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Об искусстве

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Эстетика выдающегося французского поэта конца XIX - первой половины XX века П.Валери с ее культом испытующего разума, предельно ясного творческого самосознания, с ее критикой своевольного и социально опасного анархизма в искусстве противостоит тому духу "модерна", которому Валери был враждебен всю свою жизнь. Вместе с тем, сознавая, что живет в переломное время, испытав сильнейшее влияние Р.Вагнера, Ф.Ницше и особенно С.Малларме, он предугадал и сформулировал целый ряд основополагающих принципов самого передового искусства XX века. Предыдущее издание вышло в 1976 году.

512 pages, Paperback

Published January 1, 1993

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About the author

Paul Valéry

557 books461 followers
Ambroise-Paul-Toussaint-Jules Valéry was a French poet, essayist, and philosopher. His interests were sufficiently broad that he can be classified as a polymath. In addition to his fiction (poetry, drama and dialogues), he also wrote many essays and aphorisms on art, history, letters, music, and current events.

Valéry is best known as a poet, and is sometimes considered to be the last of the French Symbolists. But he published fewer than a hundred poems, and none that drew much attention. On the night of 4 October 1892, during a heavy storm, Paul Valéry entered an existential crisis, which made a big impact on his writing career. Around 1898, his writing activity even came to a near-standstill, due partly to the death of his mentor Stéphane Mallarmé and for nearly twenty years from that time on, Valery did not publish a single word until 1917, when he finally broke this 'Great Silence' with the publication of La Jeune Parque at forty-six years of age. This obscure but superbly musical masterpiece, of 512 alexandrine lines in rhyming pairs, had taken him four years to complete, and immediately secured his fame. It is esteemed by many in France as the greatest French poem of the 20th century.

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