read for *uni* for analysis on gender in lysistrata
taaffe is fantastic anyway, but the way in which she focuses on the fact that these women on the stage are displaying transvestite comedy - so the audience are always aware of their real gender - is absolutely fantastic. we love a good bit of metatheatrical analysis.
i also liked the work on the spectator's gaze / the male gaze through dolan's (1988) film criticism - it's nice to see classicists break out of classical confines and use other disciplines' research.