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The Michael Gray Novels: The Murder of Eleanor Pope, The Murder of Ann Avery, Murder of a Mistress, and Murder of a Wife
From “a neglected master”: All four murder mysteries featuring the psychoanalyst turned sleuth in 1950s San Francisco (Ray Bradbury, author of Fahrenheit 451).
Dr. Michael Gray is constantly drawn into the lives, and murders, of his clientele. Fortunately, this unconventional detective’s eye for human behavior just might keep him out of mortal danger . . .
The Murder of Eleanor Pope: When a woman is killed in a foggy San Francisco park, the police suspect it was a robbery gone terribly wrong, but Dr. Gray’s troubled new patient may be the key to the truth.
The Murder of Ann Avery: Everyone thinks a juvenile delinquent murdered Ann Avery, but Dr. Gray has a whole list of potential suspects—if someone doesn’t kill them first.
Murder of a Mistress: When a call girl is murdered, four people confess to the deed. But the evidence points to one of Dr. Gray’s patients. Heiress Eileen Herrick may be a wild child, but Gray is out to prove she’s no killer.
Murder of a Wife: Dr. Gray’s new patient is housewife Karen Champion. He was warned she’s a pathological liar, but he finds it difficult to ignore her claim that her husband is trying to kill her . . .
“Kuttner is magic.” —Joe R. Lansdale, author of The Thicket
Dr. Michael Gray is constantly drawn into the lives, and murders, of his clientele. Fortunately, this unconventional detective’s eye for human behavior just might keep him out of mortal danger . . .
The Murder of Eleanor Pope: When a woman is killed in a foggy San Francisco park, the police suspect it was a robbery gone terribly wrong, but Dr. Gray’s troubled new patient may be the key to the truth.
The Murder of Ann Avery: Everyone thinks a juvenile delinquent murdered Ann Avery, but Dr. Gray has a whole list of potential suspects—if someone doesn’t kill them first.
Murder of a Mistress: When a call girl is murdered, four people confess to the deed. But the evidence points to one of Dr. Gray’s patients. Heiress Eileen Herrick may be a wild child, but Gray is out to prove she’s no killer.
Murder of a Wife: Dr. Gray’s new patient is housewife Karen Champion. He was warned she’s a pathological liar, but he finds it difficult to ignore her claim that her husband is trying to kill her . . .
“Kuttner is magic.” —Joe R. Lansdale, author of The Thicket
825 pages, Kindle Edition
First published September 28, 2014
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About the author
Henry Kuttner
739 books208 followersHenry Kuttner was, alone and in collaboration with his wife, the great science fiction and fantasy writer C.L. Moore, one of the four or five most important writers of the 1940s, the writer whose work went furthest in its sociological and psychological insight to making science fiction a human as well as technological literature. He was an important influence upon every contemporary and every science fiction writer who succeeded him. In the early 1940s and under many pseudonyms, Kuttner and Moore published very widely through the range of the science fiction and fantasy pulp markets.
Their fantasy novels, all of them for the lower grade markets like Future, Thrilling Wonder, and Planet Stories, are forgotten now; their science fiction novels, Fury and Mutant, are however well regarded. There is no question but that Kuttner's talent lay primarily in the shorter form; Mutant is an amalgamation of five novelettes and Fury, his only true science fiction novel, is considered as secondary material. There are, however, 40 or 50 shorter works which are among the most significant achievements in the field and they remain consistently in print. The critic James Blish, quoting a passage from Mutant about the telepathic perception of the little blank, silvery minds of goldfish, noted that writing of this quality was not only rare in science fiction but rare throughout literature: "The Kuttners learned a few thing writing for the pulp magazines, however, that one doesn't learn reading Henry James."
In the early 1950s, Kuttner and Moore, both citing weariness with writing, even creative exhaustion, turned away from science fiction; both obtained undergraduate degrees in psychology from the University of Southern California and Henry Kuttner, enrolled in an MA program, planned to be a clinical psychologist. A few science fiction short stories and novelettes appeared (Humpty Dumpty finished the Baldy series in 1953). Those stories -- Home There Is No Returning, Home Is the Hunter, Two-Handed Engine, and Rite of Passage -- were at the highest level of Kuttner's work. He also published three mystery novels with Harper & Row (of which only the first is certainly his; the other two, apparently, were farmed out by Kuttner to other writers when he found himself incapable of finishing them).
Henry Kuttner died suddenly in his sleep, probably from a stroke, in February 1958; Catherine Moore remarried a physician and survived him by almost three decades but she never published again. She remained in touch with the science fiction community, however, and was Guest of Honor at the World Convention in Denver in 198l. She died of complications of Alzheimer's Disease in 1987.
His pseudonyms include:
Edward J. Bellin
Paul Edmonds
Noel Gardner
Will Garth
James Hall
Keith Hammond
Hudson Hastings
Peter Horn
Kelvin Kent
Robert O. Kenyon
C. H. Liddell
Hugh Maepenn
Scott Morgan
Lawrence O'Donnell
Lewis Padgett
Woodrow Wilson Smith
Charles Stoddard
Their fantasy novels, all of them for the lower grade markets like Future, Thrilling Wonder, and Planet Stories, are forgotten now; their science fiction novels, Fury and Mutant, are however well regarded. There is no question but that Kuttner's talent lay primarily in the shorter form; Mutant is an amalgamation of five novelettes and Fury, his only true science fiction novel, is considered as secondary material. There are, however, 40 or 50 shorter works which are among the most significant achievements in the field and they remain consistently in print. The critic James Blish, quoting a passage from Mutant about the telepathic perception of the little blank, silvery minds of goldfish, noted that writing of this quality was not only rare in science fiction but rare throughout literature: "The Kuttners learned a few thing writing for the pulp magazines, however, that one doesn't learn reading Henry James."
In the early 1950s, Kuttner and Moore, both citing weariness with writing, even creative exhaustion, turned away from science fiction; both obtained undergraduate degrees in psychology from the University of Southern California and Henry Kuttner, enrolled in an MA program, planned to be a clinical psychologist. A few science fiction short stories and novelettes appeared (Humpty Dumpty finished the Baldy series in 1953). Those stories -- Home There Is No Returning, Home Is the Hunter, Two-Handed Engine, and Rite of Passage -- were at the highest level of Kuttner's work. He also published three mystery novels with Harper & Row (of which only the first is certainly his; the other two, apparently, were farmed out by Kuttner to other writers when he found himself incapable of finishing them).
Henry Kuttner died suddenly in his sleep, probably from a stroke, in February 1958; Catherine Moore remarried a physician and survived him by almost three decades but she never published again. She remained in touch with the science fiction community, however, and was Guest of Honor at the World Convention in Denver in 198l. She died of complications of Alzheimer's Disease in 1987.
His pseudonyms include:
Edward J. Bellin
Paul Edmonds
Noel Gardner
Will Garth
James Hall
Keith Hammond
Hudson Hastings
Peter Horn
Kelvin Kent
Robert O. Kenyon
C. H. Liddell
Hugh Maepenn
Scott Morgan
Lawrence O'Donnell
Lewis Padgett
Woodrow Wilson Smith
Charles Stoddard
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Displaying 1 of 1 review
June 6, 2021
I liked the process of analysis the Psychiatrist describes in the four books. I enjoyed two of them a lot and found the other two readable but not as interesting. The twists and turns were excellent overall.
Displaying 1 of 1 review