This collection of fourteen new essays explores Irish theatre from exciting new perspectives. How has Irish theatre been received internationally - and, as the country becomes more multicultural, how will international theatre influence the development of drama in Ireland? As Ireland changes, how should we think about the works of familiar figures - writers like Synge, O'Casey, Friel, Murphy, Carr, and McGuinness? Is the distinction between popular and literary drama tenable in a Celtic Tiger Ireland where the arts and economics are becoming increasingly intertwined? And is it time to remember less established Irish writers? Drawing together a range of international experts, this book aims to answer these and many other important questions.
Patrick Lonergan is Professor of Drama and Theatre Studies at National University of Ireland, Galway and a member of the Royal Irish Academy.
He has edited or written eleven books on Irish drama and theatre, including Theatre and Globalization (winner of the 2008 Theatre Book Prize), The Theatre and Films of Martin McDonagh (Methuen Drama, 2012), Theatre and Social Media (2015) and Irish Drama and Theatre Since 1950 (Bloomsbury, 2019).
For Methuen Drama, he is co-editor of the ‘Critical Companions’ series which has published new books on such dramatists as Friel, Murphy, Pinter, Beckett, Churchill, Hwang, and Ruhl, and on topics including disability theatre, verse drama, and the British and American stage musical.
He has lectured widely on Irish drama internationally, including recently in Princeton, Florence, Florianapolis (Brazil), Wroclaw, and Tokyo.