez ! Even a lesser known Tom Van Deusen did a great book last year.

[Stephane · Rating 3 out of 5]

Book outlet has free shipping for orders over $50. My order was $46, this book was $7. And that's how such things happen.

I know it is a "best of" containing mostly excerpt and also I know this is selected by one individual with whom I am free to agree or disagree. So I am not going to complain about that, the point of this book is to (hopefully) discover some artists and some new path to explore. Some of the selections were too edgy, too experimental for me, even if I am generally open-minded when apprehending comics. I'll try anything, really, and I salute the effort.

Honestly, there was only four artists I knew. Nice to have some original work from Joe Sacco, Bitumen or Bust felt like a lost chapter from Paying the Land. The excerpt from Sabrina made me want to read it again... Vera Brosgol I knew, but never read, and the excerpt makes me think she is somebody that my daughters and I might enjoy reading together, and this is great. I also knew Fanny Britt but that's only because I am from Quebec.

Some artists that were new to me and that I enjoyed, I wrote it here for future reference, with yes or no depending if they are available at my public library.

Sophia Foster-Dimino, Laura Lannes, Jed McGowan (No)
Fanny Britt and Tommi Parrish (Yes)

[Matt Graupman · Rating 5 out of 5]

Clearly any anthology claiming to collect the best comics, American or otherwise, published in any given year is going to take some heat for such a highly subjective endeavor. The “Best American Comics” series has always cleverly sidestepped that criticism through its use of guest editors, who cull the selections of series editor Bill Kartalopoulos into something more esoteric and personal; it’s just that “The Best American Comics According To Neil Gaiman” or “...According To Lynda Barry” is too unwieldy a title. This year’s edition, the 2019 model, is overseen by Jillian Tamaki and it is a winner from top to bottom. Maybe my tastes just align really well with Tamaki’s but I think this volume hits all the right notes. There’s a great mix of styles, tones, subjects, mediums, etc. throughout, with a slight - but well-deserved - emphasis on YA comics. Even the more abstract-y, experimental pieces that always grind “Best American Comics” to a halt are more accessible and interesting than in past years. There’s no doubt in my mind that this 2019 collection is one of the best editions in the anthology’s history.

FAVORITES:
“Selections From ‘King-Cat #78’” by John Porcellino: The self-publishing O.G. trains his gentle eye on the small wonders of the natural world.
“Small Mistakes Make Big Problems” by Sophia Foster-Dimino: A passionate and raw personal defense of pro-choice rights and access.
“Uninhabitable” by Jed McGowan: A lush piece of speculative sci-fi about the pitfalls of terraforming distant worlds for humanity’s benefit.
“Hurts Or Fuck” by Eleanor Davis - A typically poetic and witty exploration of relationship dynamics from the master of poetic and witty comic explorations of relationship dynamics.

[MundiNova · Rating 2 out of 5]

I'm not going to argue about "best" American comics, that's subjective.
But out of 25 comics, I only liked 3 or 4. I went into this book with minimal expectations - just wanting to be exposed to unfamiliar artists. Tamaki and I have different tastes. Now I know which artists I don't care for, so that's a win. Right?

[ashes ➷ · Rating 4 out of 5]

I agree with everyone else and would just like to provide my own favorite pieces. This is an intensely hit or miss collection, which I frankly think is a good thing. Someone coming here to see up-and-coming artists would be well satisfied; someone coming for artsy avante-garde works would be well satisfied; someone coming to see every 'rule' of comics broken would be well satisfied. And someone like me, who just likes comics, was also well satisfied. This was so much fun!

I've marked this book DNF for a perhaps unusual reason; I did go from front to back, but when writing was too hard/dense to read or when I simply wasn't interested, I occasionally skipped a story. I personally believe this is totally normal for a 'best of' list picked by two editors-- no wonder I had some I didn't love! And I still understood why they were chosen. At the end of the day, it's painful to exclude absolutely anyone from the list, and I really appreciated the authors (both those I'd never heard of and those I was familiar with) chosen here.

I'd recommend checking the book out just because I really loved my favorites here, and they absolutely inspired me to go looking for more. So here are those favorites, with some notes! Asterisks denote a writer/artist/project I was previously aware of or had read.

Introduction - Jillian Tamaki*

What a way to capture a moment. Tamaki's introduction was a breeze to read and very thoughtfully put together, along with the wonderful illustrations. An overall great start to the book.

Louis Undercover (Excerpt)* - Fanny Britt and Isabelle Arsenault*

Arsenault is becoming one of my favorite graphic novelists in the game. Her style is simply unforgettable; she works with a beautiful honesty and tenderness all ages can enjoy. I'm envious of the children reading her & Britt's work now who will get that wonderful experience of evolving alongside a favorite text.

Joe Sacco - Bitumen or Bust

A great piece in a traditional black-and-white inking style that, of course, reminds me of Craig Thompson. The style is delightful and the nonfiction worked perfectly; exactly what I want to see more of when I talk about graphic nonfiction. And I really didn't know anything about the topic before, so it says a lot that I found it entertaining and educational.

Vanguard - Leslie Stein

I love seeing this sort of thing-- a self-portrait style cheekily reminiscent of artists like Allie Brosh and Sarah Anderson while maintaining an entirely NEW unique style of minimalist self portraiture. The watercolors are absolute perfection, and the story itself is the cherry on top.

Being an Artist and a Mother - Lauren Weinstein

There are few things better than a writer telling you about something they love. This is the feeling Weinstein's comic has about Modersohn-Becker's art. Weinstein details an intimate connection in a manner that comes off only as honest, without spoiling any of her personal experience. And, yes, we need more mother artists! I can honestly say I had not thought much about mothers making art about motherhood-- rather, unfortunately, mothers making art while escaping the struggles of motherhood-- and this comic gave me a brand new worldview.

Martin Luther King Jr. Was More Radical Thank You Think - Ben Passmore

THE NIB! You know a collection of the best comics can't be complete without something from The Nib. This in particular was a fantastic choice; one I hadn't read before that nonetheless encapsulates so many things about The Nib and the larger comics scene. It's clever, funny, and clearly personal to the artist, not to mention delightfully colorful. This is the kind of work I want to see more of en masse.

King-Cat #78 - John Porcellino

I didn't read every one of these, but the way this man draws his cat deserves an award.

Why Don't We Come Together (Excerpt) - Erik Nebel

I don't think I understood this one, but I loved what it did with comics, and it made me feel a lot of things. And isn't that what's important?

Small Mistakes Make Big Problems* - Sophia Foster-Dimino

I read Comics for Choice back when it first dropped-- I believe I was the one who requested it at my library-- and am unbelievably glad I did. This comic is one of the best without a doubt; it is purposefully difficult to read and effortlessly good. Every tiny moment contributes to the overall experience of reading it and I truly believe it gains every positive it possibly could from the medium in which it's written.

Kindling (Excerpt) - Xia Gordon

Can't say I'd read a full book of this, but a lovely excerpt. Again showcases the bounds of comics and art as a whole. A wonderful expression of talent.

Welcome to O.R.R.A. (Excerpt) - Vera Brosgol*

BROSGOL!!! Oh how I adored her book Anya's Ghost. And having another one-- a Raina Telgemier-style graphic memoir? You should hear the ungodly sounds I am making. I was immediately swept into the story despite having literally everything else in the world to do. And, yes, I desperately want to read the rest now. I can't wait to see Brosgol blow up.

Uninhabitable - Jed McGowan

Evidence you don't have to fully understand art to love it... this was a fantastic little story with real emotional resonance to it.

Sex Positive (Excerpt)* - Remy Boydell*

You KNOW this collection had to include The Pervert by Remy Boydell. Boydell is not just a fantastically talented author/artist but the exact one we need right now. I recall reading all of The Pervert, jaw on the floor, outside of my library in the cold because I just couldn't stop once I'd started. I cannot believe I am alive at the same time as Remy Boydell's work, and I can't believe I'm going to be alive to see MORE! Obviously a pleasure, even as this chapter captures one of the darkest-- and rawest, most honest, best-- moments in the graphic novel.

In Search of Water-Boiled Fish - Angie Wang

This formatting was wonderful! I really enjoyed the comic both as it is in the book and imagining how it must have been online. A cute, minimalist style and a personal story combine for a wonder of enjoyment.

whatsa paintoonist? (Excerpt) - Jerry Moriarty

A great little story with real heart and soul from an artist you can feel the potential in. Beautiful, raw, unbelievably fun despite tough subject matter. Reminds me of Roz Chast in the best of way (those sharp pen lines!)

Perfect Discipline - Tommi Parrish

Another one that made me immediately want to read more! It's incredible to see a life so realistically similar to mine depicted on a comic page, and the style intrigues me. A great excerpt that has me excited to see more from this author.

By Monday I'll Be Floating In The Hudson With The Other Garbage - Laura Lannes

A great example of how slice-of-life memoir writing can perfectly suit a graphic style. An entertaining and swift read, with rewarding details to the painterly style. Also cannot believe the artist maintained this comic diary daily; hats off just for that.

Hurt or Fuck - Eleanor Davis

This was one of the standouts for me, if not just flat out the best. A heart-wrenching story with real depth and power, expressed in the unflinchingly honest linework of the 'amateur' artist.

All in all, great read! Very happy I checked it out. Absolutely look into it if it sounds interesting; guaranteed there's something you'll enjoy here.

[Billie · Rating 3 out of 5]

The problem with the "Best American" collections is that they're highly subjective and very much reflective of the guest editor's tastes. And, if those tastes don't align with those of the reader, there's going to be some readerly disappointment. There were several titles in here that I would agree were among the best I read this year and several that were new to me, but that I will seek out full-length versions of and/or additional works by their creators. Some, though—and maybe it's the nature of excerpts and their inevitable sense of being incomplete—just didn't work for me and didn't feel like the "best" of what American comics creators had to offer. As much as I enjoy and appreciate Tamaki's work, her tastes and my differ greatly. And that's okay. More than okay, really. Reading things outside our comfort zone is how we learn and grow as readers and this collection definitely accomplished at least that much.

[Wendy · Rating 2 out of 5]

This is my first time picking up a book like this. Surprisingly, I only liked 6 out of 25 of the comics in this collection, so I have to say the selection was not really to my taste. I did enjoy stepping a little out of my comfort zone, which honestly made it clearer for me what kind of stories and art that I'm personally drawn to. The comics I enjoyed (in the order they appeared in the book):

1. Self-Love-Cycle by Anatola Howard - lighthearted, funny, easy to read. A silly thought experiment.
2. Vanguard by Leslie Stein - super unique art style with fun shapes and pretty colors. I also related with the artist POV and heartwarming story.
3. King-Cat #78 by John Porcellino - I liked one of the stories in this issue: "Signature Moves of the Varmints." I thought it was a brilliant idea to name and categorize the different interactions you have with your pets.
4. Small Mistakes Make Big Problems by Sophia Foster-Dimino - a powerful, raw story about abusive relationships, abortion, and sexuality. In particular, I liked the different titles at the start of each page that was drawn in a fun style.
5. Welcome to O.R.R.A. by Vera Brosgol - This one read the most as a sophisticated graphic novel. Solid drawings, clear coloring, engaging dialogue and narrative. This one was my favorite; I definitely want to check out more of Brosgol's work.
6. Hurt or Fuck by Eleanor Davis - Something about this overlapping simple sketch style really appealed to me. I didn't super understand the story, especially at the end. Was it all a metaphor? Intriguing in many ways.

[Maria · Rating 3 out of 5]

This was a solid collection of varying comics across different themes and genres that each had their own story and style.
Not a single comic looked alike or read similarly to the last and I enjoyed that. Some were excerpts of a book, some in progress and some were new single comics and while I normally hate getting excerpts in anthology style books, it worked here.

The editors did an excellent job in the selections, that after reading these excerpts I want to go looking for the rest! All in all though there 9 of the comics I loved at first read, a few that were hard to read and made me skip, and others that were just solid but not a instant love which is ok.

[Kathleen · Rating 5 out of 5]

Thank you Jillian Tamaki for bringing a fresh eye and warm perspective to the series. I have been depressed by the negativity and despair prevalent in so many of the collections over the last few years. This was a breath of fresh air, and filled with so many wonderful, unique comics. Really a broad group of immense talent.

[Juju · Rating 5 out of 5]

Sooooo good! I love Jillian Tamaki as an editor here and her style really shines through. Plus the cover art is phenomenal.

Love that she picked a diverse range of artists, and each piece had a very clear intro with a little blurb from the artist. Loved that they allowed each artist to speak for themselves - it lended a lot of helpful context to each story. Nice work!

[Savannah Tracy · Rating 4 out of 5]

I loved some of these and didn’t love others! That’s how it goes.

[Cristen · Rating 3 out of 5]

I skipped quite a few and also loved quite a few. Of course this collection of comics is based off of one persons perspective of what is "best". I wouldn't agree and that's okay.

[Joy Williams · Rating 3 out of 5]

50/50 love/meh. Great variety and I produced some new writers to me

[kate j · Rating 3 out of 5]

3.5– 75% of Jillian Tamaki’s taste was perfectly aligned with mine. The other 25% was drastically different.

[Eric · Rating 3 out of 5]

A little bit typical and predictable, and mostly seemed satisfied with a less than innovative collection overall. I will admit up front that I don't get excited about most partner autiobios and relationship examination comics these days, only because there has been so much of this material in alternative and literary comics over the last five years. Guest editor Jillian Tamaki focuses most of the collection on familiar traditions, and in several cases, less than inspired material.
Tamaki makes an empowering statment by featuring more women cartoonists, and the opening piece by Lale Westvind is the real stand out piece of the whole volume, being visually interesting and engaging in how it delivers its message. Other favorites for me were the humorous irony of E.A. Bethea's short piece and Joe Sacco's look at the oil industry and its working community was uncommonly balanced and insightful for a hot topic documentary piece, not to mention one of the better pieces I have read by Sacco. There is an interesting piece by a pro-choice activist that is compelling, but also gut wrenchingly depressing as the cartoonist gives an account of how she imagines what her aborted child might be doing if alive, along with recounting her frail emotional state she experienced after the surgery as she affirms her pro-choice stance with a sense of lingering doubts. I have to admire her for her honesty in recounting her personal experience in this matter, especially where it is not the popular portrayal of abortion in the pro-choice arena of objective pragmatics.
There are a few pieces that dwell on numb insecurities and obscure or empty sexual meaning that I could have passed on. There were also two or three fairly amateur pieces that did very little of anything and seemed an unfortunate waste of space.
For the most part what is here is reasonably good, but not one of the more innovative or inspiring volumes. It is a fine, but not great.

[Charles Hatfield · Rating 5 out of 5]

A particularly strong edition of this annual series, distinguished by its range and variety, yet somehow still aesthetically unified. From experimental minicomix and webcomix, to mainstream graphic books for young readers, this is an incredible snapshot of the current American comics field. Full review at https://www.kindercomics.org/blog/bes....

[Drew Canole · Rating 3 out of 5]

Bill Kartalopoulos announced that the series has been cancelled, so this will be the final volume. I'm going to miss it! I enjoyed getting a snap shot each year of what's going on in American comics.


http://on-panel.com/BAC/

[Al McCarty · Rating 3 out of 5]

This is the first volume in this series that is have read edited by someone I’ve never heard of, and is also the single volume I have enjoyed the least. Coincidence?
I must say that I don’t care for at least half of the work here.!

[Lisa · Rating 4 out of 5]

I enjoyed this. Were the pieces selected the best of what was published all year? I have no idea, not being that immersed in the comics world. A few left me flat, a few were good but not amazing, and a few knocked me out and were added to the list of full-length works that I want to check out when I can: Fanny Britt and Isabelle Arsenault's Louis Undercover, Joe Sacco's "Bitumen or Bust" (mostly for the drawing, which my crosshatching self loves) in Global Warming and the Sweetness of Life, Vera Brosgol's Be Prepared, Nick Drnaso's Sabrina,, Connor Willumsen's Anti-Gone, and Eleanor Davis's "Hurt or Fuck" in Now #1—she's someone I really want to see more of; I love her handling of bodies and the way they occupy space. Also really liked Lauren Weinstein's "Being an Artist and a Mother," which I remember from the New Yorker. This was a good introduction for me to work that's being done right now—I fell off the comics map (or I guess it fell off of my map) years ago, but have been wanting to pick up more graphic narrative stuff lately. This is a good push in the right direction... I wish my library had more editions of this series in ebook format, but I guess you can't have everything.

[Edwin Arnaudin · Rating 4 out of 5]

After bailing on last year's dreadful collection, it was a delight to experience Tamaki's intelligent selections. Joe Sacco and Nick Drnaso are familiar but welcome picks; I'll be sure to check out more offerings from Lauren Weinstein, Ben Passmore, Erik Nebel, Sophia Foster-Dimino, Jed McGowan, and Angie Wang; and I'm most likely to explore the following selected excerpts' full-length versions:

-Grip, Vol. 1 (Lale Westvind)
-Louis Undercover (Fanny Britt and Isabelle Arsenault)
-Welcome to O.R.R.A. (Vera Bristol)
-Angi-Gone (Connor Willumsen)
-whatsa paintoonist (Jerry Moriarty)
-By Monday I'll Be Floating in the Hudson with the Other Garbage (Laura Lannes)

[Eric · Rating 3 out of 5]

Is there any medium right now that is so rich in its diversity? And I mean that in all interpretations of that word. What used to be primarily a creative ghetto of often overly creepy white guys is (at least as evidenced by this anthology) now a wondrous kaleidoscope of artistic voices.

As an aging white guy, though, I’m both energized by this collection and left feeling old, overly orthodox, and little left out. So any review of this collection feels inadequate because I feel ill-equipped to really make any authoritative judgment on the work here. So I’ll play it safe and go right down the middle, but still recommend it highly.

[Tash · Rating 5 out of 5]

I am a huge fan of Jillian Tamaki. So when I saw that she edited the newest “Best American Comics”, I ordered it right away.

Tamaki’s editors note is brilliant and incisive, and she did in this collection what she explicitly sought out to do- to create a time capsule for 2019, for all the art created in the messiness as forms of critique, reflection and escape.
These comics range from totally surreal and textless to memoir-style comics about abortion and the Alberta tar sands.
They’re gorgeous, full of heart, informative. Totally worth a rent or purchase!

[T. Augenblick · Rating 2 out of 5]

I don't want to get into specifics, but I found that many of these stories were either about trivial or nonsensical events, or were so crudely or minimally drawn that I concluded that their creators were in the wrong line of work. The best comics, in my view, combine great technical ability, visual innovation, and a moving and compelling story. (Chris Ware's work is a shining example.) There are a few stories here that approach that level, but on the whole, the volume is a disappointment; I finished it very quickly, finding little to linger over.

[Sarah :) · Rating 4 out of 5]

I really enjoyed most of the comics in here. Others, I found much too abstract even for my taste, or merely irritating in their subject matter. (The one about the man dog and the bunny or dog ((I couldn't tell)) irked me especially, because it seemed like a violation of that person's privacy & I am a firm believer in the fact that just because something is sad doesnt mean it is good fictionalized.) The art in all of them was beautiful and showed real technical skill, and I think overall this was good.

[Christine · Rating 4 out of 5]

I haven't read one of these in years, but I've been writing about visual culture a lot recently and I needed to look at some visual storytelling. Favorites included: Louis Undercover, Bitumen or Bust, Dognurse, Martin Luther King, Jr. Was More Radical Than You Think, Sabrina, Sex Positive, and Hurt or F--k. But my absolute favorite was Angie Wang's In Search of Water-Boiled Fish -- beautiful to look out, a compelling story about food and craving and homeland and nostalgia. Also, I seriously want to go back to Shanghai now.

[cedarluv · Rating 4 out of 5]

All of these comics are sooo Jillian Tamaki. I love her taste. Very autobiographical, stream of consciousness, a vast variety of structured and flowing compositions, and simplistic art styles. Some of them were a bit too metaphorical for me to understand but I really appreciate the Tamaki’s embrace of the experimental.
Very sad to find out that this series ended here. I would’ve loved to see what discover new comics that sprouted out of the pandemic.