With Mary Downing Hahn's The Girl in the Locked Room: A Ghost Story, I do have to admit that this is one of those stories where I have been so personally and massively disappointed with and by (in particular) the ending that my reading pleasure has in fact and indeed been lastingly and negatively affected (and to such an extent that I really have ended up not enjoying the story as a whole nearly as much as I had fondly assumed and hoped I would). For yes, I was kind of majorly wanting and even totally expecting after Jules and her new friend Maisie had convinced ghost girl Lily to leave the locked room and change the past (to save her artist father and her mother from being murdered and by extension also her from dying of hunger and thirst in the locked room which she had of course been afraid to leave since her father had told her to hide and to only come out when called) that in fact and indeed, not only the past but also the future (the present) had been truly and realistically altered. In other words and very much alike to Antonia Barber's novel The Ghosts, that the Bennet family names on the cemetery headstone would also disappear (or at least appear as them not having been murdered but dying of normal old age sometime in the future), that Lily's family had thus not simply moved into some kind of alternative existence (with Lily, spurned on by Jules and Maisie, truly having changed the reality of the past so that she and her parents not only survived the attack, the home invasion, but continued to live and prosper at Oak Hill, and that the murder of artist Henry Bennet and his wife had thus never happened, that Lily and Aunt Nellie had saved them and indeed that chief villain Mr. Bailey was in absolute reality the one who had ended up killed, with his coconspirator Ellis Dixon imprisoned and tied up, and not just in some alternative type of life, some alternate universe so to speak, but in actual and total reality).
Now while my problems with the ending are of course being a mostly personal quibble, and even though I have found much of The Girl in the Locked Room: A Ghost Story an engagingly sweet ghost (and time slip) tale that also presents and features important messages (lessons) regarding friendship, bravery and yes, that parents do need to consider their children's wishes and their need for a stable and not constantly changing existence and not just their own desires and wants, from a purely personal reading enjoyment point of departure, I have found The Girl in the Locked Room: A Ghost Story definitely not what I was expecting according to the GR book description (which in my opinion certainly does seem to insinuate that Jules and Maisie do help Lily change the past). And therefore, only a two and a half star ranking from me, but rounded down to two stars, as I also and sadly have found Jules' artist parents rather neglectful and nonchalant towards their daughter at best, with the father until the very end of the novel stubbornly insisting on continuing his nomadic life of travelling around the country restoring historic buildings and the mother (who is a writer) also often seemingly using her daughter's, using Jules' unhappiness and even her anger at how she is always forced to change schools and can thus never really make lasting friends as intellectual, as thematic fodder for her novels, for her literary characters (and yes, this is such a nasty difference if one looks at Henry Bennet, who although he is an artist and also a very famous one, never once loses sight of the fact that he has a family and that his family comes first). And even though by the end of The Girl in the Locked Room: A Ghost Story, Jules' family does appear to be described by Mary Downing Hahn as staying on in Hillsborough on a more permanent basis, I do still feel (inside of me) that the father in particular is likely only staying because this place looks like a good career opportunity for him and indeed that if something better and more tempting (historic house restoration wise) were coming along, that he would more than likely once again not at all hesitate to once again uproot his family and leave like a total and utter nomad.