A fun pop-feminist read with a lot of interesting facts and anecdotes—I enjoyed myself, and walked away with some fun information to share—but not much serious analysis. Some major gaps in the content suggest Sollee is not particularly interested in doing that analysis.
Most glaringly, for the book’s many mentions of cats used for protest, propaganda, and personal empowerment, I don’t think Solle even once attempts to assess the actual impact of these attempts. Did the p*ssyhat, W.I.T.C.H., and pet-focused tarot readings accomplish any type of measurable, material success? What does personal empowerment actually mean beyond a subjective sense of confidence? Were some of the methods Sollee describes more effective or impactful than others? Sollee doesn’t engage with or even gesture toward any of these questions.
Although Sollee does some intersectional-feminist posturing and touts the worldwide/cross-cultural ubiquity of some cat tropes, her focus is almost exclusively white, cisgender, American, and conventionally feminine. She drops in examples of cats in Eastern and nonwhite cultures every now and then, but examines them exclusively through a white, Western lens. The chapter on Hello Kitty, for example, is written entirely from white, American women’s perspectives despite the phenomenon’s Japanese heritage and despite the fact that Sollee traveled to Japan to study it. Not that there’s anything wrong with focusing more narrowly on cats in Western culture; I just wish Sollee had owned that that’s what she was doing, and maybe replaced some of the weaker, less relevant content with a deeper dive into areas more in her wheelhouse.
In addition, Sollee’s examples seem cherrypicked to support a particular type of uniform cat culture: feminine but not domesticated, feral but not violent, sexual but not pornographic—even, somehow, in the chapter on a porn convention—and her text fails to mention or engage with feline cultural touchstones that don’t fit her vibe. Conspicuously missing, without a single mention, are the massively influential, masculine cats our generation grew up on: the bloodthirsty clans of Warriors, Felidae’s Francis and Claudandus, Germans represented as cats in Pulitzer-winning Maus, Thundercats, Swat Kats, Cats the musical, the male-dominated casts of The Aristocats and The Lion King, and regal male cats from Bagheera to Aslan, who were a staple of cartoons and adventure stories.
Not a bad read, just not a heavy hitter if you’re looking for theory.